One day in June, a man appeared on the scene. He went on a blind date with a woman and a woman's man, yet for the meal, he used the carrots that his wife asked him to buy in the morning. He had nothing to do, wandering in romance and the opposite of romance, wandering between the authenticity and vanity of life, until, he made a decision: revitalize China.
One day in June, a man appeared on the scene. He went on a blind date with a woman and a woman's man, yet for the meal, he used the carrots that his wife asked him to buy in the morning. He had nothing to do, wandering in romance and the opposite of romance, wandering between the authenticity and vanity of life, until, he made a decision: revitalize China.
2014-01-01
10
The mis-adventures of three Polish-Jews on the road to Gdansk is the basis for this German comedy that was filmed in New York, Germany, and Poland. Genovefa and Moshe have been married and living in New York for 30 years. Physically the couple resembles Mr. and Mrs. Jack Sprat. The two have decided to return to Poland for a visit. They intend to have Moshe's best friend Isaac, an unlucky, depressive German, take care of their house while they are gone. Unfortunately, Isaac loses his job before they go and ends up accompanying them on a Polish freighter. When the ship dies in a German port, the threesome must go overland to Gdansk. They encounter many mishaps along the way.
Val takes the assistance of a society reporter and a journalist to investigate the disappearance of her half-sister Arlene, a wealthy socialite who is involved in criminal activities.
Radúz, the son of a Magurian king, has lost his way hunting in the territory of the Tatra King Stojmír. He learns from his loyal servant Radovid the reason behind the two countries' conflict. When Radúz's mother Nyola married his father, the rejected wooer Stojmír married the evil Princess Runa. Runa out of jealousy continually incites hatred for Maguria. Radúz and Radovid have only just crossed the border when an army commanded by Runa detains them. The white deer that Radúz has killed belongs to the youngest of Stojmír's three daughters, the beautiful and delicate Mahulena.
A wild boar hunt, a taxidermist’s skill and the loyal reproduction of Etienne-Jules Marey’s chronophotographic gun, all these the premises for an intimate voyage. An interior voice questions images far off and close. It questions the confusion felt when faced with images. Those images “to part ways with “and those “to invent”. As if this invention could render a lost beauty. Not an exercise in nostalgia, but an unplanned incursion into a universe where all things untangle themselves.
Elusive narration, read by the filmmaker's maternal grandmother, encounters dreams and wishes.
Surrounded by divers and swimmers, a little girl feels humiliated by her fear of jumping in the water. But when she sees two unexpected creatures swimming effortlessly underwater, can she take the plunge into their magical world?
The film shows, in an experimental and documentary way, the degraded environment and the sexual atmosphere of the porn theaters in downtown Rio de Janeiro. Spaces, once majestic cinemas, have become unhealthy places in a context where anonymity, solitude, darkness and sexual promiscuity elevate the human psyche to extreme levels.
Using archive material and present-day accounts, the recalls the life of the Afro-Caribbean psychiatrist, Frantz Fanon. In 1953, at the age of twenty eigh, Fanon was appointed head doctor at the psychiatric hospital in Blida-Joinville, a few kilometres from Algiers. As amedical student in Paris, he had been appalled by the living conditions of the Algerian immigrants and gave over the rest of his brief life to analysing the alienation of the black man, of colonised people and man in general. The forcefulness of his writing - as in Black Skin, White Masks and The Wretched of the Earth - and the pertinence of his reasoning still resonate strongly into today's world.
A tribute to one of Hollywood's most beloved and respected actors.
Dominique Lombardi is news director of a regional TV station. A homosexual, he has a secret relationship with his young protégé, Jean-François Sevran, a journalist and news anchor. To conceal their relationship, the two live in the same building and have set up a trapdoor so they can see each other without bumping into their nosy plumber neighbor on the stairs. As a young man, Jean-François is searching for himself, until the day he meets Florence, the new sub-prefect of his district, whom he is to interview.
Recording of Wim Sonneveld’s successful one man show ‘An Evening with Wim Sonneveld’, which ran from 1964 to 1966.
Xuan is a young man working in the film industry in Beijing. To make a documentary film that he wants to present at international festivals, he decides to take advantage of the holidays of the Day of the Dead to return to Chengdu, his hometown located at the other end of the country. The documentary he is about to make is about his relationship with his own lover. He leaves for Chengdu, accompanied by another man, Bo, the cameraman of the film. The two men take the train to Chengdu where Hong, Xuan's lover, is waiting for them. From the first moment of their arrival at the station, Xuan and Bo begin to turn with their camera, Xuan having already explained to Bo what he wanted to film and that Hong would always be "playing", Bo then trusting in Xuan. But Hong is more and more opposed to this camera and the presence of Bo.
Gentle, easy-going Or Kia moves from the countryside to Kuala Lumpur to work for his cousin and best friend Ah Soon, a mid-level gangster and enforcer. While Or Kia works hard to put a sister through school, Ah Soon cares for an unstable girlfriend prone to mysterious disappearances. As they both sink deeper into a nocturnal world of debts, drugs, and betrayal, Or Kia's loyalties are strained when Ah Soon falls out of favor with the bosses and tries to escape the business.
The father tells his daughter Nunu a lie that there is a cow in her milk cup. She believes it and drinks up milk, but there isn't any cow. Her father tells her a variety of lies, which Nunu finds increasingly difficult to believe.
The film is about a woman from a rural area and works in a small restaurant as a cleaner with very low pay. As she has to support her family (mother and daughter), she has no money for herself for better makeup or dress up. She has low esteem. She later was fired by the boss. Because of no money and no home, she goes to the massage parlor and works there a sex worker. It happens that the first customer is the chef of previous restaurant. She has admired him for a while. In this first sex exchange, she is well satisfied both emotionally as well as economically. She starts sex work this way and becomes more confident.
His father was sick, and the boy Xia Tong was always surrounded by strange dreams about girls while he was taking care of him. Grandma's answer made him disagree. To find out the truth, when the flame rose from the bottom of the river, he stepped on the train from the clouds.
Four college students from Shandong University of Technology planned to make a documentary about the folk culture of ghosts and spirits. They went to a village in Heze City, Shandong Province, and made some interviews with local villagers. During the interviews, they heard a lot of local weird tales. The shooting of the documentary went smoothly, and that night, they chose to stay in the village. At this point, strange things, however, began to happen...
Due to his history of theft in the past, Lin Kuan is falsely accused of stealing from his high school classmate. To prove his innocence, Lin enlists his friend Xiao Bing to make a plan that will clear his name. However, heir seemingly perfect plan takes a turn that pushes Lin to a dangerous edge.
Luo Liang, a young man trying to meet the expectations of family and work, has come to town looking for something better but is unsure of his lot in life.
The Chinese police visit head-teacher Chen at home. Her daughter, a dissident filmmaker living in Hong Kong, plans yet another critical film about China's colonization of the small autonomous territory. The authorities demand that Chen travel to her daughter to stop the film project. What they do not take into account is that Chen and her daughter lost contact long ago.
Working as a secretary for a legal office, Xiaofen records clients detailing the sordid aspects of their lives: divorce cases, medical malpractice suits, financial corruption and old-fashioned personal revenge. Xiaofen starts to question her own relationship with her boyfriend (Deng Gang), fresh out of prison and looking to get into trouble again with his gambling habit. While Xiaofen deals with the overwhelming social malaise surrounding her, rumors spread of a disaster at the local chemical plant, threatening to poison the entire city.
A policeman investigates an introverted signal-station manager suspected of raping a hotel clerk.
Burial Rites become the mise-en scene in which politicians, the media, a monk and an infuriated neighbour vividly portray the aftermath of an accident.
It has been a month Chang's wife Ling Yue has been missing. With no reasons one fine day she went to work as usual and then never returns. No one knows where she went or what had happened to her. Chang could not figure out why she disappears out of the sudden. She left no message of whatever kind or clues. One day a man named Tong shows up and claims to be Ling Yues lover. Apparently Tong is looking for Ling Yue too. In a turn of event both men formed an uneasy alliance in order to find Ling Yue
Three scenes about three couples with each portraying maybe the turning point of their relationship. First scene, Lim & Amelia are a couple who had been together for almost five years. While he works as a salesman and trying to save up for marriage, the girl are not sure if he’s the one she wants to marry. One day he confronts her about a letter from her admirer. Second scene, Pete & Bernice are a couple who had been together almost ten years. They’re not married because he doesn’t believe in marriage. While she tags along, one day she might realizes this may not be the man she wants to end up with. Third scene, we see Amy & Lai are a pair of secret lovers. This maybe their last meeting or maybe not. They may had loved each other in the past they may not now in this scene. This is the third and final part of James Lee's Love Trilogy which takes offers a glimpse of the life of three lovers.
The movie follows two unfortunate secret lovers who are constantly looking for a solution to their situation. Both of them are always arguing over their relationship. One day they went to a trip out of the city, into the outskirt. They hope they can solve their problems or at least escape them temporarily. They don’t have a solution, and they don’t understand why they are together. One thing that keeps them together is their love and care for each other. This is the second part of James Lee’s Love Trilogy which takes another look at unfaithfulness or rather faithlessness.
A 17 year old boy from a village in the Sechuan province leaves for the big city looking for his father, who left 6 years before and has not been heard of since. The fact that his mother still receives money his father does nothing to tame his anger. He his not looking for a warm reunion, it is unconcealed revenge that drives him. Totally lost, he roams the big city with his basket of ducks on his back...
"Beer! Beer!" is an "anti-romantic comedy" set in the early morning following a wild party in Berlin. When Tao, a Chinese guy, meets Sebastian, a local German. As they seem to get more and more intimate with each other, suddenly a mattress changes everything...
Set in a quasi-ghost town that once thrived with oil in China's arid northwest, Yumen is a haunting, fragmented tale of hungry souls, restless youth, a wandering artist and a lonely woman, all searching for human connection among the town's crumbling landscape. One part "ruin porn", one part "ghost story”, and entirely shot on 16mm, the film brings together performance art, narrative gesture, and social realism not only to play with convention and defy genre, but also to pay homage to a disappearing life-world and a fading medium.