Last Riot(2006)

A Haunting of Past Ink(en)

A person receives old entries from their diary, unsure of who is sending them. They eventually arrive at a moment of transcendence.

Growing Dimmer(en)

The light's in a student's room begin to shut off around him. He must escape the room before he is swallowed by darkness.

lente / ruido(pt)

CuerpoCoraza(es)

ANA C.(pt)

ANA C. uses videoart and videoperformance to express the relationship between the marginalized poet Ana Cristina Cesar with art itself.

Temporality in Movement(en)

A short experimental dance film about the use of the body as an instrument of temporal expression, focusing on how our memories are held and revealed in our movement.

Magic Conch Shell(en)

Estranged lovers reconnect through the power of the Magic Conch Shell.

Prelúdio(pt)

Re-enactment(en)

For this work Alÿs purchased a gun in Mexico City then walked through the city streets with the weapon in his hand. After eleven minutes he was arrested by the police. The following day he repeated the action, this time in cooperation with the police. By presenting a record of this dramatic action alongside footage of its reenactment, Alÿs blurs the boundaries between documentation and fiction. Questioning the concept of authenticity, this work demonstrates “how media can distort and dramatize the immediate reality of a moment,” the artist has said. Gallery label from Francis Alÿs: A Story of Deception, May 8–August 1, 2011.

Me and My Victim(en)

Featuring one of the most monstrous personalities to grace the screen, "Me and My Victim" follows the tumultuous romance between its creators, Billy Pedlow and Maurane. In their feature debut, they have created a new genre using a blend of podcast-style audio recordings and visual fragments. "Me and My Victim" is like turning over a rock and witnessing a full ecosystem of bugs scattering in the light. It'll make you cringe, but it'll be hard to look away.

Without You I'm Nothing(en)

Cameron and Sylvia, a young couple in their early 20s, share a touching last evening together before he departs for Paris, where he plans to pursue his dream of becoming a chef. Fast forward four years later, where present-day screens reveal Sylvia and Cameron, still moved by the memory of that unforgettable night. Despite the passage of time and their divergent paths, their connection endures, delving into themes of love, separation, and the everlasting impact of shared experiences.

In My Country Men Have Breasts(en)

Akbari was diagnosed with breast cancer in 2007 and she lost her breasts due to the cancer. After she directed, wrote and acted 10+4 which showed her struggle with the cancer, the depiction of the artists body became central in her works. In the same year, Akbari photographed her own naked body for the photo project titled Devastation. Although it was pretty risky, put herself in danger and prohibited to exhibit Devastation in Iran due to the naked images of her own body, Akbari continued to depict her own body as a new medium and new material so that she provided a video secretly as well. In 2012, after Akbari left Iran due to the barred situation of filmmaking and arresting film makers, she uses the video that shoot secretly from her own body in 2007 and juxtaposed with new images and the song of Ahangaran, who was a singer for the war time between Iran and Iraq. As a result of her action and performance, the video project titled In my country, Men Do Have Breasts happened.

Violent Incident: Man-Woman, Segment(en)

In this video work Bruce Nauman explores violence, gender and behaviour. Set around a simple middle class dining table, the scene quickly escalates into a slapstick fight between a man and a woman. Their actions become increasingly more erratic and aggressive yet also ridiculous and cartoon-like as the video progresses. Nauman explores the ways in which anger can be provoked by others and questions the way we can react to them. Much like many of his other artworks, he employs the use of humour and exaggeration to explore serious and even dangerous topics - he produced this work as a result of his frustration with futile acts of violence in ordinary life. He explains, “The viewer is presented with a hypnotic repetition of pointlessly cruel and destructive violence which is both seductive and alienating.”

Memoirs of a Strangler of Blondes(pt)

First film by Julio Bressane shot in exile, "Memoirs" is a film about a man who repeatedly kills the same type of woman in same places, the same way. Filmed on the streets of London.

No. 11: Mirror Animations(en)

Cut up animation and collage technique by Harry Smith synchronized to the jazz of Thelonious Monk's Mysterioso.

in this house(en)

A collection of images, existing films, and personal footage. All of these melted together to show the destruction of time, and the decay of beliefs. Ranging from religious fundamentalism, sexual identity, the collapse of Western Society, and humanity’s contribution to art, literature, and mixed-media.

To My Sister(en)

This is a poetic short film I made with Chloe Hall for a 12 week final major project where we adapted the poem my Forough Farrokhzad. This short film is about the confinement of women in Iran and the yearning for liberation in a patriarchal society. A tapestry of visual metaphors and poetic narration intertwine, illustrating the silent yet fervent struggle or Iranian women.

Smash Cuts! Super Sci-Fi Shorts Fest(en)

Host Scott Forrest presents a curated compilation of eight independent short films in this rapid-fire science-fiction feature. Genres collide, narratives twist, aesthetics clash, and even humor, both campy and dystopian, showcase the vast creative possibilities of each story's individual world, offering the viewer a brief glimpse into the lives of every character's attempt to survive the otherworldly chaos around them. Released in 2001, the selected shorts span original creation dates of 1997 to 2001; most of the featured filmmakers also appear as themselves in short video interviews to talk about their inspirations, creative process and motivations while working on their individual shorts.

O Conto de Tereza(en)

Seeking power, a witch invades and manipulates realities by controlling other versions of herself.

An Experiment in Image and Form(en)

Trapped between the frames of time.