Fight of the Century
Top 10 Billed Cast
Self - Ring Announcer
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7.5When We Were Kings(en)
It's 1974. Muhammad Ali is 32 and thought by many to be past his prime. George Foreman is ten years younger and the heavyweight champion of the world. Promoter Don King wants to make a name for himself and offers both fighters five million dollars apiece to fight one another, and when they accept, King has only to come up with the money. He finds a willing backer in Mobutu Sese Suko, the dictator of Zaire, and the "Rumble in the Jungle" is set, including a musical festival featuring some of America's top black performers, like James Brown and B.B. King.
6.2Snake Eyes(en)
All bets are off when shady homicide cop Rick Santoro witnesses a murder during a boxing match. It's up to him and lifelong friend, Naval intelligence agent Kevin Dunne, to uncover the conspiracy behind the killing. At every turn, Santoro makes increasingly shocking discoveries that even he can't turn a blind eye to.
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6.8The Battle of the Century(en)
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6.7Dangerous Dan McFoo(en)
An arctic saloon. The tiny dog, Dan McFoo, is playing a pinball-like marble game in the back. His girlfriend, Sue, sounding like Katharine Hepburn, stands by. A stranger comes in with eyes for Sue; he begins a boxing match with Dan. After Dan gets knocked down, he accuses the stranger of having something in the glove; the ref finds four horseshoes and a horse. After the fight goes on a while with no conclusion, the narrator tosses a couple of guns, the lights go out, and Dan is shot or is he?
5.4The Greatest(en)
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6.6Nickel Boys(en)
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2.7The All-American Boy(en)
Vic "Bomber" Bealer is a handsome, manipulative boxer who aspires to something greater than the small-town life he knows in Texas. But, even when opportunities present themselves, Bealer is too restless and indecisive to take advantage. Despite being on the cusp of making the Olympic boxing team, his life is in total disarray as he juggles relationships with an old flame, a girl who's way too young for him, and a foul-mouthed trainer.
0.0Tiger Ghost(ms)
Produced by Cathay-Keris, this omnibus of three stories (with different directors) was adapted from mystery tales featuring Detective Inspector Latiff (S. Roomai Noor), a character created Pelham Groom, a former British officer and genre writer who settled in Singapore. Latiff’s ‘Watson’ is a female Chinese forensic doctor (Mary Lim), and the first story 'Mud on Her Shoes' hinges on the romance between an English expat and a Malay woman. The second story is the titular 'Hantu Rimau'. The third tale ’Double Knock Out’, heralded as the first depiction of a local boxing match, was shot in Happy World (later renamed Gay World), one of the night-life amusement parks known as the ‘Worlds’. 'Mud on Her Shoes' directed by L. Krishnan, 'Hantu Rimau' directed by B.N. Rao, 'Double Knock Out' directed by S. Roomai Noor
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Through the stories of architects, historians, and ordinary people, it becomes evident that the sense of identity and community Northeast Ohioans feel is defined by the architecture of downtown. Downtown Cleveland seeks the soul behind the brick and mortar of Cleveland and examines the personal connections we have to the downtown area - a connection that goes back more than 200 years.
Savor: 100 Years at the West Side Market(en)
Cleveland's West Side Market has been selling food and making fans for 100 years. Meet the veterans who remember the squawk of live chickens on site, a suburbanite who shops in her grandmother's footsteps and a young couple who made the market a Launchpad for their future. Learn why this shrine to Cleveland’s food memories is still a thriving, award-winning marketplace.
10.0PsiQuis: Un Giro Decolonial(es)
PsiQuis: Un Giro Decolonial is a documentary that presents and discusses the psychological impact that colonialism has had on the Puerto Rican people. The director analyzes the traumas generated in Puerto Rican society by that colonial experience.
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Homemade American Music(en)
A history of rural southeastern traditional American music, as told and played by Mike Seeger and Alice Gerrard. Mike and Alice recount their own involvement with this music, and briefly trace its history as we meet their mentors: the late Tommy Jarrell, Lily May Ledford, Roscoe Holcomb, Elizabeth Cotton and many other musicians. Filmed in 1978 and 1979 in the states of Kentucky, Maryland, North Carolina, Washington and California, the film follows Mike and Alice home, and to folk music festivals where a new generation of musicians are picking up and passing on American traditional music. The filmmaker grew up with this rich and beautiful music and wanted to share it with younger generations who might not be aware of it and its role in American cultural history.










