A mysterious young man enters a taxi cab late at night, convinced that he will commit a hideous crime at journey's end, but his driver seems to have a different opinion on the matter. Could a discussion between two strangers change everything?
Martin
Taxiförare
Mafiamedlem
A mysterious young man enters a taxi cab late at night, convinced that he will commit a hideous crime at journey's end, but his driver seems to have a different opinion on the matter. Could a discussion between two strangers change everything?
2019-10-16
5.5
Could a discussion between two stranders change everything?
A short documentary about Tehran's taxi drivers and their problem with the new taxi meters.
In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.
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After their teacher fails them, two high school students decide to teach the imperious, demanding instructor a lesson by falsely accusing her of the murder of a missing student.
6th Photobook shot in Okinawa & Tokyo & Hokkaido & Hawaii.
A series of bizarre murders. Psychometer Rinko cooperates with detectives in the investigation. The investigation is a difficult one, and the only clues are Rinko's visions when she is in ecstasy, and the crazy smile of a creepy man that appears vaguely.
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Pluto's primitive wolf nature emerges and berates him for going soft. But their little hunting trip goes bad when Pluto encounters a rabbit and bear that give him some trouble.
A house burns to the ground and the occupants perish. As the fire rages through the house, the family's efforts to escape are futile. Doors, walls, objects stand in the way. As the dying transform into spirits, the voices of the house resonate. Before they head to wherever it is spirits go, death decides to put on a nice little vaudeville show to cheer up the recently dead. Only in death do we truly silence ourselves.
A group of misfit soldiers are desperately trying to fiddle themselves some leave. Instead they wrangle a posting to the British Middle-East protectorate of Darawa. Their frustrations and disappointment at landing one of the harshest territories is compensated when they discover a secret passage to the King's harem.
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An angry girlfriend's infernal hunt of the man who broke her heart.
Hartmann proposes a 76-minute film in which each minute stands for a year of his life. This obsessive rule is invoked in the last 4 “years” of his life (and of the film). A cable-car journey codes in its own duration the secret of a perdurable shot. A poetic emancipation by a young filmmaker: a life plan finding its right frame. Roger Koza
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