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At Land(en)
A woman washes up on a beach and embarks on a surreal journey, encountering others and fragmented versions of herself in a quest for identity.
A Certain Dream(ko)
A female hotel employee wanders around different guestrooms and searches for an unreachable dream. Wandering in other people’s dreams, she encounters a mysterious guest and hears a story about a woman who dances deep inside her dream and a dancing procession...
He soñado con olas(es)
A teenager's obsession with recovering his stolen phone forces him to confront the ghosts of a recent toxic relationship.
Lohengrin(en)
A short experimental film shot on Super 8, inspired by the music of Richard Wagner.
Rosso(en)
For an anxious person, being trapped on a boat with someone you don't like can be the tense. Stuck for hours afloat, nothing on the line, bad conversation, and cold winds as resentment rises. Both people chained to a rod and tackle because one won't speak up and admit that they want to go home.
Nocturna(en)
A man loses his grip on reality as he tries to uncover the meaning behind his strange recurring dreams.
The Cook, the Thief, His Wife & Her Lover(en)
When churlish mobster Albert Spica acquires an upscale French restaurant in London, he dines there nightly, effectively scaring off the clientele with his bad manners. His wife, Georgina, is especially disgusted by him, and soon begins an affair with regular guest Michael. Despite their best efforts to keep it secret, Spica learns about their trysts, and he plots a terrible revenge.
The Experiencer(en)
After taking a wrong turn, a young man somehow falls into a mysterious cave and becomes hopelessly lost. As he searches for a way out, the journey he experiences forces him to confront the deepest parts of himself.
Amelia 2.0(en)
After his wife Amelia suffers an aneurysm that leaves her bedridden and slowly dying, police officer Carter Summerland searches for a way to revive her. He's approached by Wesley Enterprises pioneering a new program to extend life through robotics, they get caught in a public debate over human’s relationship with technology and her right to exist.
Aishiteru(es)
Experimental short film that reflects through the voice of the protagonist, poetically, about a fateful intimate and personal event.
Pulvaaliraghu(ta)
The fan's self-sacrificing blades dance in the air, generating a refreshing breeze that wipes away the sweat of others and brings solace on a scorching day.
Is It A Plaisir(en)
'Is it a plaisir' is an experimental short film that explores femininity and the body as a sharp territory, crossed by the tension between desire and imposition. Through symbolic, sound and visual saturation, the film acts from pleasure (plaisir), revealing a liberation that emerges in the midst of excess, where intensity and lightness, dark and light, intertwine, collide and converge.
Rosewater(en)
A solitary man struggles to cultivate beauty in a desolate urban world. Lonely and dislocated, he drifts in and out of a dream state envisioning the promise of regeneration. ROSEWATER tells a story of hope sustained through perseverance, ritual and, ultimately, revelation.
Synecdoche, New York(en)
A theater director struggles with his work, and the women in his life, as he attempts to create a life-size replica of New York inside a warehouse as part of his new play.
The Baby of Mâcon(en)
In 17th-century Tuscany, a church play is performed for the benefit of young aristocrat Cosimo. In the play, a grotesque old woman gives birth to a beautiful baby boy. The child's older sister is quick to exploit the situation, selling blessings from the baby, and even claiming she's the true mother by virgin birth. However, when she attempts to seduce the bishop's son, the Church exacts a terrible revenge.
The First Murder(sh)
Based on the novel "Šta bi učinio Zobec?" (What Would Zobec Do?) by Svetozar Vlajković. It's a short movie about a young man who is afraid of being turned down by a girl.
Speaking in Tongues: Take One(en)
A 16mm experimental film that analogizes the discourse of racialized criminality and the carceral apparatus, which surveils and delimits the movements of Black people’s bodies, with the conventions and mechanics of the cinematic apparatus which regulates and standardizes the movement of the filmstrip through the motion picture camera and projector. Equal parts essay and visual art, Speaking in Tongues embodies the cinematic Black ecstatic that simultaneously re-envisions resistance defiance in the face of anti-Black state violence and subverts the conventions of cinematic realism through a manually and optically altered collage of original documentary and archival film sourced from Hollywood movies, television commercials, educational films, cartoons, European art cinema and miscellaneous ephemera.