In 1963 and 1964, Andy Warhol captured dancer-choreographers Lucinda Childs, Yvonne Rainer, and Freddy Herko, and Village Voice dance critic Jill Johnston with his Bolex—performing in lofts, on rooftops, and at Judson.
1964-01-01
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5.0In this story set in near future, a group of young rebels, hippies and 1968 protesters want to cede and make an independent Island from the Mainland. A journalist who came to the Island to make a report about political summit that takes place there gets involved in the clash between young rebels and establishment.
5.6Catherine Tate's iconic character Nan hits the big screen as she goes on a wild road trip from London to Ireland with her grandson Jamie to make amends with her estranged sister Nell. Militant vegan arsonists, raucous rugby teams, all night raves and crazed cops on motorbikes all make for a proper day out. An origin story that mixes Nan's present with her past where we finally find out what's made her the cantankerous old bastard she is today.
7.6County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.
6.4A pair of bus drivers accidentally steal their own bus. With the company issuing a warrant for their arrest, they tag along with a playboy on a boat trip that finds them on a tropical island, where a jewel thief has sinister plans for them.
7.2Ballet star Petrov arranges to cross the Atlantic aboard the same ship as the dancer and musical star he's fallen for but barely knows. By the time the ocean liner reaches New York, a little white lie has churned through the rumour mill and turned into a hot gossip item—that the two celebrities are secretly married.
7.6On a turn-of-the-20th-century northern Italian farm, a group of sharecroppers eke out a threadbare existence. A priest advises Batisti and his wife Batistina that their young son Minec should be formally educated, so they sacrifice his help in the fields and send him to school. When Minec's wooden shoe breaks one day, Batisti--in an act of desperation--puts the family's future at risk to replace the clog.
6.9James Brown changed the face of American music forever. Abandoned by his parents at an early age, James Brown was a self-made man who became one of the most influential artists of the 20th century, not just through his music, but also as a social activist. Charting his journey from rhythm and blues to funk, MR. DYNAMITE: THE RISE OF JAMES BROWN features rare and previously unseen footage, photographs and interviews, chronicling the musical ascension of “the hardest working man in show business,” from his first hit, “Please, Please, Please,” in 1956, to his iconic performances at the Apollo Theater, the T.A.M.I. Show, the Paris Olympia and more.
0.0A man grapples with his anxiety, attempting to calm him self in the shadow of his idols. As the ideal and the real collide.
0.0The film appears like a ritual with splendids and crypteds psalms. The Great Master of Order (Marcel Mazé, new fetish actor after Aloual) seduces the young male prey with a running cinema projector which carves Murnau's Nosferatu extracts on their bodies. Metamorphosis, rituals passages, Eros and Thanotos, illusion and reality, film into the film are the themes and images in perpetual osmosis in this Stéphane Marti's opus.
5.6The world of dance can be brutal. The rehearsals are grueling. The competition is fierce. At the Arts for Living Centre in New York City, the best of the best are dying for a part in a major production. But only a select few will be chosen. The selection process seems to be at the hands of mysterious killer who pierces women's bare breasts with a hatpin, puncturing their hearts. Ambition and jealousy appear to be the motive, which makes everybody a suspect!
0.0A knight, abandoned by his battalion, is allured by a strange woman dancing on the hilltops. But where is she leading him?
6.4Filmed in Rome in the 1980s, the work draws on Borromini’s Baroque architecture and Il Sassetta’s St. Martin and the Beggar. Beavers contrasts winter’s subdued light with the verdant growth of spring, constructing a precise montage in which image and sound form a poetic dialogue.
6.0Interweaving stonework and filmmaking, Beavers evokes memory through hammer strokes and chisel sounds that shape both image and rhythm. In this dialogue of repetition and variation, the film carves out a space where emptiness itself gains form, allowing vision beyond sight.
6.4Banker Roger Hobbs wants to spend his vacation alone with his wife, Peggy, but she insists on a family vacation at a California beach house that turns out to be ugly and broken down. Daughter Katey, embarrassed by her braces, refuses to go to the beach, as does TV-addicted son Danny. When the family is joined by Hobbs' two unhappily married daughters and their husbands, he must help everyone with their problems to get some peace.
5.7The veneer of the story is a tale of chance love: two French expatriates strike up a chance romance when they meet on a ship headed back to South America.
0.0The walls of video rental shops in Japan are lined with hundreds upon hundreds of animation DVDs, but experimental and art animation on DVD are rare. To remedy this situation, Image Forum put together this showcase of the work of contemporary avant-garde animators trained in Kyoto and Tokyo.
7.2The centerpiece of A. Grikevicius's film is Tomas Petreikis, the chief engineer of the machine factory in Kaunas F. Dzeržinskis. Rather than creating a regular, conjunctural narrative about the hero of socialist work that exceeds production norms, the director captures another personality of his film's hero. After work, Tom is an entertaining dancer, teacher and contest judge. "Construction and dancing? No, they don't not have any relation," T. Petreikis answers the question posed by the journalist. However, the film observes the parallels that reveal the precision of the constructor-dancer, the perfection of the goal, both by controlling the work of the machine tools and by teaching pairs of dancers to rotate on the parquet, imply another answer.
5.0The film centers on a big Polish family. Jadzia is the mother and the ruler of the Pzoniak family (she has five children). Though she's happily married to Bolek, she is also having a long-time affair with Roman. Her young daughter Hala is having an affair with neighbour cop Russell and becomes pregnant by him. Russell is pressed hard to marry Hala.