The Political Life of the Belgians

The Conspiracy - Assasination in Beirut(fr)

The Edukators(de)

Three activists cobble together a kidnapping plot after they encounter a businessman in his home.

Herod's Law(es)

In the 1940s, a small Mexican town has seen its last three mayors assassinated in rapid succession. A naive janitor is recruited to become the new mayor, and he believes he will modernize the little town and usher in a reign of peace. But the system corrupts him very quickly, and he takes to abusing his power while associating with an unscrupulous assortment of opportunists, hypocrites and criminals.

The Time of Our Lives(ko)

A documentary that tells the story of Choi Hyun-sook, the first out lesbian parliamentarian candidate in Korea who ran for Jongno-gu in the April 2008 National Assembly election. It's a story about people who dream of a world where minorities are happy, and who, with expectation and aspiration, find the campaign headquarters and made an election with Choi Hyun-sook.

Breaking the Cycle(th)

A group of young politicians campaigning against an authoritarian constitution speak up, spark hope and ignite a once-in-a-generation movement in this energetic exploration of the recent elections in Thailand.

Home Movies(en)

In this home movie collection of gay men, memory serves as an act of hope, power, and above all, resilience.

The Corporation(en)

Since the late 18th century American legal decision that the business corporation organizational model is legally a person, it has become a dominant economic, political and social force around the globe. This film takes an in-depth psychological examination of the organization model through various case studies. What the study illustrates is that in the its behaviour, this type of "person" typically acts like a dangerously destructive psychopath without conscience. Furthermore, we see the profound threat this psychopath has for our world and our future, but also how the people with courage, intelligence and determination can do to stop it.

There Is No Authority But Yourself(en)

A Dutch documentary about the history of the anarchist punk band Crass. The film features archival footage of the band, and interviews with former members Steve Ignorant, Penny Rimbaud and Gee Vaucher.

Return of a President(en)

In a fascinating geopolitical drama, Danish filmmaker Mik-Meyer closely follows Ravalomanana as he attempts to return from exile in South Africa to Madagascar, under the threat of arrest and bodily harm.

Miss Americana(en)

A raw and emotionally revealing look at one of the most iconic artists of our time during a transformational period in her life as she learns to embrace her role not only as a songwriter and performer, but as a woman harnessing the full power of her voice.

Speechless(en)

In the midst of election season in New Mexico, political speechwriters Julia Mann and Kevin Vallick begin a romance, unaware they are working for candidates on opposite sides.

The End of America(en)

Based on her book of the same name, Naomi Wolf presents controversial evidence that America has begun a frightening descent into dictatorship and fascism. American democracy, as we know it, is under attack. By examining the chilling parallels between the current state of our nation and the ascent of dictators and fascism in other once-free societies, Wolf urges viewers to open their eyes to the horrors that lie ahead. From the increased use of paramilitary groups to the construction of secret prisons and the targeted suspension of the rule of law, the warning signs are all there for people to wake up and finally take notice.

His Family Tree(en)

A father leaves his native Ireland and travels to America to visit the son he hasn't heard from in many years.

The Elephant in the Room(en)

In December 2020, a lonely progressive woman meets a guy she might be interested in dating. The only problem is he voted for President Trump. Twice. Can she give him a chance? Can she possibly impact his views? Could it work for them as a couple?

Woody Guthrie: Ain't Got No Home(en)

Every American who has listened to the radio knows Guthrie's "This Land Is Your Land." The music of the folk singer/songwriter has been recorded by everyone from the Mormon Tabernacle Choir to U2. Originally blowing out of the Dust Bowl in Depression-era America, he blended vernacular, rural music and populism to give voice to millions of downtrodden citizens. Guthrie's music was politically leftist, uniquely patriotic and always inspirational.

Plutocracy III: Class War(en)

The early struggles of the working class are placed under a microscope in Plutocracy III: Class War, the latest chapter in an exceptionally well produced series which explores the origins of America's growing economic divide.

Black Women, Sexual Politics and the Revolution(en)

Focuses on sexual equality in the Black community.

Malvinas: Stories of Betrayals(es)

Malvinas, history of betrayals is an Argentine-Mexican co-production documentary film directed by Jorge Denti from a script by Irene Selzer and Alberto Adellach.

Leninland(ru)

At the peak of Perestroika, in 1987, in the village of Gorki, where Lenin spent his last years, after a long construction, the last and most grandiose museum of the Leader was opened. Soon after the opening, the ideology changed, and the flow of pilgrims gradually dried up. Despite this, the museum still works and the management is looking for ways to attract visitors. Faithful to the Lenin keepers of the museum as they can resist the onset of commercialization. The film tells about the modern life of this amazing museum-reserve and its employees.

Hello My Dear(tr)

The documentary is titled after Arkadaş Z. Özger’s poem “Hello My Dear” which had caused much controversy in the period it was first published. Considered to be in defiance of heteronormativity, the said poem includes references to the poet’s personality, his family, his relationship to the society, and his “unexpected” death, which came three years after its publication. Today, 50 years after it was written, the documentary follows these same lines in the poem utilising cinematic elements. The documentary also rediscovers the poetics; reaches out to the family, the comrades, the friendships, departing from the official historical accounts, cognizant of his experience of otherness, in pursuit of the “lost” portrait of Arkadaş Z. Özger.