The Legend
Top 10 Billed Cast
Dr. Saravanan
Thangam
Dr. Desikan
Recommendations Movies
Shoot the Kuruvi(ta)
The film starts by establishing the history of a don called Kuruvi Rajan, played by a convincing Arjai. Rajan rises to the top through hook and crook. Over time, he becomes a deadly villain, whose identity is known only by his victims. On the other hand, we are introduced to Sharif, who suffers from a terminal illness and wishes to tick items off his bucket list. How the two worlds meet forms the rest of the story.
25 October, the First Day(ru)
A short film made by Yuri Norstein for the 60th anniversary of the October Revolution, The 25th - the First Day recounts that day using art from the revolutionary period.
WWE Backlash 2000(en)
Backlash 2000 took place on April 30, 2000 at the MCI Center in Washington, D.C.. It was the second event under the Backlash chronology. The main event was a singles match for the WWF Championship with Shane McMahon as special guest referee, in which The Rock (aided by Stone Cold Steve Austin) faced Triple H. Featured matches on the undercard included Chris Benoit against Chris Jericho for the WWF Intercontinental Championship and a six-man Hardcore match for the WWF Hardcore Championship.
Natalie Dessay & Rolando Villazón - Massenet: Manon(fr)
Natalie Dessay and Rolando Villazón bring Jules Massenet's classic opera to the stage in this dazzling production. In 18th-century France, Manon (Dessay) faces life as a nun, despite catching the eye of many men. When she meets the handsome but penniless des Grieux (Villazón), she falls deeply in love. The pair elopes, but their future together is threatened by outside forces.
Putin's Kiss(en)
Masha Drokova is a rising star in Russia's popular nationalistic youth movement, Nashi. A smart, ambitious teenager who – literally – embraced Vladimir Putin and his promise of a greater Russia, her dedication as an organizer is rewarded with a university scholarship, an apartment, and a job as a spokesperson. But her bright political future falters when she befriends a group of liberal journalists who are critical of the government, including blogger Oleg Kashin, who calls Nashi a "group of hooligans," and she's forced to confront the group's dirty – even violent – tactics.
Bloody Johann(cs)
Johann Faust comes back to life. After centuries spent in darkness he unleashes a night of terror in Prague, with vampires, zombies and mutants. This time, Faust has a new obsession - to get even with his past life and his family. There is also the devil Mephistopheles, who controls everything like a puppeteer from afar. The film based on Goethe's iconic work and unpublished, short stories by F. Kotleta and K. Sněgoňová presenting bloody coctail of horror and fantasy.
Fireworks(fa)
Kiarash and Maral take turn robbing some stolen money off each other until they face the inevitable consequence.
Ghatak: Lethal(hi)
When Kashi visits a community with his father, he is shocked to see the torturous regime of Katya. He tries to oppose Katya, but ends up compromising the safety of his family and relatives.
Tiger Rose(en)
Originally a Broadway play by Willard Macks, Lenore Ulric played the lead on Broadway and reprises her role for this film. At the Wutchi Wum trading post In the peaceful Loon River Valley, deep in the Canadian Northwest comes a story of love, vengeance and sacrifice. Having lived at the trading post following the death of her father, Rose will soon fall in love. But when her new love is in trouble, Rose will discover that she is capable of much more than she thought in order to keep him safe.
Spring(ru)
This is a story about a city guy Nikolai, who will have to go instead of his friend on a rural business trip. A series of funny events, meetings and the beauty of the Yakut village encourage Nikolai to make an important decision in his life…
Arabic Numeral Series 16(en)
“With some exceptions, the Arabics take the idea of the void as their ground. That is, the light we do see almost always seems to be set against darkness, or occasionally against white, these momentary flickers that materialize tenuously out of emptiness. But the darkness is not ‘night,’ or even simply some more abstract absence of light, but a more profound vacuum: it represents a world stripped of all the coordinates of the known, an unmeasurable absence. […] These lushly sensual, pleasurable-to-view films are also terrifying: their unpredictability, continually enacting new dramas of surprise, alternatively swamps the viewer in light and leaves him adrift in darkness.”
