The film chronicles the life of Waluyo, a confident young puppeteer who is fighting to pursue his career. The various obstacles he went through did not make him give up on living life. Even it becomes a lighter to continue working. However, the Covid-19 pandemic strikes and changes his perspectives to survive. He also has to be realistic and has to adjust to the situation.
A journey through Greece and Europe’s past and recent history: from the Second World War to the current crisis. It is a historical documentary, a look into many stories. «If Democracy can be destroyed in Greece, it can be destroyed throughout Europe» Paul Craig Roberts
A nuanced portrait of a new generation, Dear Thirteen is a cinematic time capsule of coming of age in today’s world. Through the eyes of nine thirteen-year-olds, we see how pressing social, geographical and political challenges are shaping, and being shaped by, young people: rising anti-Semitism in Europe, guns in America, gender identity and racial divisions across Australia and Asia. With no adult commentary outside the filmmaker, Dear Thirteen offers an intimate view into the universal uncertainty inherent in growing up.
A historical perspective to understand Neoliberalism and to understand why this ideology today so profoundly influences the choices of our governments and our lives.
In the age of social media, nearly every day brings a new eruption of outrage. While people have always found something to be offended by, their ability to organize a groundswell of opposition to – and public censure of – their offender has never been more powerful. Today we're all one clumsy joke away from public ruin. Can We Take A Joke? offers a thought-provoking and wry exploration of outrage culture through the lens of stand-up comedy, with notables like Gilbert Gottfried, Penn Jillette, Lisa Lampanelli, and Adam Carolla detailing its stifling impact on comedy and the exchange of ideas. What will the future will be like if we can't learn how to take a joke?
The unusual story of Nose and Tina, 2 people in love. He is employed as a brakeman, she as a sex worker.
Earl Kenneth Kaufmann is the Scary Guy. Banned and kicked out here and there. Because of his looks. A motivation trainer and speaker who campaigns worldwide to eliminate hate, violence, prejudice, and bullying in schools and corporations. In addition to being a tattoo shop owner, comic, entertainer, inspirational speaker, and performance artist.
Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.
At the consulting service for immigrants at the Avicenne Hospital in suburban Paris, we observe the sorrow and powerlessness of the immigrants who come here.
‘Made in the Emerald Isle’ is a modern music documentary that addresses the ongoing struggles faced by Irish musicians in finding success here at home. Irish music and the artists behind it, although world-renowned, in many cases have stepped outside of the country in order to achieve success and notoriety. This documentary will explore the story of the Irish music industry through the eyes of Sam Wickens.
Since World War II North Americans have invested much of their newfound wealth in suburbia. It has promised a sense of space, affordability, family life and upward mobility. As the population of suburban sprawl has exploded in the past 50 years Suburbia, and all it promises, has become the American Dream. But as we enter the 21st century, serious questions are beginning to emerge...
This feature-length documentary by Alanis Obomsawin examines the plight of Native people who come to Montreal searching for jobs and a better life. Often arriving without money, friends or jobs, a number of them quickly become part of the homeless population. Both dislocated from their traditional values and alienated from the rest of the population, they are torn between staying and returning home.
A compilation of interviews, rehearsals and backstage footage of Michael Jackson as he prepared for his series of sold-out shows in London.
After the 1999 premiere of the first Matrix movie, it became a pop culture phenomenon. A special documentary about the Matrix saga and its prophetic aspects.
This documentary follows a community action group led by American community organizer and writer Saul Alinsky in Rochester, New York. Together, they confront the community's largest employer on the issue of corporate responsibility and the employment of minority groups.
Community First! Village is designed to lift the chronically homeless off the streets of the Austin, TX, offering them a place to call home, helping them to heal from the ravages of life on the streets, and allowing them to rediscover a purpose in their lives. This documentary explores the events that cause homelessness and the heartwarming stories of being welcomed into a nurturing environment where dignity and self-worth are restored.
The Living Room of the Nation is a documentary film that portrays a number of Finnish living rooms. The film is a story of changes, the inevitable passing of time, and the human desire to be needed, visible.
Irama Betawi is the name of an ondel-ondel group that still actively busks in Jakarta. Sometimes they busk on the streets. Other times, they are invited to play on special occasions. Through their journey taking public transportation to move from one corner of the city to another crowded corner, we get to know the day-to-day life of a dynamic group of people who are eager to make a living.
In this era, robotic peo- ple making humanized machine, is it a hopeless tragedy, or the beginning of a brave new world?