Filmmaker André van der Hout made an intimate film portrait about Dutch musical comedian, poet, thinker and drinker Kees Torn, who stopped performing in 2012.
2022-06-08
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Back in 2003, Alex Agnew was the first Belgian to win the prestigious 'Leids Cabaret Festival' in The Netherlands. He was the winner in both categories: Jury and public. Alex is a mixture of an English father, Belgian mother, an overdoses (action) movies, superheroes, comic books and a lot of music. No quiet, sophisticated humour, but proud to be loud! Rock'n'Roll comedy!
In dit tweede solo-programma komt hij nóg harder, nóg scherper en nóg pikanter uit de hoek. Gevoelige toeschouwers weze bij deze gewaarschuwd: geen huisje - heilig of niet -blijft overeind, geen thema onbenut. "Morimos Solamente" bevat geen theatrale structuur (heeft dat ook niet nodig), maar kan je best omschrijven als anderhalf uur fantastisch verbaal geweld. "The World According To Alex Agnew" dus…
With the world changing faster than ever, comedian Peter Pannekoek shares his thoughts about power, evolving gender relations and the times ahead.
Stage registration of the first comedy special by the Dutch comedian Micha Wertheim. The central idea of the performance is: 'Some people think I'm arrogant, but I spit on them."
Video registration of the second comedy special by the Dutch comedian Stefano Keizers. In Keizers' own words, 'Sorry Baby' is 'an art performance that tries to approach a regular comedy special as closely as possible'.
Registration of the fourth solo program by the Dutch comedian Hans Sibbel, in which the comedian takes a look at the evolution.
Registration of the fourth theatre program by the Dutch comedian Claudia de Breij.
Registration of the third theatre program by the Dutch comedian Claudia de Breij. De Breij transforms into a timeless variety star, entertaining the troops in Germany ánd Irak.
TV registration of the second theatre program by the Dutch comedian Claudia de Breij. A show about the Original Sin.
Registration of the theatre program by the Dutch cabaret group Cabaret Nar, with Youp van 't Hek, Aletta de Nes and Hans van Gelder.
Micha Wertheim asks himself and his audience how to live and survive in a gloomy future perspective. Populism seems to have been taken for granted by both right-wing and left-wing parties. Racism, sexism, anti-Semitism seem to be increasing. The planet is dying. The factory farming industry is still booming. We have reached a dead end and we are standing with our noses against a blank wall. All we can do now is turn around to see how we got here, with our backs against the wall.
Registration the fifth theatre program by the Dutch comedian Lenette van Dongen. The program is 'an ode to the human courage to take life as it presents itself'.
Registration of the fifth theatre program by the Dutch comedy duo (Erik) van Muiswinkel and (Diederik) van Vleuten. Two old friends meet in a Dutch park.
After five theatre programs, the comedy duo (Erik) van Muiswinkel and (Diederik) van Vleuten performed one more time with an anthology from their previous programs.
Registration of the second theatre program by the Dutch comedy duo (Erik) van Muiswinkel and (Diederik) van Vleuten. In their first program, the two comedians limited themselves to the earth and the strange peoples who inhabit it. In their second program they expand their explorations into the world of the unseen, where they test their strength with astrologers, illusionists, millennium preachers and similar figures. What mechanisms drive people to believe in supernatural madness, and to derive pleasure and comfort from it? Have we made any progress in the twentieth century? If Darwin, Freud and Einstein opened humanity's eyes, then a hundred years later there will be enough volunteers to close them again. Van Muiswinkel and Van Vleuten argue about it for a long time during this performance.
Award-winning artist Wim Helsen proves in his fifth theater performance that he not only has deep, absurd thoughts, but is also a good listener.
This comedy/theatre show is the sequel to 'Micha Wertheim: Somewhere Else'. This second show starts exactly where the first show ended: in the same theatrical scenery, with the same robot. But this time Wertheim surprises his audience by showing up. He tells about how the first experimental comedy show was received and contemplates about the magic of theatre and art in a society about the right to exist of art in a society that allows less and less doubt and confusion. When Robot falls into a depression, the boundaries between theater and reality begin to blur.