The creation of an infinite space. Light modulations over water surfaces, conjugating into multiple alterations. Time and light being reshaped through a liquid lens. The illusion of a starry night turns into a sea “roofed over by rainbows.”
The creation of an infinite space. Light modulations over water surfaces, conjugating into multiple alterations. Time and light being reshaped through a liquid lens. The illusion of a starry night turns into a sea “roofed over by rainbows.”
2023-01-20
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A poetic story of a proletarian couple’s relationship during the years of economic crisis and unemployment – of all the films directed by E. F. Burian, the film Chceme žít (We Want to Live, 1949) is probably his worst. The intention to create a powerful work of cinema that would combine modern means of expression with the ideological canons of socialist realism failed completely. Ježek and Tarnovski discovered these „shambles“ and tried to rebuild a structure out of the hopelessness and futility of life. Ježek has photochemically “transcribed” selected passages with the greatest possible degree of humility towards the work of the great avant-gardist, Tarnovski similarly makes the soundtrack visible. The improvised encounter of sound and image in dialogic mode can lead to various misunderstandings resulting in ambiguous compromise.
Two castaways separated by distance. All their hopes are pinned in the bottles that they just launch to the sea. A travel across the ocean looking for a hand to pick them up. Will they get someone to listen?
The mind of a prisoner, expressed through various poetic stanzas, corrodes at the same rate as the house they are trapped in.
Engine materializes Liz Harris’s self-confessed obsession with engine sounds from cars and trains, and noise explosions heard at drag races. For Harris, that is the sound of excess, power, sex, destruction, capitalism, and oil becoming an airborne pollutant. All the same those are the sounds of transformation, from which comes life. With an original film by Takashi Makino shown in the background, Engine is a large stage machine of guttural bass tones and constant revving up that mimics our heartbeat and breathing, and pumps the blood in our veins.
With his emotional state shaken and with no expectation of improvement, faced with the disastrous new generation of students that emerged from the 2000s onwards, Professor Roberto finds his only refuge on full moon nights.
Colors and snowfall surround a street lamp with a loose fixture on time and space in this abstract ambient vid.
A criminal organization has obtained two nuclear bombs and are asking for a 100 million pound ransom in the form of diamonds in seven days or they will use the weapons. The secret service sends James Bond to the Bahamas to once again save the world.
Russian and British submarines with nuclear missiles on board both vanish from sight without a trace. England and Russia both blame each other as James Bond tries to solve the riddle of the disappearing ships. But the KGB also has an agent on the case.
A British spy ship has sunk and on board was a hi-tech encryption device. James Bond is sent to find the device that holds British launching instructions before the enemy Soviets get to it first.
A children's film about the largest mass suicide of the 20th century reconstructs the 1978 event. The Reverend Jim Jones forced nearly a thousand followers of his People's Temple sect to drink poison in the settlement of Jonestown, Guyana, South America. A third of them were children. Jan Bušta gives sadists, voyeurs, and necrophiliacs one minute to leave the cinema. His self-reflective documentary, which is the result of ten years of time-lapse filming, does not depict dramatic scenes. To the sound of an audio recording from that fateful day, we see a collage of child ghosts preaching about escaping the corruption of the world.
Riding Giants is story about big wave surfers who have become heroes and legends in their sport. Directed by the skateboard guru Stacy Peralta.
When their ocean liner capsizes, a group of passengers struggle to survive and escape.
In March and April of 1966, Markopoulos created this filmic portrait of writers and artists from his New York circle, including Parker Tyler, W. H. Auden, Jasper Johns, Susan Sontag, Storm De Hirsch, Jonas Mekas, Allen Ginsberg, and George and Mike Kuchar, most observed in their homes or studios. Filmed in vibrant color, Galaxie pulses with life. It is a masterpiece of in-camera composition and editing, and stands as a vibrant response to Andy Warhol's contemporary Screen Tests. Preserved by the Academy Film Archive in 2001.
The kings of the card game, tired of serving for the amusement of men, decide to participate in the lives of humans and behave like them.
Acoustic Ocean is an artistic exploration of the sonic ecology of marine life in the North Atlantic. Located on the Lofoten Islands in Northern Norway, the video centers on the performance of a marine-biologist diver who is using a life-size model of a submersible equipped with all sorts of hydrophones and recording devices. In this science-fictional quest, her task is to sense the submarine space for acoustic and bioluminescent forms of expression.
Amie Siegel’s film installations often reveal the hidden narratives behind architecture and design, investigating the mechanisms by which objects, materials, and spaces accrue meaning and value. The Architects examines the processes of architectural creation, using the artist’s signature slow, parallel tracking shots to offer insight into the inner workings of multiple architecture firms, slicing through them laterally like an architect’s section plan... Siegel not only punctures the myth of the singular “master architect” but also poses questions around creative autonomy, the sociopolitics of labor, and the circulation of capital. (Source: MoMA)