Little Boy
Doctor Caleb
Zikora
Restaurant Extra
Abdul (as Michael Ejoor)
Restaurant Extra
George
Swanky
Susan
Ebuka
Young business man Michael has some kind of religious crisis. This weakness is exploited by a group of cackling witches. One of the witches - in her human form - get's married to Michael. Slowly, his family life and his health starts to fall apart. Can he be saved through the power of Jesus Christ?
A slick serial seducer bets his friends that he can bed three old flames in six weeks, in this risqué comedy from the director of the smash hit Wives on Strike.
Kenneth Abah, the managing director of hills group and the son of a famous and influential family is married to Susan, a graduate in law and the daughter of a dry cleaner. Thanks to Ken's social status and arrogance his loving wife becomes his maid. But when Susan becomes tired and complains, he proposes a divorce. Will she accept his proposal or continue with this domestic slavery?
The film follows a young couple living in Philadelphia area working to pursue their dreams. Cynthia Andrews is an aspiring actress who has been in a comfortable celibate relationship for three years with a faith oriented semi-pro kickboxer named Jay Durant. While Cynthia is pursing her dreams of acting, she is diagnosed with a life threatening disease and told she needs a kidney change or she was not going to survive. The process of finding a donor and managing her acting dreams and the thoughts of her not getting married and raising a family of her own become a burden. She begins feeling like all hope is lost, and her dream of becoming that actress and mother she always wanted to be was not happening as time was ticking. The film touches on the relevance of faith, hope and true love.
Why are Angela and Harrison are holding back their expressions of love for each other?
Nefechi, married off against her will to Dede, will come to understand what love and fatherhood mean.
A desperate girl in need of a job resorts to applying for a house girl position when the friend that she is squatting with blocks all her efforts at getting a corporate job, and receives way more attention than she had bargained for.
Phyllis is a moving and atmospheric portrait of a ‘psychic’ vampire, a woman obsessed with synthetic Nollywood dramas, that lives alone in Lagos, Nigeria. The central idea of this short experimental film is the practise and significance of wig-wearing in Nollywood film; a practise the director has invested with deeper psychological as well as science-fiction layers. Underpinning this central idea however is a critique of the unforgiving treatment of single women in Nollywood and Nigeria. The film is an example of what the director, Zina Saro-Wiwa, has termed “alt-Nollywood”, a genre that plays with and reworks certain narrative, stylistic and visual conventions of Nollywood. Phyllis explores the gothic possibilities of the Nollywood aesthetic creating a new kind of low-budget atmospheric film that is very much of Nollywood and yet subverts the genre. Using Nollywood to subvert Nollywood.
A loving husband is diagnosed of brain tumor that threatens his life. He has a last request that sends his family into disarray. He soon realizes the effect of his request in his family. He begins to seek a solution to his problem and a way to bring his family back together.
Three families navigate uncertainty and struggle when cancer affects their lives and presents emotional challenges that test their bonds.
A blend of patriotism and personal vendeta drives Joan in the fight against fake drugs and the dangerous cartel behind it.
When Temi, the gorgeous wife of a high profile senator is robbed, four suspects arequickly apprehended and arrested. Although each detainee proclaims his innocence, Temi identifies each of the attackers along with her stolen property, seemingly resolving this classic open and shut case. But a senior detective, on the eve of his retirement risks his reputation when he suspects there is more to the story. High powered political intrigue clashes with gritty street violence and the prospect of deep corruption in this riveting mystery where one man fights to prevent the truth from becoming another casualty.
In trying times, Raphael comes across a girl who could turn out to be the magic wand he needs to make him a better man.
Femi the “Femi-nist” is a renowned Casanova with a 100% record. His latest target has an irresistable bounty but with a significant challenge.
Money is not necessarily the key to happiness. It can easily be considered man's worst downfall. Michael Adeyemi was destined to be a billionaire by the age of 35 and with money comes access to the fine things of life. Find out how Michael's desperate quest for fortune and success would cost him the number one thing money cannot buy - Family. Blinded by selfish ambitions, pride and appetite for greed leads him down a path of self-destruction, blinding him to the only thing that is worth saving. It all comes crashing down on "Boxing Day" where Michael is swept under a sea of adversities caused by none other than himself. Watch this downpour of self-inflicted wave of adversities with rippling effects that triggers thought provoking questions, of love, pain, pride and ultimate redemption - what if you never get that second chance?
A taxi driver, already struggling to support his wife and children, finds an abandoned baby in the back of his cab.
Andrew, a dance teacher is struggling to keep his dance studio afloat. Along comes Catherine, who enrolls for some of his classes but brings along a lot of baggage. He is prepositioned by Catherine’s husband to begin an illicit affair with her for a fee. Andrew is torn between accepting the offer or listening to his conscience that tells him not to.
Some con artists come together to work on stealing a huge sum of money as failure with the operation puts their lives in the way. The mission leads to betrayal, friendship and true love.
Abeba (2023) is a hybrid genre film for Migration and Mobility (Global Cinema) course. Inspired by the aesthetic approaches found in Nollywood , Documentaries and other genres, and through a fictional narrative. The film centres around Abeba, a young migrant who moved recently to the UK. She works as a cleaner; the film follows her daily routine. We see Abeba doing mundane everyday chores. One day after work, Abeba receives a text message from a guy that she fancies inviting her to a house party. While getting ready for the party, she receives a sudden phone call from her overbearing mother. During the call, Abeba engages in a web of lies to escape her mother's interrogation.