This documentary explores the life and times of Russell Dean Willey, a neo-Nazi supergrass, in order to explain the presence of Jack Van Tongeren's Australian Nationalists Movement in Australia, and its spread, especially in difficult economic times.
This documentary explores the life and times of Russell Dean Willey, a neo-Nazi supergrass, in order to explain the presence of Jack Van Tongeren's Australian Nationalists Movement in Australia, and its spread, especially in difficult economic times.
1993-07-21
0
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
A compelling portrait of an extraordinary figure, Aboriginal WWI soldier Douglas Grant, featuring acclaimed Indigenous actor Balang Tom E. Lewis (in his final performance). Grant (c.1885-1951) was extraordinarily famous in his day, an intellectual, a journalist, a soldier, a reader of Shakespeare and a bagpipe player who could put on a fine Scottish accent. His life story connects Archduke Franz Ferdinand, Adolf Hitler, and Henry Lawson among other famous figures as he moved from Australia to Europe, UK and back. Lewis’s thoughtful and often playful reflections on Grant’s life, along with guest appearances from Max Cullen and Archie Roach, connect to the larger story of Australia’s tragic colonial history and its troubled relationship with First Australians.
“DISCIPLES” is a new Dazed film by Jess Kohl exploring the subcultural world of Malaysian skinheads including the traditional, SHARP skins, and Nazis.
At the Vienna Art Academy in 1994, an unidentified person painted over 27 works by Austrian painter Arnulf Rainer. Rainer had become world-famous for his abstract art and, in particular, for his over-layering of photographs and overpainting of his own and other artists’ works. But who painted over the “overpainter”? Speculation rages: Did he attack his works himself? A year later, an unsigned letter surfaces claiming responsibility for the act directed against Rainer – and modern art in general – and accusing the artist of being complicit with “destructive modernism.” At the same time, Austria is shaken by a series of mail bombs by the Bajuwarian Liberation Army, in response to the supposed threat to Austria’s “German identity.” Are there connections between the overpainting event and the mail bombs? Or is this all just a game? A dream? Or perhaps a hallucination?
Docudrama examining the life of Mustafa Kemal Atatürk, who founded the Republic of Turkey from the ruins of the Ottoman Empire. Monuments to him can be found in every city; the anniversary of his death is commemorated every year; derogatory words about him are punishable by law. Rarely has a politician changed a society so radically in such a short time as Atatürk did Turkey.
Essay-film on a crucial issue: the notion of belonging to a country. Lingered sentimentalism or deep psychological reality if one believes it is rooted in the heart of man? The action here takes place in the context of a nation that seeks: the French Canadians, and other people without a country: the Indians of Quebec, the Bretons of France. And here is the fundamental question posed: what are the "viable" peoples whose "maturity" allows them to "give" the autonomy and territory? And what is the environment that people can call "their country"?
Sydney in Time is a rich and powerful story that charts the evolution of Sydney from its early years as a colonial outpost through to its emergence as a dynamic world city. The one-hour documentary looks back at the people, places and front page stories that have shaped a great city and helped define Australia.
Over the past 18 months, journalist Thilo Mischke has conducted research for ProSieben within right-wing networks and met supporters of various right-wing and right-wing extremist groups. In the "ProSieben Special: Right. German. Radical." he pursues the question: "Is our liberal democratic basic order in danger?
The film explores the campaign waged by the Hindu right-wing organisation Vishva Hindu Parishad to build a Ram temple at the site of the Babri Masjid in Ayodhya, as well as the communal violence that it triggered. A couple of months after Ram ke Naam was released, VHP activists demolished the Babri Masjid in 1992, provoking further violence.
A provocative and ironic pamphleteering documentary about the making of Christoph Schlingensief’s Nazi-'Hamlet’ (2001). Both a media event and a form of political action Schlingensief let ex-neo-Nazis play themselves. His provocation in so-called Nazi-free Switzerland was not appreciated and when he added fuel to the flames by calling for the local political party SVP to be banned, his media offensive made front-page news far beyond Switzerland.
WINHANGANHA (Wiradjuri language: Remember, know, think) - is a lyrical journey of archival footage and sound, poetry and original composition. It is an examination of how archives and the legacies of collection affect First Nations people and wider Australia, told through the lens of acclaimed Wiradjuri artist, Jazz Money.
An attempt to create a bridge between the different political positions that coexist, sometimes violently, in the Basque Country, in northern Spain.
Swedish News Documentary. On September 30, the Nazi organization NMR was granted permission to demonstrate in Gothenburg. Restricted counter-protesters filled the streets, police mobilized. Media as well. With several news teams, Swedish Television SVT followed the event closely, hour by hour before and during the demonstration.
Documentary about the "Britain First" anti-Muslim nationalist party. Follows the two leaders of the party and goes behind some of its campaigns to investigate if it really lives up to its claims not to be racist and violent.
"Rasist, Javisst?" is a Swedish documentary film from 1993 about the conflict between young Swedish nationalists and immigrant teenagers growing up in the suburbs of Stockholm. The film was shot during the whole of 1992 and culminated in the riots on the 30th of November 1993, after which date the authorities prohibited the nationalist demonstration in the centre of Stockhom.
Out of the spiritual chaos of the 1960s, more strange cults and unorthodox messiahs have emerged than ever. Charles Manson is seen as the annoying result of libertarianism of the 1960s - the Cain who murdered the Abel from The Love Generation. Or in the words of one commentator; "the Elvis of alienation."
A portrait of the life and career of the infamous American execution device designer Fred A. Leuchter, Jr. Mr. Leuchter was an engineer who became an expert on execution devices and was later hired by holocaust revisionist historian Ernst Zundel to "prove" that there were no gas chambers at Auschwitz. Leuchter published a controversial report confirming Zundel's position, which ultimately ruined his own career. Most of the footage is of Leuchter, working in and around execution facilities or chipping away at the walls of Auschwitz, but Morris also interviews various historians, associates, and neighbors.
This remarkable documentary tells the story of Professor Jenny Hocking, the historian who took on the Australian Government and HM Queen Elizabeth II in a landmark legal battle - and won.
Julie Peters is a legend in the trans community in Australia. She was the first person to transition at the ABC, at a time when there were no role models around her. From her early twenties, Julie started collecting anything trans or queer related to help her work out who she was. Over the years she’s collected one of the most comprehensive trans archives in the country. Including Interview with ABC MD David Anderson.