Ruin Nostalgia

What the Eyes Can't See(es)

Four Spanish-language shorts about the importance and complexity of people's perception from award winning directors. Stories of identity, misconceptions, regrets, dreams and love are told in this diverse collection. Includes: Tenants [Inquilinos] (2018); My Brother [Mi hermano] (2015); Guillermo on the Roof [Guillermo en el tejado] (2018); You Are Not a Woman [Usted no es mujer] (2018).

Ottimismo democratico(it)

Soy(es)

Movie Hoarders: From VHS to DVD and Beyond!(en)

Filmmakers and collectors lift the curtain on their manic media obsession that is not only a huge part of their lives, but the lifeblood of their existence!

Τον παλιό εκείνο τον καιρό(el)

A documentary with outtakes from early greek films like Maria Pentagiotissa (1927), Astero (1929), Promithefs desmotis (1930), Dafnis kai Hloi (1931) & O magos tis Athinas (1931).

60 Seconds of Solitude in Year Zero(en)

An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.

life is cool(en)

22 year old Kali Caldwell interviews her friends about the human experience: love, fear, and understanding.

Assimilation Memories(en)

90's era home videos of a Mexican father starting a new life in the United States

Parajanov Triptych(hy)

Three short films by Sergei Parajanov, Hakob Hovnatanyan (1967), Kyiv Frescoes (1966) and Arabesques on the Theme of Pirosmani (1986). Scanned and restored from the original camera negatives in 4K by Fixafilm. Produced in association with National Cinema Centre of Armenia (NCCA), Dovzhenko Centre and Georgian Film. Scans for Hakob Hovnatanyan and Arabesques on the Theme of Pirosmani financed by Kino Klassika.

Historias Breves 0(es)

Film composed of nine short films. Short Stories 0, was released in 1993 and did not yet have that name because they were separate shorts. It would later become the prestigious annual short film competition for directors organized and produced by INCAA.

No entry(fr)

Prohibited, abandoned, and unexplored sites are hidden and sealed in Montreal. Entering defies the law, danger, and death. The urbex community is an even better-kept secret. Enter into this universe at your peril.

Encuentros con Elvia(es)

Super Mario Bros: This Ain't No Video Game(en)

A documentary about the making of the live-action Super Mario Bros. movie.

Chuck Norris vs Communism(ro)

In late eighties, in Ceausescu's Romania, a black market VHS bootlegger and a courageous female translator brought the magic of Western films to the Romanian people and sowed the seeds of a revolution.

Collinsville Trade Day, 1988(en)

In 1988, Keener's grandfather Charles took his video camcorder to Collinsville Trade Day to document the popular outdoor market for posterity. Twenty-six years later, Keener found the tape buried in a box in his living room closet. He took the liberty to edit this footage and the resulting film is a very personal collaboration with his grandfather about a small town’s culture.

Oslo Rats(en)

Documentary about urban exploration.

Hold mig fast. Før jeg forsvinder(da)

2018 Oscar Nominated Short Films: Documentary(en)

The year’s most spectacular Documentary short films.

The Babysitter(en)

When Melody was a young child, 20+ years away from coming out as transgender, she developed an obsession with movies. One of her biggest hobbies was acting out her favorite VHS tapes, FBI warnings and trailers included, in front of her parents' camcorder. Mom and dad realized this was an easy way to keep their child busy. Thus, the camera became a sort of babysitter, resulting in dozens of tapes featuring Melody performing in front of the (usually stationary) camera.

Home Movie(en)

Filmmaker Jan Oxenberg narrates her own home videos, commenting on how her views towards lesbianism and femininity have evolved over time.