Haunted by three unfinished films, a filmmaker seeks to demystify his relationship with failure through encounters with past collaborators.
Haunted by three unfinished films, a filmmaker seeks to demystify his relationship with failure through encounters with past collaborators.
2023-03-02
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Documentary on Belgian director of greek descent Jean Daskalidès.
In March and April of 1966, Markopoulos created this filmic portrait of writers and artists from his New York circle, including Parker Tyler, W. H. Auden, Jasper Johns, Susan Sontag, Storm De Hirsch, Jonas Mekas, Allen Ginsberg, and George and Mike Kuchar, most observed in their homes or studios. Filmed in vibrant color, Galaxie pulses with life. It is a masterpiece of in-camera composition and editing, and stands as a vibrant response to Andy Warhol's contemporary Screen Tests. Preserved by the Academy Film Archive in 2001.
One-man armies, meet-cutes, casual strolls away from huge explosions — stars and industry insiders toast and roast these cinematic chestnuts and more.
Anger discusses his Aleister Crowley-inspired theories of art: How he views his camera like a wand and how he casts his films, preferring to consider his actors, not human beings but as elemental spirits. In fact, he reveals that he goes so far as to use astrology when making these choices. This is as direct an explanation of Anger’s cinemagical modus operandi as I have ever heard him articulate anywhere. It’s a must see for anyone interested in his work and showcases the Magus of cinema at the very height of his artistic powers. Fascinating. (Dangerous Minds)
An intimate portrait of Eric Carle, creator of more than 70 books for children including the best-selling "The Very Hungry Caterpillar". At 82, Eric is still at work in his studio making books and creating art. As he methodically layers a tissue paper collage of the caterpillar, he describes the feeling he achieves working in his studio, the sense of being at peace, all alone, when everything grows quiet and it is just himself and his work. The film taps into that deep creative need in each of us, a spirit that started in Eric as a very young child and is unceasing today.
A short documentary about the making of D. W. Griffith's controversial 'The Birth of a Nation'.
Documentary on the life and work of F.W. Murnau.
An in-depth oral history of the production and development history of Robert Altman's "O.C. and Stiggs," featuring commentaries from the film's cast and crew.
This coming-of-age memoir takes a candid look back on a group of struggling creatives isolated in the Appalachian Mountains. Three generations of perseverance is expressed through voice and creativity as families labor through mortality and heartbreak in this raw insight into the importance of community.
"Camitz - another time, another place" - About the Swedish filmmaker Jhoan Camitz who directed the Spice Girls first video "Wannabe". He was a willful creator who won several awards for his iconic and offbeat commercials. Johan Camitz was killed in a chaotic car accident in New York, 2000. He was crossing a street when he was hit by a suv with a dying man behind the wheel.
Documentary about veteran character actor Dick Miller, whose career in and outside of Hollywood has spanned almost 200 films across six decades, featuring a diverse range of interviews with directors, co-stars, and contemporaries.
Negev Desert, Israel, 1987. Bashir Abu Rabi'a works as a pyrotechnics and special effects assistant on the film Rambo III, starring Sylvester Stallone, a shoot that will have far-reaching consequences for the local Bedouin population.
Klaus Kinski has perhaps the most ferocious reputation of all screen actors: his volatility was documented to electrifying effect in Werner Herzog’s 1999 portrait My Best Fiend. This documentary provides further fascinating insight into the talent and the tantrums of the great man. Beset by hecklers, Kinski tries to deliver an epic monologue about the life of Christ (with whom he perhaps identifies a little too closely). The performance becomes a stand-off, as Kinski fights for control of the crowd and alters the words to bait his tormentors. Indispensable for Kinski fans, and a riveting introduction for newcomers, this is a unique document, which Variety called ‘a time capsule of societal ideals and personal demons.’
Is there an audience for Latin American movies? These are some of the questions posed by an Ecuadorian filmmaker whose latest movie was a commercial flop. He embarks on a query to find answers to his questions and relief for his despair. His research leads him to a giant contraband market in the port city of Guayaquil, where pirated movies from all over the world are sold for one dollar each. Here, he discovers a number of Ecuadorian low budget movies produced by amateurs, with titles he had never heard of before: from action packed productions to evangelical melodramas.
Michael Dudok de Wit was asked by the famous Japanese animation studio Ghibli, to create his first feature length animated film. This would be Ghibli's first international co-production ever. Maarten Schmidt and Thomas Doebele followed Dudok de Wit and his team during the complex creative process for over two years. He is a perfectionist that is used to making his own hand drawn animated films by himself. For this new and timely production, he was assisted by a team of 20 to 30 artists from all over Europe.
David Hockney is unquestionably one of the most passionate and versatile experimental artists on the contemporary scene. In the late 1970s the British artist developed a pioneering concept which also changed his perspective on painting – his “joiners”. In this film, the artist himself talks about this photographic approach, a kind of Cubism-inspired photocollage which explores the space-time continuum. Hockney allows the viewer to share in the creative “joiner” process and leads us step by step into the universe of his artistic creativity.
Little is known about the figure of Isabel Santaló, an old artist, today fallen into oblivion. But occasionally some visitors come to her flat. Through them and the voice of Antonio López (Dream of Light, Víctor Erice), the only painter who remembers her, we shape a multifaceted film. This is a cinematic portrait, which well into the film takes a surprising turn. A film that reflects on memory and oblivion, art and the creative process; posing the question of what it means to be an artist and a woman.
It is difficult to characterize Slobodan Tišma. He is unique and versatile. He wanders with joy throughout the artistic landscape, drawing it with his words since the early sixties. He started as a poet, he was a conceptualist, an "invisible artist" and a rock musician ("Luna"/"La Strada"- former Yugoslav New Wave bands). Currently, he is a prose writer, and sometimes he engages in minimalistic performances. Wearing different masks he moved from one artistic space to another breaking the stereotypes and creating an aesthetic phenomenon out of his own existence. His mainstay is margin. Through trees and ocean he communicates with the universe. He loves the game of seeking, and hiding again. He is a persistent walker. With his silent steps he pops up daily in the corners of Novi Sad, searching for his own pleasure. Similar to his writings, this film has no formal completeness and comprehensiveness. It wonders who Slobodan Tišma is.