2020-11-01
0
Between 1947 and 1951, more than 80 000 Greek men, women and children were deported to the isle of Makronissos (Greece) in reeducation camps created to ‘fight the spread of Communism’. Among those exiles were a number of writers and poets, including Yannis Ritsos and Tassos Livaditis. Despite the deprivation and torture, they managed to write poems which describe the struggle for survival in this world of internment. These texts, some of them buried in the camps, were later found. «Like Lions of stone at the gateway of night» blends these poetic writings with the reeducation propaganda speeches constantly piped through the camps’ loudspeakers. Long tracking shots take us on a trance-like journey through the camp ruins, interrupted along the way by segments from photographic archives. A cinematic essay, which revives the memory of forgotten ruins and a battle lost.
Swiss artist Markus Raetz has a sixth sense for apprehending the extraordinary. His works are as astonishing as a magician's sleight of hand: they shake up visual habits and show things from a completely different perspective. To further surprise the viewer, this perceptive Swiss artist makes use of the most diverse techniques, materials and media. His installations and sculptures change their appearance according to their own movement or that of the viewer contemplating them. For example, a rabbit becomes a man in a hat, evoking Beuys, or a yes turns into a no. This document presents us with a highly personal view of the world and the man behind these exceptional works.
A documentary of an expedition to Churchill, Manitoba to film the Northern Lights.
Klaus Rozsa, a well-known and politically active photographer, lived in Zurich for decades as a stateless individual. All of his applications for naturalisation were refused on political grounds. In 1956 he fled Hungary, growing up in Switzerland with a Jewish father who had survived Auschwitz and Dachau. Due to the extreme proximity of such a fate, the camera led him repeatedly to places where injustice was done. It was this particular quality of his camerawork that proved fateful for him.
While managers of Swiss banks in the USA ruefully apologize for their tax evasions practices and customer data is disclosed to the American authorities, Rudolf Elmer, former auditor at bank Julius Bär, is indicted for violating the Swiss banking secrecy law on the Cayman Islands. Rudolf Elmer: from insider to critic.
From August to October 1942, over 2250 Jews were deported from the internment camp of Rivesaltes to Auschwitz by way of Drancy. Among them were 110 children. Friedel Bohny-Reiter, a nurse with the Swiss Aid to Children, worked in this camp in the South of France. Like many others in the formerly unoccupied zone, it was run by the French. Once a military camp, it had been converted in 1941 into a transit camp regrouping Jewish, Gypsy and Spanish people living in the area or who had fled to the free zone as refugees. Thanks to the young nurse from Basel, many children were probably saved from certain death. The film follows the nurse on a visit to that still intact site as well as through the pages of the journal she wrote in those dark days, published by Editions Zoë, Geneva in 1993.
'From One Day To The Next' follows four elderly people through their everyday lives, observing how they cope with a gradual loss of autonomy.
Pascal, Miranda, Jeremy and Franziska are real gypsies. They're between 17 and 25, love big powerful cars and have decided to live on the move. Like many other young Yenish people. They need freedom and fight for it. They show a world closed to the sedentary. A different but very Swiss life. Today's Romanis: disenchanted, close to reality.
Documentary account of a man’s life in the face of imminent death – Francisco Varela's story told affectionately and gently, touchingly and astutely. Varela spent his life building bridges: between Western science and Eastern wisdom, neurobiology and philosophy, abstract theory and practical life. This film seeks to deconstructs the prevailing division between science and art.
A behind-the-scenes look at the of how the Paris Opera is run under the direction of Stephane Lissner.
Max Frisch was the last big Swiss intellectual widely respected as a “voice” in its own right – a character hardly found today. The film retells Frisch’s story as a witness of the unfolding 20th century, wondering if such “voices” are needed at all, or if we could do without them.
Zurich-born Hugo Koblet was the first international cycling star of the post-war period. He was a stylist on the bicycle and in life, and a huge heartthrob. Koblet had a meteoric rise and won the Giro d'Italia in 1950. Once he had reached the zenith of his career, Koblet was put under pressure by overly ambitious officials and ended up ruining his health with drugs. In 1954, he married a well-known model and they became a celebrity dream couple. After his athletic career ended, Koblet began to lose his footing. Threatened by bankruptcy, he crashed his Alfa into a tree.
The film is the story of a musical encounter between drummers Pierre Favre, Fritz Hauser, Daniel Humair and Fredy Studer. The filmmaker brought them together in Zurich on January 6, 1997, and followed them over four days of rehearsals. The confrontation between these very different artists culminates in a concert.
Amidst the chaos of modern China, where megacities spring up at a dizzying pace, Swiss photographer Andreas Seibert has chosen to document the lives of the "mingong," the migrant workers who fuel the country's economic engine. Director Villi Hermann followed him in this endeavor for several years, immersing us in the photographer's eye and capturing the essence of his work on these forgotten souls. Seibert, with his lens, and Hermann, with his camera, weave together a poignant narrative that sheds light on the often-hidden reality of China's economic growth. "From Somewhere to Nowhere" is an ode to humanity in an ever-changing world, a reflection on the individual's place in the grand scheme of things, and a celebration of the power of photography as a means to capture the spirit of an era.