
Documentary about the victims and effects in the Hiroshima bombing. Part of the "Ten-Feet Movement"
1982-03-06
0
6.0One of the first documentaries to focus on the aftermath of Hiroshima and Nagasaki, the film gives voice to survivors of the atomic bombings and documents the long-term effects of radiation on their lives. Combining testimony with stark images of destruction and recovery, it serves as an early cinematic appeal against nuclear war.
7.7Tsutomu Yamaguchi is a hibakusha. A survivor of both atomic bomb blasts in 1945. First at Hiroshima, then again at Nagasaki. Now nearing 90, Yamaguchi finally speaks out. Breaking taboos of shame and sorrow, he responds to a call to fight for a world without nuclear weapons by telling his story, so that no one else will ever have to tell one like it again. Twice reconstructs Yamaguchi’s experiences in 1945 Japan, interviews him on the after-effects of exposure and documents the last five years of the late-blooming activist’s life.
0.0Survivors of the 1945 bombings of Hiroshima and Nagasaki travel to New York for a UN conference on disarming nuclear weapons.
6.5Three years after the Hiroshima bombing, a teenager helps a group of orphans to survive and find their new life.
0.0Voices from Tsutomu Yamaguchi, who was twice exposed to the atomic bombs in Hiroshima and Nagasaki and later became a storyteller, as well as those who continue the storyteller activities with his daughters, grandchildren, and great-grandchildren, and other people who were twice exposed to the atomic bombs. How will a storyteller who was not involved in the story pass on the memories in the future?
7.5Shigematsu Shizuma, who lives with his family in a village near Fukuyama, was in Hiroshima with his wife and niece just after the devastating atomic bombing, a tragedy that cruelly took the lives of thousands of people and forever marked the harsh existence of the survivors.
6.6On the 70th anniversary of the atomic bombing of Hiroshima, Akihiro, a native Japanese filmmaker living in Paris, travels to Japan to interview survivors for a documentary commemorating the victims of the attack. Deeply moved by the interviews, he decides to take a break to wander through the city during which he meets Michiko, a merry, enigmatic young woman. Michiko takes him for a joyful and improvised journey from the city towards the sea where the horrors of the past are mingled with the simplicity of the present.
0.0In 2015, a black, female professor at a prominent Christian college wore a hijab and said that Christians and Muslims worship the Same God. The firestorm that followed exposed the rifts among evangelicals over race, Islam, religious freedom...and Donald Trump.
0.0At the '87 Tokyo International Video Biennale, held at Spiral Hall, performance artist Laurie Anderson gave the unforgettable lecture-demonstration, "Talk Normal". In "Talk Normal", Anderson discusses the many elements that distinguish her work, from the unique violins that serve as her alter egos, to her video clone, to her experiments with electronics and her personal homage to Oscar Schlemmer's Bauhaus dances. Through excerpts from the film Home of the Brave, the television program What You Mean We?, and the music videos for her songs O Superman and Sharkey's Day, Anderson draws you into an eclectic world where sight and sound are united. In "Talk Normal", New York's best known performance artist talks about herself.
0.0A delightful insight into the filming of Antony Hickling's "Frig" with interviews and behind the scenes footage.
8.5Marina Abramovic collaborated with videomaker Charles Atlas on this striking work of autobiographical performance. Abramovic delivers a monologue that traces a concise personal chronology. This brief narrative history, which references her past in the former Yugoslavia, her performance work, and her collaboration with and separation from Ulay, is intercut with images of Abramovic engaged in symbolic gestures and ritual acts—scrubbing her feet, staring like Medusa as snakes writhe on her head. Closing her litany with the phrase "time past, time present," Abramovic invokes the personal and the mythological in a poignant affirmation of self.
0.0This documentary records the in-depth testimony of a gay Muslim couple, Ovil and Usman, whose only wish was to share a life together. Since in their home countries it is illegal for gay men to live their lives as they would like to, they had no choice but to escape to the West, following the underground caravan of refugees and immigrants that leads from Asia to Greece . They ended up trapped in the infamous hotspot/refugee camp in Moria - where their "dream paradise" would show its ugliest face. The film was shot on the island of Lesvos, Greece, under very difficult circumstances. It illustrates the squalid living conditions and the human mosaic at the Moria camp through strong imagery of never before seen footage from the life inside and outside the camp, shot through different means, even mobile phones, as there was a government prohibition for journalists and film crews to enter the camp.
0.0Jacobs’s hypnotic “3-D” adaptation of New York 1911, a long-forgotten Swedish documentary restored by MoMA in 2017, is representative of his current work.
0.0Paradoxically described by Walter Sorell as "a tender lullaby of love" and by Richard Buckle as "cold and menacing, the courtship of the Macbeths," Night Wandering is a duet reminiscent of snowy landscapes. Cernovitch designed the original costumes: fur tunics that Cunningham wore over trousers, and Brown wore over tights. Continuing with the piece's Nordic theme, the music by Bo Nilsson was characterized by bursts of activity followed by moments of silence, evoking the feeling of traveling through the spacious, and seemingly endless Northern night.
7.3The controversial Thai Buddhist temple "Dhammakaya" is in crisis as its abbot was charged with money-laundering and receiving stolen property. The film reflects the clash between politics and faith in modern Thai society.
0.0A construction site with foreign workforce – lunch break. A Greek man tries to write a request letter to the German authorities to allow his parents to stay in Germany because of the Greek-Turkish clashes on Cyprus. A German foreman helps him write the appeal. Upon saying that the reason for summoning his parents is that their lives are threatened by the Turks, other bricklayers join in and a row takes place. During the row the letter is torn, lunch break is over and the bricklayers go on laying bricks.
0.0Franco Maresco celebrates the heritage of Pier Paolo Pasolini on the 99th anniversary of his birth through a series of exchanges with renowned intellectuals which were involved or influenced by his works and ideas.