After the disappearance of Aldemar his wife decided to get overall uncertainty by including him in the list of deaths in the 1938 Colombian National Census. Today, 83 years later, I repeat her. I try to find myself among the numbers in the digital database in order to finish the torture that has also implied my own disappearance.
The heavily compressed time and space where all survival images from my memory live in. After journey, what will remain could be something we cannot talk to, but perceive.
Province of Ciudad Real, Spain, December 29, 1990. During the annual march to the Herrera de la Mancha prison, held in support of the members of the terrorist gang ETA imprisoned there, the Basque rock band Negu Gorriak holds a concert, which is recorded, edited on video and turned into a tool of vindication. Decades later, a film crew tries to elaborate a personal essay around this event and its meaning.
While Trevor and Sam are smoking pot, Trevor’s mom comes home. When she finds out, Trevor reveals his father’s adulterous ways and destroys his family.
The six-decade transformation of a block of houses, shown by means of artfully featured archival shots, highlights the beauty and sadness of human-made decay. In the blink of an eye 66 years pass by and a savings bank replaces a church.
A film essay investigating the question of what “the West” means beyond the cardinal direction: a model of society inscribed itself in the Federal Republic of Germany’s postwar history and architecture. The narrator shifts among reflections on modern architecture and property relations, detailed scenes from childhood, and a passed-down memory of a “hemmed-in West Germany,” recalling the years of her parents’ membership in a 1970s communist splinter group.
The Diary of a Sky unfolds an atmospheric symphony of violence over Beirut, revealing the haunting fusion of incessant Israeli military flights and the hum of generators during blackouts. This 45-minute video essay plunges viewers into a chilling chronicle of daily life transformed by the weaponization of the air, where the terror of repeated incursions becomes a disconcertingly banal backdrop.
Documentary filmmaker Renton Hinderer takes a look back at his long relationship with one of his closest friends to understand the paths we choose in life, and how friendship is eternal through it all.
The surrealist painter René Magritte questions the objective reality and emphasizes the arbitrariness of the relationship between an object, its image and its name: the evocation of mystery consists of images of familiar things gathered or transformed in such a way that they no longer conform to our ideas, whether naive or wise.
Just after Isidore moves to France to study filmmaking, his best friend dies back in the US. Through documentary, performance, and animation, a ghostly portrait emerges, prompting Isidore to question his relationships with his parents and his boyfriend in Paris.
Initially a made-to-order documentary on Spain, the film becomes an open-ended work-in-the-making about the creative process. “Settling in the Spanish capital to make a documentary, Hanoun sketches out for us the different steps involved in making a film. The author turns his hesitations, his doubts and difficult working conditions into the constituents of his work”. (Raphaël Bassan)
With noise-canceling headphones, they communicate with an inaudible counterpart. Decoupled, they move around the room and meet their surroundings. Intimate stories and needs are discussed. The personal blends into a shared portrait.
A short made during quarantine. - "I feel like I'm coming out of hibernation. I did not learn anything, I did not developed personal growth, nor qualities. I was smart for one day and read challenging stuff, and then for three days watched persisently TV series. I couldn't write. I found a handful of indispensable people. I didn't really understand much of this whole quarantine story; but I'm analytically only retroactive, so maybe it's going to happen. This movie made me feel alive for a few days."
In a hybrid film, both documentary and fiction, five young women describe the feeling of grief when losing a parent at a young age. Anna returns to her father's home, a year after his death. In one weekend, she lives through a storm of emotions as these may come and go in the process of grief.
Musing on the nature of memory, Don Hertzfeldt recounts stories about a kiss from The King, a floating child in a backyard and a giant foot.
Three people become connected through mysterious circumstances involving electronic devices which spontaneously appeared in their world.
Over the space of a summer, Liam filmed, edited, and released a single shot every day. The outcome? A documentary that blurs the line between fiction and non-fiction.