What is possible when we have guaranteed money to meet our basic needs? No requirements. No stipulations. No paybacks. We look to the village of Busibi to discover what’s possible when we give money directly to people. No strings attached. The answer lies in the residents’ personal stories. Their successes and tribulations illustrate the impact of one of the most daring projects in contemporary development cooperation. Their life stories unexpectedly prove to be all too familiar. They make us laugh. They move us. Blending in together, they create a colorful and poetic reality portrait, illustrating the big consequences of a small sum of money …
On 28 October 2015, a migrant boat left the coast of Western Turkey heading to the closest European coast – the Greek island of Lesvos. The shipwreck resulted in the death of at least 43 people, making it the deadliest incident of that period, also known as “the long summer of migration.” One of the survivors, the artist Amel Alzakout, recorded the journey and the shipwreck on a waterproof camera attached to her wrist. This footage – which also forms the basis of her subsequent film Purple Sea – provides a unique situated perspective on this tragic event at the threshold of Europe.
Joko Supriyanto is a high school student in Yayasan Pendidikan Anak Luar Biasa (Special Needs Education Foundation) Cepogo, Boyolali--a foundation that facilitates education for the children with special needs. Joko has visual impairment that disables him to see normally.
Tells a story about a blurry photo of a woman who works in the media industry in Indonesia. This movie has several perspectives. One point of view is of a woman who works in a media and the other is about the sexual minority, people who aren’t allowed to appear on television due to their sexuality.
In Uganda, AIDS-infected mothers have begun writing what they call Memory Books for their children. Aware of the illness, it is a way for the family to come to terms with the inevitable death that it faces. Hopelessness and desperation are confronted through the collaborative effort of remembering and recording, a process that inspires unexpected strength and even solace in the face of death.
a story of lives, friendship, griefs and dreams of six young men and women who are stateless.’ They hope that everyone will be treated equally as human beings.
Indonesia, 1965: hundreds and even thousands of people are arrested without warrant. Some did come back, the others lost without trace. Svet, one of the survivors of the Indonesian dark history recounts the memory she had of her father, whom she believes to be responsible for the 1965 tragedy.
Scott Mills travels to Uganda where the death penalty could soon be introduced for being gay. The gay Radio 1 DJ finds out what it's like to live in a society which persecutes people like him and meets those who are leading the hate campaign.
Desperate, broken men chase their dreams and run from their demons in the North Dakota oil fields. A local Pastor's decision to help them has extraordinary and unexpected consequences.
Shuja’iyah: Land of the Brave represents one filmmaker’s personal reflection on the meaning of “crimes against humanity” in the context of Israel’s ‘Operation Protective Edge’ waged in the Gaza Strip in 2014, using footage of her family filmed in the summer of 2013 juxtaposed against audio from the summer of 2014. Assali posed the question, when we say ‘crimes against humanity’, what ‘humanity’ are we talking about?”
The arrival of the mining company Osisko creates a lot of excitement in Malartic, a small community of 3600 souls in Quebec, Canada. Faced with the implacable Mining Act, which prioritizes the right to exploit subsoil resources rather than the right to property, many families and seniors need to write off certain elements of their heritage plus a part of their lifestyle to make room for the largest open-pit gold mine in Canada. The characters in Others' Gold experience in their own way this major change that will affect their lives and urban environment.
Three children living in a displacement camp in northern Uganda compete in their country's national music and dance festival.
A documentary about the atrocities committed against the Hmong people by the Laos government. Shot by Hmong people with cameras provided to them in 2006, this film provides a unique look into one of the worst, and silent, human rights tragedies of the 21st century.
"Gaza Is Our Home" is a profoundly personal documentary that peels back the layers of devastation within the Gaza Strip, as witnessed through the lens of filmmaker Monear Shaer. His debut documentary was created out of agony as a timely, impactful, and tragic response to the collective anguish of all who call Gaza home... What began as an auto-generated slideshow on Monear’s iPhone of his own trip to see his family in 2021, has since transformed into a feature-length documentary. Through a tapestry of intimate interviews, unfiltered personal footage, and raw storytelling, "Gaza Is Our Home" transcends the political rhetoric and confronts audiences with the agonizing reality and ongoing cruelty thrust upon the film-makers own family. It is more than just a documentary... Rather, "Gaza Is Our Home" stands as a testament to the humanity behind the over 33,362 innocent lives massacred since Oct 2023...
A powerful documentary starring Morgan Freeman about the genesis of The Blues in the South and the music spreading around the world. Morgan Freeman shares his story of his experience of growing up in Clarksdale, Mississippi and his love for the Blues.
The 6 Guarani villages of Jaraguá, in São Paulo, fight for land rights, for human rights and for the preservation of nature. They suffer from the proximity to the city, which brings lack of resources, pollution of rivers and springs, racism, police violence, fires, lack of infrastructure and sanitation, among others. Unable to live like their ancestors, their millenary culture is lost as it merges with the urban culture.
Throughout the Islamic world, each year hundreds of women are shot, stabbed, strangled or burned to death by male relatives because they are thought to have “dishonoured” their families. They may have lost their virginity, refused an arranged marriage or left an abusive husband. Even if a woman is raped or merely the victim of gossip, she must pay the price. Crimes of Honour documents the terrible reality of femicide – the belief that a girl’s body is the property of the family, and any suggestion of sexual impropriety must be cleansed with her blood. We meet women in hiding from their families, a brother who describes his reasons for killing the sister he loved, and a handful of women who have committed themselves to the protection of young women in danger of losing their lives.
During World War II, 12 000 children were born to Norwegian mothers and German soldiers. In WARS DON’T END five of these children tell their stories about lives of discrimination and abuse stemming from the choices of their mothers and the actions of their fathers.
For consumers, bananas are a delicious and nutritious start to the day, a healthy snack and a fixture in our fruit bowls. For millions of residents in the banana lands, the production of bananas means social upheaval, violence and pesticide poisoning. Banana Land explores the origins of these disparate realities, and opens the conversation on how workers, producers and consumers can address this disconnect.
A look back over nine years of the Syrian Civil War, an inextricable conflict, like a black box, due to the competing interests of the many factions in presence and those of the foreign powers.