Musetta
Rodolfo
Marcello
2016-06-08
9
Bellini - i Capuleti e i Montecchi at the Gran Teatre del Liceu, Barcelona
The arrival of the mining company Osisko creates a lot of excitement in Malartic, a small community of 3600 souls in Quebec, Canada. Faced with the implacable Mining Act, which prioritizes the right to exploit subsoil resources rather than the right to property, many families and seniors need to write off certain elements of their heritage plus a part of their lifestyle to make room for the largest open-pit gold mine in Canada. The characters in Others' Gold experience in their own way this major change that will affect their lives and urban environment.
Dangers of an influenza pandemic are explored in a fictional scenario that begins with a young Hong Kong businesswoman being sneezed upon by a butcher who had cut up an infected pig. As the hour traces the history of influenza back some 4500 years, it tracks the progression of the virus in “patient zero,” and the virus's transmission around the world. She infects 13 people on a flight to London, and 43 million are sick within a week.
Johanna has fled Nazi Germany to visit a friend in Finland, and from there she continues on to her friend's family's estate. Once at the estate, Johanna passionately argues with her friend's pro-Nazi brother and at the same time, falls for the second, good-looking brother who shares her own anti-fascist feelings. The two are soon engaged in an active sexual relationship that continues as they travel north to an Arctic port.
In a forest in the mountains, a little girl makes a mysterious encounter.
The documentary reports on the issues surrounding the construction of the Rokkasho Reprocessing Plant in Aomori Prefecture, especially focusing on the lives of the nearby residents who, while nervous about the dangers of radiation, continue living near the plant. It also covers the protests against the plant.
A newly designed spacecraft capable of going through time is sent to Mars to rescue a crew previously lost on Mars. The ship is sent through the past but to the wrong time, years later than the first crew. Once they land on Mars, the crew finds that it is a place where Bararians rule. The leader of the Barbarians is a female battle warrior named Giza that wants their ship to use as her own chariot through time where she hopes to steal the ancient power of the Masha. With that power, she will gain complete control of the Siperion Empire. - Empire of Danger is the sequel to the movie "Lost on Mars"
A fever dream vision into the dark history behind the US housing economy. Tracking its overtly racist beginnings to its unbridled commoditization, the doc exposes a foundational story few Americans understand as their own.
In a prologue and four acts (the prologue and the first act are lost so is necessary to describe what happens with title cards) the film depicts the terrible dream of Asmus wherein the devil joins the human world disguised as a tinker. He meets Frau Ane, Asmus' wife; Ane yearns to have a baby but in vain so the devil takes advantage of Frau Ane's motherly inner desire by making a deal with her but for his own purposes. As a result, the farmer's wife comes under the devil's spell and then seduces the local priest, giving the devil to chance to build his own church to replace the old church that has burned down.
The experimental work consists of several fragments, demonstrating the use of color in film: showing paintings of Soviet art, photography parade on first of May on Red Square in 1934-1935, recording a working amateur and sketch of Soviet Georgia.
A big city food critic finds herself stuck in a small town for Christmas where she discovers a life-changing hot chocolate recipe.
Tom is a small-time drifter without a care in the world until he finds himself trapped on a dangerous, remote island and infatuated with a mysterious young woman who seems part beautiful innocent, part not-so-innocent.
Something pierces the boredom and unconscious dailiness of life for a young woman working in a dress shop.
Murder drama set in Soho involving a police inspector, a newspaper reporter and a country girl.
A British psychiatrist reads an amnesiac's (Maxwell Reed) brain waves and sees the mind of a killer.
Adaptation of John Gay's 18th century opera, featuring Laurence Olivier as MacHeath and Hugh Griffith as the Beggar.
Robert Lepage’s remarkable Met Opera production of Wagner’s Der Ring des Nibelungen, the 2013 Grammy Award Winner for Best Opera Recording, is now available as individual DVDs. Siegfried features Bryn Terfel, Jay Hunter Morris, and Deborah Voigt, with Fabio Luisi conducting.
Ring Cycle, pt 4. Siegfried is drugged and tricked into kidnapping his wife, since she has the Ring now. More double-crossings, Siegfried ends up dead. Brunnhilde has had enough of this, tosses the Ring into the river and torches the place.
Bizet’s rarely heard opera returned to the Met for the first time in a century on New Year’s Eve 2015, in Penny Woolcock’s acclaimed new production. Star soprano Diana Damrau sings Leïla, the virgin priestess at the center of the story. Matthew Polenzani and Mariusz Kwiecien are Nadir and Zurga, rivals for Leïla’s love who have sworn to renounce her to protect their friendship—and who get to sing one of opera’s most celebrated duets, “Au fond du temple saint.” Nicolas Testé is the high priest Nourabad and Gianandrea Noseda conducts Bizet’s supremely romantic score.
It is a rare opera indeed that calls for one soprano diva and no fewer than six tenors. Mary Zimmerman’s fanciful production of Rossini’s drama, designed by Richard Hudson and with choreography by Graciela Daniele, provides the perfect setting for superstar Renée Fleming’s captivating performance of the title role. A beautiful but evil sorceress in the times of the Crusades, Armida sets out to regain the love of the Frankish knight Rinaldo (Lawrence Brownlee) by putting her magical spells on him. She at first succeeds to draw him into her web of sorcery, but ultimately divine intervention—and his fellow soldiers—free Rinaldo from his enchantment—much to the vengeful fury of Armida and her demons.
Three arias from Antonín Dvořák´s fairytale opera Rusalka turned in to a movie, sung by Gabriela Beňačková (Rusalka), Libuše Márová (Witch), René Tuček (Hunter).
This all-star cast is framed by Peter Hall’s gritty, realistic production and conducted by James Levine, who brings out all the surging emotion and gripping drama in Bizet’s score. At the center of the story is Agnes Baltsa, whose smoky mezzo is tailor-made for the gypsy Carmen, an independent woman who glories in obeying only her own rules, but who is haunted by fate. Superstar tenor José Carreras is Don José, the solider from a small town who catches Carmen’s eye and is destroyed by his growing obsession with her. Samuel Ramey is the charismatic matador Escamillo, who lures Carmen away from Don José with tragic result. Leona Mitchell is Micaëla, the simple girl from Don José’s hometown who cannot save him. March 21, 1987 Matinee Broadcast.
Director David McVicar’s new production brings opera’s favorite double bill to new life, setting the two operas in the same Sicilian setting, separated by two generations. Marcelo Álvarez takes on the rare feat of singing both leading tenor roles. In Cavalleria, he is Turiddu, the young man who abandons Santuzza (Eva-Maria Westbroek) in his pursuit of the married Lola (Ginger Costa-Jackson)—and ends up being killed in a duel with her husband, Alfio (George Gagnidze). In Pagliacci, Álvarez is Canio, the leader of a traveling vaudeville troupe. Patricia Racette sings Nedda, his unfaithful young wife, whose plans to run away with her lover are foiled by her spurned admirer Tonio (George Gagnidze)—with equally tragic consequences. Met Principal Conductor Fabio Luisi is on the podium.
Two-time Tony Award–winning composer Jeanine Tesori’s powerful new opera Grounded, commissioned by the Met and based on librettist George Brant’s acclaimed play, wrestles with the ethical quandaries and psychological toll of 21st-century warfare.
The gorgeous and evocative Otto Schenk/Günther Schneider-Siemssen production continues with this second opera in Wagner’s Ring cycle. Hildegard Behrens brings deep empathy to Brünnhilde, the favorite daughter of the god Wotan (James Morris) who nevertheless defies him. Morris’s portrayal of Wotan is deservedly legendary, as is Christa Ludwig, as Fricka. Jessye Norman and Gary Lakes are Sieglinde and Siegmund, and Kurt Moll is the threatening Hunding. James Levine and the Met orchestra provide astonishing color and drama. (Performed April 8, 1989)
Siegfried is the third of the four operas that constitute Der Ring des Nibelungen (The Ring of the Nibelung), by Richard Wagner.
Tenor Jonas Kaufmann is riveting as the title character of Gounod’s popular opera, seen in this Live in HD presentation of Des McAnuff’s thrilling 2011 production that places the mythical and timeless story in an early 20th-century setting. René Pape as Méphistophélès is menacing and elegant in equal measure, and Marina Poplavskaya delivers a searingly intense portrayal of the innocent Marguerite. Russell Braun as her brother, Valentin, shines in his Act II aria. On the podium, Yannick Nézet-Séguin brings out all the lyricism and drama of Gounod’s score.
Richard Eyre’s stunning new production of Bizet’s opera was the talk of the town when it was unveiled on New Year’s Eve 2009. Elīna Garanča leads the cast as the iconic gypsy of the title—a woman desired by every man but determined to remain true to herself. Roberto Alagna is Don José, the soldier who falls under her spell and sacrifices everything for her love, only to be cast aside when the toreador Escamillo (Teddy Tahu Rhodes) piques Carmen’s interest. With dances created by star choreographer Christopher Wheeldon and conducted by rising maestro Yannick Nézet-Séguin, this Carmen brings every aspect of Bizet’s tale to thrilling life, from its lighthearted beginning to its inevitably tragic climax.
Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Viennese composer Wolfgang Amadeus Mozart.
One of opera's most vivid and compelling characters, a vengeful court jester, desperately tries to protect his daughter from disaster in this heart-wrenching tragedy. The first of two world-class casts led by Music Director Nicola Luisotti stars Željko Lučić, "whose vocal artistry is exceptional" (The New York Times); Aleksandra Kurzak, "a superstar in the making" (The Guardian, London); and, as the lecherous Duke, Francesco Demuro, "whose open, bright, superbly focused tone was reminiscent of Pavarotti" (Opera News).
A collaboration between award-winning American filmmaker Sofia Coppola and Italia haute couture king Valentino comes in the form of a revival of Giuseppe Verdi's classic opera, La Traviata. Captured live from the Teatro dell'Opera di Roma.
An aging opera singer looks back on her long life, including her relationships with her vocal teacher and a student.
Franco Zeffirelli directs these two legendary La Scala productions telling tragic tales of jealousy. Mascagni's Cavalleria Rusticana features performances by Elena Obraztsova, Plácido Domingo, and Renato Bruson. Leoncavallo's I Pagliacci stars Teresa Stratas, Plácido Domingo, and Juan Pons. Both are conducted by George Pretre. This production of Pagliacci earned director Franco Zeffirelli the coveted Emmy as Best Director in the category of Classical Music Programming.
At the beginning of 1964, the music world experiences something completely unexpected. Maria Callas returns to the opera stage as the prima donna. Her “Tosca” at the Royal Opera House becomes a sensation. Maria Callas wants to show everyone once again that she deserves the title of “prima donna assoluta.” On the condition that star director Franco Zeffirelli take over the direction, the exceptional singer agrees to sing the role of Tosca. The BBC recorded the 2nd act of the opera for television. It is one of the most dramatic acts in opera history: in order to free the painter Cavaradossi from the hands of torturers, Tosca ends up murdering the police chief Scarpia. The film footage is one of the rare opportunities to see Maria Callas in an opera performance and to experience her highly emotional performance art and vocal abilities...