Self
Goddess is an experimental short film which uses family archive footage and electroacoustic music creating a dialogue between reality and myth.
2011-11-01
10
Myth and reality intertwined in the image of a Goddess
After a long journey to Formosa, one of the first german colonies in the south of Brazil, Aron re-encounters his grandfather Harry Matschulat to shoot an interview about his life. But, his health wouldn't allow it. Because of this hindrance "Ewigkeit" is born: an imagetic documentary which reflects upon time, life, death and eternity.
RETURN tells the story of a retired Green Beret who embarks on a healing journey from Montana to Vietnam. There he retraces his steps, shares his wartime experiences with his son, treats his Post-Traumatic Stress Disorder, and seeks out the mountain tribespeople he once lived with and fought alongside as a Special Forces officer.
On the 20th anniversary of their edgy little 90's cable show Underground Entertainment, the authors, along with many SF, horror and B celebrities in cameos, remember how they pushed the envelope, shocked, entertained, but also introduced the audience to many movies, comics and conventions.
‘RETURN’ follows Torstein Horgmo, Mikey Ciccarelli, Mons Røisland, Brandon Cocard, Brandon Davis, and Raibu Katayama as they push the boundaries of what can be accomplished snowboarding when innovative minds join forces.
An animated road-movie set across the vast and barren landscape of Australia's Nullarbor Plain.
After being busted out of jail by his tomatoes, Professor Mortimer Gangrene begins a new plot to take over the world by inserting his hapless lackey Igor into the throne of the King of France.
Diana Damrau’s reputation as the world’s leading coloratura soprano has been built on her extraordinary technical virtuosity, her sensitive musicianship and her acute psychological insight. In this DVD of Katie Mitchell’s sometimes radical production of Lucia di Lammermoor from London’s Royal Opera House, she is, as the Financial Times wrote, “brilliantly convincing”. The British award winning director Katie Mitchell – took a revisionist approach to the drama, updating the action to the mid-19th century and applying a feminist slant as she added new and unexpected elements. The Financial Times wrote: “Mitchell shows us on stage personal traumas that a self-respecting woman in the early 19th century was meant to keep to herself. It is a messy, bloody list — nocturnal sex trysts, a knife murder, a miscarriage, a suicide in the bath … In all this Damrau is brilliantly convincing. Her rebellious Lucia is a woman of modern attitudes stuck in a still feudal Victorian world.”
Valdis Nulle is a young and ambitious captain of fishing ship 'Dzintars'. He has his views on fishing methods but the sea makes its own rules. Kolkhoz authorities are forced to include dubious characters in his crew, for example, former captain Bauze and silent alcoholic Juhans. The young captain lacks experience in working with so many fishermen on board. Unexpectedly, pretty engineer Sabīne is ordered to test a new construction fishing net on Nulle's ship and 'production conflict' between her and the captain arises...
In Aparecida, 50 Km from o’Porto, the atmosphere surrounding this years preparation of the yearly festivities is tense: the new priest aims to discouraje the "Promise payers" from doing it having themselves carried in open coffins through the village untill th chappel of the Appeared Lady. Superstition against Theological Argument, fidelity to the vows or reinterpretation… The conflict becomes unavoidable. It’s the local identity and its inhabitants identity that’s in stake. If this type of processions were common in the last century on the north of the Iberian Peninsula, this one, will probably be the last in Portugal. At the village of Senhora Aparecida the festivities of August are set. The main wooden bier that will carry the Saint may be 15 metres high. It is now being assembled and decorated. Those who escaped death now celebrate life. The Lady redistributes the power she's been given.
In 'One Zip Too Far', Jon van Eerd portrays a campsite owner trying to keep his head above water in a world full of zippers, tow bars, and tent pegs. As if demanding guests and a snooty neighbor aren't bad enough, the campsite is also threatened with closure. In an attempt to keep the tent standing, our main character sinks deeper and deeper into a hilarious whirlpool of problems, fabrications, and misunderstandings. In this farce, Jon van Eerd is once again supported by a host of well-known personalities such as Pamela Tevens, known from 'Onderweg naar Morgen', and Lucie de Lange, who considered the farce the best reason to return to Dutch theaters.
In a world where toys have become unpopular, villain Billy Willy sets up a terrifying plot to kidnap YouTubers and blow them into space. One million YouTuber Da-in goes out to find Billy Willy with fastest aircraft Sky to save her kidnapped mother! Can Sky save the Earth with Maximum Speed?
An unknown girl breaks out of her daily grind by undergoing an intense audio-visual trip.
Return to Horror Hotel is an anthology feature with 4 segments. One is about giant a bedbugs, one is about a magical charm that turns girls beautiful, one is about a WWII sailor who hasn't aged and one is about a terrorizing severed hand.
A short comedy spoof about Universal Monsters and their everyday unconventional work done at their very own talent agency for their movies.