Orchestrator of Storms: The Fantastique World of Jean Rollin

The Jodorowsky Constellation(en)

This documentary depicts the filmmaker Alejandro Jodorowsky talking about his life, his loves, his career as a filmmaker, graphic novelist, and workshop leader, and his eccentricities including tarot reader and theatrical director during The Panic Movement. Directed by Louis Mouchet, La Constellation Jodorowsky includes a lengthy on-camera interview with Jodorowsky in Spanish with subtitles. Marcel Marceau, Fernando Arrabal, Peter Gabriel, Jean "Moebius" Giraud, and Jean Pierre Vignau make appearances discussing their various projects with the director. In addition to the interview and film clips, Mouchet features some bizarre footage from Jodorowsky’s absurdist plays in which topless women splattered with paint writhe around the stage in a theatrical production meant to represent The Panic Movement, i.e., an artistic expression in which reason cannot fully express the human experience.

A Forbidden Orange(es)

Spain, 1970s. A Clockwork Orange, a film considered by critics and audiences as one of the best works in the history of cinema, directed by Stanley Kubrick and released in 1971, was banned by the strict Franco government. However, the film was finally premiered, without going through censorship, during the 20th edition of the Seminci, the Valladolid Film Festival, on April 24, 1975. How was this possible?

The Cinematograph: Birth of an Art(fr)

Throughout the 19th century, imaginative and visionary artists and inventors brought about the advent of a new look, absolutely modern and truly cinematographic, long before the revolutionary invention of the Lumière brothers and the arrival of December 28, 1895, the historic day on which the first cinema performance took place.

The Cyberpunk Educator(en)

A 2003 documentary study of mainstream Cyberpunk films of the 1980s created by director Andrew J. Holden. The film uses the structure of literary theorist Northrop Frye to describe the common, repeating stories in Western culture, and how Cyberpunk can be defined and understood according to that analysis, with a focus toward American film industry portrayal of race, gender, and government.

Broken Palace(en)

A short documentary about the rapidly disappearing era of heritage movie palaces and the film going experience once offered within those hallowed walls.

Un chico de portada: el arte de Macario Gómez(es)

Macario 'Mac' Gómez talks about his long career as a film poster designer.

The Pervert's Guide to Cinema(en)

A hilarious introduction, using as examples some of the best films ever made, to some of Slovenian philosopher and psychoanalyst Slavoj Žižek's most exciting ideas on personal subjectivity, fantasy and reality, desire and sexuality.

Joaquin Phoenix: An Actor of Extremes(de)

The story of the rise to stardom of Joaquin Phoenix, an actor of magnetic physique, tumultuous past, socially committed, who for years has offered outstanding performances.

The Footprints of a Spirit(es)

The story of the creation of The Spirit of the Beehive, a film directed by Víctor Erice in 1973.

The Arrival of a Train at La Ciotat(fr)

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Deep Throat: When Porn Makes Its Premiere(fr)

Deep Throat, a pornographic film directed by Gerard Damiano, a film-loving hairdresser, and starring Linda Lovelace, a shy girl manipulated by a controlling husband, was released in 1972 and divided audiences, who began to talk openly about sex, desire and female pleasure; but also about violence and abuse; and about pornography, until then an almost clandestine industry, as a revolutionary cultural phenomenon.

Dark Glamour: The Blood and Guts of Hammer Productions(fr)

The greatness, fall and renaissance of Hammer, the flagship company of British popular cinema, mainly from 1955 to 1968. Tortured women and sadistic monsters populated oppressive scenarios in provocative productions that shocked censorship and disgusted critics but fascinated the public. Movies in which horror was shown in offensive colors: dreadful stories, told without prejudices, that offered fear, blood, sex and stunning performances.

Attack of the Hollywood Clichés!(en)

One-man armies, meet-cutes, casual strolls away from huge explosions — stars and industry insiders toast and roast these cinematic chestnuts and more.

L'amour ouf : histoire d'un succès fou(fr)

Auge in Auge - Eine deutsche Filmgeschichte(de)

This is not merely another film about cinema history; it is a film about the love of cinema, a journey of discovery through over a century of German film history. Ten people working in film today remember their favourite films of yesteryear.

Nostalghia - Sui luoghi di Tarkovskij 40 anni dopo(it)

Comrades in Dreams(de)

Four lives that could not be more different and a single passion that unites them: the unconditional love for their cinemas, somewhere at the end of the world. Comrades in Dreams brings together six cinema makers from North Korea, America, India and Africa and follows their efforts to make their audiences dream every night.

Counter Shot: Departure of the Filmmakers(de)

Documentary about filmmakers of the New German Cinema who were members of the legendary Filmverlag für Autoren (Film Publishing House for Authors). Among them are Werner Herzog, Rainer Werner Fassbinder, and Wim Wenders.

Omnibus: François Truffaut(en)

La décadence(es)

The life of film director Iván Zulueta (San Sebastián, 1943-2009) as told by himself, through his two homes (Villa Aloha, in San Sebastián; and the apartment on the 13th floor of the Edificio España, in Madrid) and the short films he shot there, 'A-Malgam-A' (1976) and 'Leo es pardo' (1976), with the ruins of both buildings as a backdrop.