Tartuffe ou L'Imposteur

Mon père avait raison(fr)

Silent Sons(ar)

A Kuwaiti play talks about the life of Kuwaitis in the years of poverty experienced by Kuwaitis before the economic boom in the seventies, and discusses work in a comic framework of economic and social problems, including poverty, education, and health, by dealing with the stories of work heroes.

Skandál v Březůvce(cs)

Enfer et contre tout(fr)

Un chalet à Gstaad(fr)

Françoise and Jean-Jacques Lombard, very wealthy tax exiles whose fortune is based on the inventions of their husbands, are preparing to receive a couple of friends, Alicia and Grégoire Lagarde. He is a daddy's boy industrialist, She is a rich and stupid aristocrat. Everything could well happen if Alicia had not become infatuated with a spiritual coach who accompanies them to dinner. And inevitably, the varnish will end up cracking, especially when the guru will tell them the worst: their fortune is threatened.

Frédéric(fr)

Sans mentir(fr)

"To invent a wife when you're single, and you want to seduce a young woman who claims to be attracted only to married men, you still have to lie. To make your new conquest believe that you live in the superb duplex that you keep during the holidays, you must always lie. For Serge, this cascade of lies will lead to new catastrophic fabrications, but also reveal astonishing truths. His professional and sentimental life will be turned upside down, dragging his best friends into its whirlwind. The only certainty of this story, is that WITHOUT LIE, nothing would have happened. "

La Comédie presque française : L'Ecole des naans(fr)

The Almost French Comedy tackles another classic by Molière, "The School of Women". A fop as a hero, an attractive heroine and a thwarted love story: the ingredients are there, but the staging is not classic. The troupe invites spectators to a Bollywood version, based on Molière's play.

Vers toi terre promise(fr)

"At the end of the war, despite the loss of one of their two daughters at Auschwitz and with the vain hope of finding the other entrusted to the Carmelites, a dentist and his wife are trying at all costs to return to life. Perhaps the Promised Land will heal their sorrows ... "

Dva buchy a tri šuchy(sk)

Vejár(sk)

Mademoiselle(fr)

The New World Order(en)

Harold Pinter's play, "The New World Order" was first performed on July 19th 1991 at the Royal Court Theatre Upstairs, London. The following is Richard Corso's film adaptation starring Cody Dermon (as Des), Haydn Winston (as Lionel) and Tyler Compton (as Blindfolded Man).

Noises Off...(en)

Hired to helm an Americanized take on a British play, director Lloyd Fellowes does his best to control an eccentric group of stage actors. With a star actress quickly passing her prime, a male lead with no confidence, and a bit actor that's rarely sober, chaos ensues in the lead up to a Broadway premiere.

Sogno di una notte di mezza sbornia(it)

Pasquale Grifone, who lives in Naples with his family, receives in a dream the visit of Dante Alighieri. The poet suggests to the man, clouded by the fumes of alcohol, four numbers to play.

Le Jour du kiwi(fr)

Le Clan des divorcées(fr)

Tailleur pour Dames(fr)

The Taste of Others(fr)

Unpolished and ultra-pragmatic industrialist Jean-Jacques Castella reluctantly attends Racine's tragedy "Berenice" in order to see his niece play a bit part. He is taken with the play's strangely familiar-looking leading lady Clara Devaux. During the course of the show, Castella soon remembers that he once hired and then promptly fired the actress as an English language tutor. He immediately goes out and signs up for language lessons. Thinking that he is nothing but an ill-tempered philistine with bad taste, Clara rejects him until Castella charms her off her feet.

Le Banquet(fr)

Praised at the Théâtre du Rond-Point, dedicated to Molières 2019 by Molière for directing for Mathilda May, and for female revelation with Ariane Mourier, Le Banquet is a singular, strong, surprising and universal show. A wedding where everything goes wrong, a banquet where everything suddenly shatters. Without words but in a universal language, the characters love each other, confront each other, meet again, and get lost in a funny and hectic whirlwind. After the immense success of Open Space and when Mr. X was created with Pierre Richard, Mathilda May continues to make us dream and presents us here with a unique fresco. An exceptional spectacle.