Moncef
Esposa Mulie
Kassim
Ibrahima
Lami
A group of Africans clandestinely reaches the coast of southern Spain. Among them is Alou, a 28 years old Senegalese. As all his belongings are stolen while in Almsería, he has no choice but to engage in street vending. His only pleasure are the letters he writes to his family to tell the vicissitudes of his Spanish adventure.
1990-10-05
5.1
A very proper Englishman becomes saddled with youngsters that he has to help escape Nazi Germany. Adaptation of Nevil Shute's novel.
Quién lo impide is a call to change our perception of adolescents and youths; our idea of those born in the early 21st century who have recently reached adulthood; those who now seem guilty of everything as they themselves see their hopes dashed. Somewhere between documentary, fiction and pure testimonial record, the young adolescents show themselves the way they really are, the way we rarely see them, or the way they let us see them: taking advantage of the film camera to show off the best of themselves and renew our trust in the future; from fragility and emotion, with humour, intelligence, beliefs and ideas. Because the young people who speak to us about love, friendship, politics or education refer not only to their own situation, but to the things that always matter to us, at any age. Quién lo impide is a film about ourselves: about what we were, what we are and what we will continue to be.
Maya, eccentric animal lover and videographer, is creating a documentary promoting inter-species compassion. Criticized by wealthy, image-conscious parents for an unconventional sleeping arrangement with her pet parrot, Maya is sent to a psychiatrist, who begins to empathize with her unique perspective. Traveling to Thailand, Maya hopes to document the plight of elephants newly retired from the brutal logging industry. Suddenly she finds herself in a magical world populated by tigers who sleep with monks, and friendly elephants who dance, play sports, and paint exquisite pictures. Meanwhile, a seductive stranger with a secret agenda has pulled Maya into a cloak-and-dagger operation which will devastate her own family. Inspired by her remarkable experiences, Maya gains the courage to confront the conflicts which threaten her return home.
In Cape Town, a police inspector named September color discovers that the dreaded Mabasha, hired murderer, is in talks with a right-wing organization. In Skåne, southwest of Sweden, is given to the real estate agent Louise Åkerblom by missing and the case is assigned to Inspector Wallander. Just start research supposedly empty building explodes. An unusual weapon, a transmitter Russian and index finger of a man of color are found in the wreckage of the building ...
Set in the rural socio-political environment of North Malabar, Kotthu follows two party workers Shanu and Sumesh and how certain party workers are honour-bound to their `acquired` political ideology of revenge killing.
Stephen Hawking has warned that the creation of powerful artificial intelligence will be “either the best, or the worst thing, ever to happen to humanity”. Inspired by Brian Christian’s study The Most Human Human: What Artificial Intelligence Teaches Us About Being Alive, the filmmakers set out on an international investigation highlighting the effects of AI - scenes from our daily lives destructive and constructive.
Rap music has articulated a black aesthetic that is influencing pop culture around the world. But does it also promote violence, misogyny, and crime? This program featuring rap master Melle Mel describes the history of rap and hip-hop from its roots in earlier oral and musical traditions to its full flowering in the mid-1990s. Commentary by Grandmaster Flash and Afrika Bambaataa, rap’s early innovators; music critic Nelson George, author of hiphopamerica; radical jazz poet Gil Scott-Heron; movie star and rapper Ice Cube; former gangsta rapper Snoop Doggy Dogg; members of Public Enemy, Arrested Development, and the jazz/hip-hop fusion group UFO; and others speak out about the urban African-American experience, civil rights, social responsibility, and other pressing topics. Clips from music videos provide a visual perspective on the genre. Some images and lyrics may be objectionable.
Luzia falls in love with Léo, but to live that love she needs to escape the city where she lives and the jealousy of her ex boyfriend, Diogo. Along the way, the couple goes on adventures where Luzia discovers Léo's true identity.
Harris, his wife, his mistress and his half German sister arrive with a boat to a distant Aegean island, assessable only by boat. The boat man forgets them and they are stranded there. Harris gets stung by a bee, and he develops an allergy. He gets terribly swollen and his alter ego emerges. Suddenly all secrets, hidden truths and feelings come into the open.
A set of nine stories whose central theme is eroticism. The different directors of the film deal from philosophical aspects to others that are almost pornographic, but always with a common denominator: sensuality.
In 1943, Max Fronenberg spent one year digging a secret underground tunnel to escape out of a prison camp in Warsaw, Poland during the Holocaust while saving fifteen other prisoners in the process and forced to leave behind the love of his life, Rena, in the prison.
Yesspeak is a film chronicling the then current lineup of the progressive rock group Yes (featuring Jon Anderson, Steve Howe, Rick Wakeman, Chris Squire, and Alan White) directed by Robert Garofalo and narrated by Roger Daltrey. It was premiered in theatres across the United States on January 26, 2004, and was followed by a closed-circuit live acoustic performance by Yes in front of a small studio audience (resulting in the DVD Yes Acoustic: Guaranteed No Hiss). Divided into ten chapters, the programme systematically covers the background, history, and outlook of the group before an extended interview with each of the five members of the group. There are also discussions with members on the band's music and glimpses of the band's 2003 world tour.
Aladdin and his new friend Paige visit English kings, Egyptian queens, come face to face with a Tyrannosaurus Rex, and walk the gangplank with Blackbeard the Pirate, in search of a stolen magic lamp.
The movie is based on the true story of Takumi Asakawa - a Japanese man who entered Korea during the country's occupation by Japan. Takumi Asakawa became captivated by Korean culture and championed the value of such items as the traditional white Korean porcelain.