I was a ghost myself is a film following a ghost’s footsteps, psychogeographically trailing through a city where the ancient intertwines with the modern. The ghost haunts this itinerary of places projecting its haunts as light in moving images. As an archaeologist, the ghost portrays the present to uncover the past layer by layer through cracks and reveals, exposing herself with her memories and of others who have come and gone before. During two years of shooting, the filmmaker visits the town she grew up in and the city she later lived in. Starting in the city’s historical peninsula, in the ruinous dungeons she asks ‘is there cinema after death?’ She then visits her childhood town to see her grandmother’s grave, her old family house and school. Filmed entirely with expired/old stock super 8mm film, handmade camera lenses and scratched film technique, the beams of light, dust and aged texture of the film compose the ghost in its emotional state.
I was a ghost myself is a film following a ghost’s footsteps, psychogeographically trailing through a city where the ancient intertwines with the modern. The ghost haunts this itinerary of places projecting its haunts as light in moving images. As an archaeologist, the ghost portrays the present to uncover the past layer by layer through cracks and reveals, exposing herself with her memories and of others who have come and gone before. During two years of shooting, the filmmaker visits the town she grew up in and the city she later lived in. Starting in the city’s historical peninsula, in the ruinous dungeons she asks ‘is there cinema after death?’ She then visits her childhood town to see her grandmother’s grave, her old family house and school. Filmed entirely with expired/old stock super 8mm film, handmade camera lenses and scratched film technique, the beams of light, dust and aged texture of the film compose the ghost in its emotional state.
2022-10-12
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The moire designates the fabric obtained by the mechanical process invented by the Lyon manufacturer Tignat in 1843. This process consists of a partial crushing of the fabric by calendering by folding the fabric on itself. The weft then deviates, and, losing its original shape, offers to the light new reflective surfaces, alternating waves and matt and shiny stripes. It also designates by extension the visual effect (moiré) similar to the one caused by this textile (changing brightness, wavy and shimmering appearance). Scum: 1. whitish foam that forms on the surface of agitated, heated or fermenting liquids. 2. impurities, slag that floats on the surface of molten metals.
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