Not Guilty, Not Victims

No Traces of Life(en)

Building on Forensic Architecture’s previous investigation into herbicidal warfare and its effects on Palestinian farmers along the eastern perimeter of the occupied Gaza Strip, this investigation marks Land Day in Palestine by examining the systematic targeting of orchards and greenhouses by Israeli forces since October 2023. Our analysis reveals that this destruction is a widespread and deliberate act of ecocide that has exacerbated the ongoing catastrophic famine in Gaza and is part of a wider pattern of deliberately depriving Palestinians of critical resources for survival.

China: The Uighur Tragedy(fr)

A relentless chronicle of the tragedy of the Uighurs, an ethnic minority of some eleven million people who live in the Xinjiang region of northwest China, speak a Turkic language and practice the Muslim religion. The Uighurs suffer brutal cultural and political oppression by Xin Jinping's tyrannical government: torture, disappearances, forced labor, re-education of children and adults, mass sterilizations, extensive surveillance and destruction of historical heritage.

Hungry for Profit(en)

Is our food bought at the price of famine in the developing world? Is agribusiness more interested in producing profits than producing food? This PBS independent documentary investigates U.S. and European agribusiness in the Third World. Filmed on five continents, it takes a close look at agribusiness, which is turning the world's food supply into a global supermarket, buying food at the lowest prices-regardless of small farmers and local populations-and selling it at the highest price and the greatest profit whenever possible.

Posted by: İlhan Sami Çomak(tr)

The story puts İlhan Çomak at the center, even though he is not physically present in the film. It focuses on the 21 years that İlhan spent in prison and his family’s experience of those years without him. The narrative is constructed through the letters İlhan wrote and aims to describe his life, his emotions and longings. The film constructs İlhan’s history through a chronology in the prison but refrains from restricting it only to a “prisoner’s quest for justice”, and rather tells a story of the situations he finds himself in over the years and his emotions and their equivalents in life.

Earning a Living - Ten Years in Marta's Life(fr)

Marta and Karina are sex workers also studying to become lawyers. Filmed over ten years, this documentary captures their unlikely journey from prostitution to the defense of women's rights.

Agnus Gay(pt)

Footage from the first ever São Paulo LGBTQ Pride Parade, which took place on the 28th of June 1997 on Avenida Paulista. The annual event would go on to become the largest pride parade in the world.

Hating Peter Tatchell(en)

The powerful and inspiring true story of the controversial human rights campaigner whose provocative acts of civil diso bedience rocked the British establishment, revolutionised attitudes to homosexuality and exposed world tyrants. As social attitudes change and history vindicates Peter's stance on gay rights, his David versus Goliath battles gradually win him status as a national treasure. The film follows Peter as he embarks on his riskiest crusade yet by seeking to disrupt the FIFA World Cup in Moscow to draw attention to the persecution of LGBT+ people in Russia and Chechnya.

Lullaby of the onion(eu)

Going to the doctor to make a diagnosis or to have a treatment is a common thing in the outside world. But for every prisoner it is a very difficult or impossible path. Lander Garro, the director, turns to those who have lived the experience of being ill in prison to better understand its consequences. It uses a language that goes beyond political discourse, exploring the helplessness of prisoners whose right to health is limited from an emotional point of view, through cinematographic tools. 'Tipularen sehaska kanta' ('Nana de la cebolla' - 'Lullaby of the onion') more than a political film is an artistic film, narrated in the first person and from the entrails. Based on the poem 'Nana de la cebolla' by the Spanish poet Miguel Hernández, who died in prison in 1942, the film makes a historical analogy: if it didn't make sense to die in prison in 1936, does it make sense today?

Before Father Gets Back(ka)

In a darkened classroom, the white cracked walls serve as a movie screen. We are in a remote mountain village in Georgia. The light from the projector breaks the darkness: the children's first cinematic experience is about to begin. Among the kids are Iman and Eva, two Muslim girls, for whom the experience becomes a turning point and inspires them to pick up a camera and start filming their daily lives. The girls are growing up in a valley infested by radicalism, where most people live in constant fear that their relatives will sacrifice their lives in the name of God.

I Am FEMEN(ru)

Oxana is a woman, a fighter, an artist. As a teenager, her passion for iconography almost inspires her to join a convent, but in the end she decides to devote her talents to the Femen movement. With Anna, Inna and Sasha, she founds the famous feminist group which protests against the regime and which will see her leave her homeland, Ukraine, and travel all over Europe. Driven by a creative zeal and a desire to change the world, Oxana allows us a glimpse into her world and her personality, which is as unassuming, mesmerising and vibrant as her passionate artworks.

A Flaming Forest(en)

This film explores the Biligiri Rangaswamy Temple (BRT) Tiger Reserve in Karnataka, home to the Soliga adivasis, highlighting their deep connection with the forest and the impact of exclusionary conservation policies since 1974. Documenting five decades of Soliga resistance and the ecological effects of restricted practices, it challenges forced eviction models and advocates for recognizing Soliga rights. This work is the result of a two-decade collaboration between researchers and filmmakers.

TMZ Presents | Famous & Naked(en)

Celebrities are showing it all online and raking in fortunes. Join TMZ in examining Hollywood’s fascination with getting naked on the internet.

Dissidents(en)

An artist's sculpture is burnt down, a protester is charged with a criminal case, and a democracy movement is violently attacked. In the United States, three Chinese dissidents fight for democracy against a superpower through art, petition, and grassroots organizing, but not even exile is safe.

War and Justice(de)

War and Justice is the first and only true-life documentary about the International Criminal Court (ICC), thanks to unprecedented access to Ben Ferencz, Luis Moreno Ocampo (ICC’s first prosecutor), and Karim Khan (its current prosecutor). Film directors Marcus Vetter and Michele Gentile follow Ocampo around the world as he enlists the support of Academy Award-winning Angelina Jolie and as they join Ferencz in the uphill battle against wars in the Congo, Libya, Palestine, and Ukraine.

Hot House(he)

In a candid and unflinching portrait of Palestinian prisoners, Shimon Dotan takes viewers inside the highest security prisons in Israel where thousands of Palestinians fill these detention facilities.

Sexwork & Me(en)

21st century legal prostitution through the frank stories of Amsterdam red-light district sex workers at a time when tighter regulation threatens their livelihood.

Living Art(bn)

The thousand-year-old tradition of pottery in the Indian subcontinent is now under threat. With the market being flooded with plastic in the evolution of civilization, today this Pal community is becoming displaced.

Notes about identity(es)

La marche gaie(fr)

A short documentary about the October 14 1979 March For Lesbian And Gay Rights in Washington D.C.

Crimes of Honour(en)

Throughout the Islamic world, each year hundreds of women are shot, stabbed, strangled or burned to death by male relatives because they are thought to have “dishonoured” their families. They may have lost their virginity, refused an arranged marriage or left an abusive husband. Even if a woman is raped or merely the victim of gossip, she must pay the price. Crimes of Honour documents the terrible reality of femicide – the belief that a girl’s body is the property of the family, and any suggestion of sexual impropriety must be cleansed with her blood. We meet women in hiding from their families, a brother who describes his reasons for killing the sister he loved, and a handful of women who have committed themselves to the protection of young women in danger of losing their lives.