The Bolshoi with Alexei Ratmansky, revive Shostakovich’s ballet
Ivachka
Nastya
0.0On Christmas Eve, Marie is given a wooden nutcracker as a gift. When the clock strikes midnight, the Nutcracker transforms into a prince and saves Marie from the Mouse King and his army. This beloved holiday classic will enchant the whole family with its fairytale setting and Tchaikovsky’s timeless score. This live version of The Nutcracker, created for the Bolshoi by Yuri Grigorovich, is full of romanticism and philosophical reflections on ideal love.
6.9Louise, ballerina at the Garnier Opera in 1895, rushes home after a show but is stopped by a friend asking for money. Louise knows what to do in order to repay her.
6.0Lis Jepessen dances the lead role of La Sylphide -- a beautiful forest sprite who entrances Scottish farmer James (Nikolaj Hubbe) with her radiance -- in this memorable stage adaptation of August Bournonville's most enduring work, a piece he created for the Royal Danish Ballet in 1836. Sorella Englund co-stars as Madge, a vengeful witch and fortune-teller who, after being spurned by James, resolves to destroy his future.
3.0Paris, the middle of the XIX century. Young Marius Petipa is going on a long journey to St. Petersburg, where he is invited to become the first dancer. He doesn't know that his life will develop both happily and dramatically, and his work will be the glory and pride of Russian ballet.
0.0The one act performance by choreographer Yuri Possokhov pays homage to the celebrated founder of the fashion house that bears her name and features a stunning display of Chanel costumes specially created for the ballet. Created specifically for Zakharova, the ballet "Gabrielle Chanel" recounts the most memorable moments of the work and life of the French fashion designer, who died in 1971 aged 87.
5.8Asher is a former Mossad agent turned gun for hire, living an austere life in an ever-changing Brooklyn. Approaching the end of his career, he breaks the oath he took as a young man when he meets Sophie on a hit gone wrong. In order to have love in his life before it's too late, he must kill the man he was, for a chance at becoming the man he wants to be.
7.9The multi-award-winning dance film Amelia (2002), directed and choreographed by Edouard Lock and performed by the acclaimed dance company La La La Human Steps, explores the use of point technique using extended intertwining solos, complex partnering sequences and extreme speed to generate powerful performances with unexpected moments of tender emotion and serenity.
6.5As young dancers, they were best friends and fierce rivals. Deedee left the stage for marriage and motherhood, while Emma would become an international ballet icon. But when Deedee's teenage daughter is invited to join Emma's dance company and begins an affair with a young Russian star, the two women are forced to confront the choices they've made, the resentments they've hidden and the emotional truths they must face at the turning point.
0.0Maiko Misono, who had been working abroad to become a professional ballet dancer, gave up on her dream and returned to Japan. With nothing else to do but ballet, she starts working as a Japanese language teacher at a high school near her parents' home. But for Maiko, who has just given up on her dream, high school is an ironic place full of dreams and hopes. In addition, she is made the advisor of the volleyball team, a position she has no experience in, and her homeroom class is full of unique students, which only adds to her anxiety.
7.5Prima ballerina takes the stage at the Ópera Bastille, consumed by her own anxiety and stage fright
6.0Eikichi Yamashiro, who is a former contender for the boxing title, works as a manager at a Club Champion owned by his fiancé Natsuko’s father. He lost a title match five years ago as he was besotted by Natsuko, but Eikichi actually cannot give up the dream of the championship. One day, he meets Shuntaro Fuma, who is a punk kid but a promising boxer, and realizes the dream that he himself could never fulfill. Then, they together start to train with the aim of the title. Mari Shiraki is an up-and-coming ballerina under the patronage of Eikichi as well. Eikichi forbids Shuntaro and Mari to be romantically involved with someone during their training, however, they start to go on a date.
4.5Actress JoBeth Williams directed this Showtime family feature starring The Sixth Sense's Mischa Barton for Barbra Streisand's Barwood Films. Barton is Frankie and Ingrid Uribe is Hazel, Frankie's neighbor and best friend. Frankie is an orphan who lives with her imperious grandmother, Phoebe (Joan Plowright), while Hazel lives with her father and older brother. Frankie's mother was a prima ballerina--killed in a car crash along with her father--and Frankie's been following in her toe shoes ever since. Although she's the best dancer in her class, she'd rather play baseball, whereas Hazel's a local activist who'd rather be mayor. The story strains credibility when 13-year-old Hazel runs for office against the middle-aged incumbent, but Frankie's goal is more understandable, and both actresses make their characters sympathetic and believable. It's as hard not to like them as it is not to root for them to succeed.
6.8Nagisa is transgender. She grew up in Hiroshima as a man, but now lives in Shinjuku, Tokyo as a woman. Due to an incident, she begins to live with middle school student Ichika, who is a distant relative. Ichika has been neglected by her mother Saori. From living in solitude by herself, to now living with Ichika, Nagisa develops maternal instincts for the first time.
6.4After being betrayed by her playboy lover, a heartbroken mute young woman joins a ballet company; during a performance of “The Dying Swan,” she enraptures a painter obsessed with portraying death genuinely.
4.3The young girl Olga Vasilyeva grew up in an orphanage. She never knew her mother and wants to find her. The only trace she has is a preserved letter from her mother from her personal file, which she managed to get from the administration of the orphanage. For a short vacation at her factory school, she travels from Sverdlovsk to Moscow following the unreliable traces of this letter. Yelena Alekseyevna — the woman she finds when she arrives at the address turns out to be a teacher in a ballet school, the wife of an ordinary senior teacher at the Moscow Technical Institute (who didn't defend his dissertation and is complacent about this) and an old-Moscow intellectual. She kindly meets her, but she is not the person Olga is looking for, she only has the same last name and first name and consonant middle name. She is kind and hospitable, ready to help the girl find her real mother and offers Olga to visit her house during a short stay in Moscow.
0.0Mireia has just come out of a toxic relationship that prevents her from enduring physical contact when she is offered the lead role of "Sleeping Beauty" at the ballet school where she attends, and has to dance with the Blue Prince.
6.9A darkness swirls at the center of a world-renowned dance company, one that will engulf the artistic director, an ambitious young dancer, and a grieving psychotherapist. Some will succumb to the nightmare. Others will finally wake up.
0.0Marco Spada was created at the Paris Opera in 1857 with choreography from Joseph Mazilier and music adapted from Daniel Auber’s comic opera of Marco Spada. Soon forgotten, the ballet was revived in 1981 with a brand new choreography by Pierre Lacotte for the Rome Opera, with Rudolf Nureyev as the 18th-century Italian bandit pretending to be an aristocrat, and Ghislaine Thesmar as his daughter Angela. At the Bolshoi, Marco Spada was premiered on the historic stage on November 8, 2013. Leading roles were performed by David Hallberg (Marco Spada), Evgenia Obraztsova (Angela), Olga Smirnova (Marchesa Sampietri), Semyon Chudin (Prince Frederici), and Igor Tsvirko (Count Pepinelli). Pierre Lacotte designed sets and costumes.
This is a riveting narrative of the life of Tia Zhang, a young Chinese ballerina who came of age during the reign of Mao Zedong.
6.8A 1975 recording of the Bolshoi Ballet's performance of Yuri Grigorovich's production of "Spartacus".
