After his cancer diagnosis, an old man is given six months to live. His granddaughter’s camera gently captures his sense of belonging in China — the place he left behind but never forgot — and the story of his family in Singapore.
In an industry that is becoming increasingly competitive, what drives indie filmmakers to keep creating their art, even when there is no promise of money or fame? CREATE OR DIE explores the insatiable passion to create despite the overwhelming odds through the lens of South Carolina writer and filmmaker David Axe, as he and his band of cast and crew head out into the backwoods of Georgia to shoot his low budget passion project ACORN. But when tragedy strikes on set, doubt and tension threaten to bring an end to their production and their dreams.
Cancer: Few words are more feared. But in her sharply researched, deftly humorous message of hope, survivor Meghan O’Hara changes the way we think about this terrifying disease, showing that it’s time to stop being afraid of cancer and time to make cancer afraid of us. Following her diagnosis, O’Hara met neurologist Dr. David Servan-Schreiber, who was diagnosed with brain cancer while doing cancer research. Together they explore daily Western behaviors that are linked to 70% of cancer deaths: smoking, processed foods, stress, contaminants, and lack of exercise. Narrated and executive produced by Morgan Freeman, “The C Word” is an unflinching look at our complacency with cancer culture, the vibrant cast of characters who are changing the game, and the tools we already have to beat the dreaded scourge of our time.
In this new production, Johanne is now facing a fourth cancer diagnostic. Despite having to fight this battle again, the 60-year-old wants to help others with workshops where she shares her doubts and thoughts. When she is asked how many times can you fight cancer, the warrior answers: “As many times as you can survive!”
An intimate journey of a 37-year-old Cristina, as fate brings to her life both a new love and an unbeatable challenge. Determined to pass on a message of hope and a 'live in the now' mentality, Cristina's second cancer takes a toll on her diminishing body, however her love for Bruce only grows. Bruce stands by her side while juggling work and financial strains. The film follows Cristina's journey into her deep AMOUR, one that supports and lifts her up. If she had to choose between finding this deep and pure love and having cancer, or being cancer free but never experiencing true love... what would she choose? Her shocking answers are captured by veteran filmmaker Michèle Ohayon on camera.
Kazuo Nishii, renowned editor and photography critic, died in 2001 of stomach cancer. Two months earlier he contacted Naomi Kawase, whose works he admired, to document the remaining weeks of his life. Kawase visits him in the hospital and films the progression of his sickness and the conversations between the two.
With nutritionally-depleted foods, chemical additives and our tendency to rely upon pharmaceutical drugs to treat what's wrong with our malnourished bodies, it's no wonder that modern society is getting sicker. Food Matters sets about uncovering the trillion dollar worldwide sickness industry and gives people some scientifically verifiable solutions for curing disease naturally.
To promote the release of his album Garth Brooks in... The Life of Chris Gaines, Garth Brooks appeared as Chris Gaines in a television "mockumentary," a version of VH1's seminal cable classic Behind the Music, featuring a totally made-up tale that just may be the greatest rock n' roll documentary ever made. This piece of art has everything that makes the story of being a rockstar fucking cool. It has childhood trauma, record label trauma, death, disfigurement, a plane crash, a car crash, sex addiction, redemption, a house fire, random unexplained commentary from Billy Joel, and more sex addiction.
"My mother is spending all her time with her dying father. I’m spending all my time filming her. As the end is getting closer, my mother and I start doing the filming more and more together. It becomes our way of dealing with the time we have left." —Marius Dybwad Brandrud
Filmmaker Judith Helfand turns the camera on herself to document her battle with cancer caused by DES, a drug prescribed to her mother during pregnancy. Refusing to confine the tears, rage, laughter and hope to dinner table conversations, Helfand invites us to witness her personal journey from radical hysterectomy patient to vocal opponent of toxic exposure. From her suburban home to the halls of Congress, the intensely private becomes widely public, and an American family is transformed and strengthened.
Theatre director, actor and dramaturge Peter Snickars has a brain tumor of an aggressive type. This film follows him and his family from the moment of discovery to the end.
Dying for the Other is a video triptych, documenting the lives of mice used in breast cancer research and humans suffering from the same disease. In order to produce this video, da Costa documented scenes of her own life during the summer of 2011 and combined them with footage taken at a breast cancer research facility in New York City over the same time frame.
Self-portrait of a 38-year-old mother from Abitibi, struggling with breast cancer.
The Common Touch tells the story of Jake Bailey, viral sensation and student of Christchurch Boys High School, who was told one week before his graduation speech about his diagnosis of life-threatening cancer.
John Cazale was in only five films – The Godfather, The Conversation, The Godfather: Part II, Dog Day Afternoon and The Deer Hunter – each was nominated for Best Picture. Yet today most people don't even know his name. I KNEW IT WAS YOU is a fresh tour through movies that defined a generation.
A spirited cancer survivor goes on a spontaneous search for 'The Berlin Patient' - the first man in the world actually cured of HIV.
With her camera in tow, filmmaker Annekatrin Hendel settles into a hotel by the sea for four weeks; with her is her old friend Ines Rastig who, after her divorce and alimony battle, is now homeless. Room service may deliver fresh fruit every day, but it’s the moment of truth for these two women as they humorously and unsparingly scrutinise practical problems after the end of a long marriage.
Tobacco, climate change, pesticides,... Never has scientific knowledge seemed so vast, detailed and shared. And yet it appears to be increasingly challenged. It is no longer surprising to see private corporations put strategies in place to confuse the public debate and paralyze political decision-making. Overwhelmed by excess of information, how can we, as citizens, sort out fact from fiction? One by one, this film dismantles the workings of this clever manoeuvre that aims to turn science against itself. Thanks to declassified archives, graphic animations and testimonies from experts, lobbyists and politicians, this investigation plunges us into the science of doubt. Along with a team of experts (philosophers, economists, cognitive scientists, political men, or even agnotologists), we explore concrete examples of doubt making and try to understand the whole process and the issues behind it.