Fight of the Century

When We Were Kings(en)

It's 1974. Muhammad Ali is 32 and thought by many to be past his prime. George Foreman is ten years younger and the heavyweight champion of the world. Promoter Don King wants to make a name for himself and offers both fighters five million dollars apiece to fight one another, and when they accept, King has only to come up with the money. He finds a willing backer in Mobutu Sese Suko, the dictator of Zaire, and the "Rumble in the Jungle" is set, including a musical festival featuring some of America's top black performers, like James Brown and B.B. King.

Snake Eyes(en)

All bets are off when shady homicide cop Rick Santoro witnesses a murder during a boxing match. It's up to him and lifelong friend, Naval intelligence agent Kevin Dunne to uncover the conspiracy behind the killing. At every turn, Santoro makes increasingly shocking discoveries that even he can't turn a blind eye to.

The Ring(en)

Both Jack Sander and Bob Corby are boxers in love with Mabel. Jack and Mabel wed, but their marriage is flat. The young wife looks to Bob for comfort.

The Battle of the Century(en)

Fight manager takes out an insurance policy on his puny pugilist and then proceeds to try to arrange for an accident so that he can collect.

Dangerous Dan McFoo(en)

An arctic saloon. The tiny dog, Dan McFoo, is playing a pinball-like marble game in the back. His girlfriend, Sue, sounding like Katharine Hepburn, stands by. A stranger comes in with eyes for Sue; he begins a boxing match with Dan. After Dan gets knocked down, he accuses the stranger of having something in the glove; the ref finds four horseshoes and a horse. After the fight goes on a while with no conclusion, the narrator tosses a couple of guns, the lights go out, and Dan is shot or is he?

Tiger Ghost(ms)

Produced by Cathay-Keris, this omnibus of three stories (with different directors) was adapted from mystery tales featuring Detective Inspector Latiff (S. Roomai Noor), a character created Pelham Groom, a former British officer and genre writer who settled in Singapore. Latiff’s ‘Watson’ is a female Chinese forensic doctor (Mary Lim), and the first story 'Mud on Her Shoes' hinges on the romance between an English expat and a Malay woman. The second story is the titular 'Hantu Rimau'. The third tale ’Double Knock Out’, heralded as the first depiction of a local boxing match, was shot in Happy World (later renamed Gay World), one of the night-life amusement parks known as the ‘Worlds’. 'Mud on Her Shoes' directed by L. Krishnan, 'Hantu Rimau' directed by B.N. Rao, 'Double Knock Out' directed by S. Roomai Noor

The All-American Boy(en)

Vic "Bomber" Bealer is a handsome, manipulative boxer who aspires to something greater than the small-town life he knows in Texas. But, even when opportunities present themselves, Bealer is too restless and indecisive to take advantage. Despite being on the cusp of making the Olympic boxing team, his life is in total disarray as he juggles relationships with an old flame, a girl who's way too young for him, and a foul-mouthed trainer.

Street of Dreams(en)

The film follows a laid-back private investigator Kyd Thomas who gets thrust into Hollywood's world of crime after he meets Laura Cassidy. Laura is a cocaine addict who Kyd saves from being beaten and raped.

There Are Jews Here(en)

There Are Jews Here follows the untold stories of four once thriving American Jewish communities that are now barely holding on. Most American Jews live in large cities where they are free to define themselves in any way they wish. But almost invisible to most of the country are roughly one million Jews scattered across far-flung communities. For them, Jewish identity is a daily urgent challenge; if they don’t personally uphold their communities and live affirmative Jewish lives, they and their legacies could fade away forever.

The Birth of Cinema(fr)

The prehistory of the cinema as we know it today, with its great inventors: Marey, Muybridge, Reynaud, Edison, the brothers Lumière and their great inventions: the kinetoscope, the praxinoscope, the chromophotograph, the film camera.

HyperNormalisation(en)

We live in a world where the powerful deceive us. We know they lie. They know we know they lie. They do not care. We say we care, but we do nothing, and nothing ever changes. It is normal. Welcome to the post-truth world. How we got to where we are now…

Traveling Man(en)

A poignant comedy about a middle-aged salesman trying to get his life and career back on track while being pushed and antagonized by an aggressive rookie he has been teamed up with.

Volltreffer(de)

The Vast Field(de)

Social, cultural, and historical changes in a village, the first film of Koepp's “landscape” series.

At the River(de)

A documentary about the village Kienitz at the river Oder, about the people, their life, their history.

Geschlossene Gesellschaft(de)

Three couples want to spend a short break together. Some have a traffic accident, the others are prevented professionally. So the designer Robert and the youth helper Ellen are forced to spend the days in a remote farmhouse alone with her young son. The previously suppressed marriage crisis breaks open. Allegations, confessions, charges, self-accusations are in the room. Painfully, they come to the realization that only their own happiness is responsible for their happiness. With the old landlord, each of them finds himself. In the end, Robert and Ellen want to try a new beginning.

Sandra Maischberger meets Leni Riefenstahl(de)

An interview with infamous German filmmaker Leni Riefenstahl carried out by Sandra Maischberger in preparation for the subject's 100th birthday, and the release of not only her final film, but her first film in 48 years.

Kunst & Revolution(de)

‘Kunst & Revolution is a documentation on the famous action known as the “filthy uni mess”, which led to a jury court trial. I only had a few metres of film with me and they were quickly spent, but still the film gives one a rough impression of the events. As a whole mythology quickly arose around the event, I altered the material to counteract this effect (through repetition, and adding other material, for instance from a film about keeping dogs, and my own leftover footage from the Muehl action number 54 ‘Im Freudenauer Wasser’).’ In film 16 of his anthology Ernst Schmidt Jr. documented the actions of Günter Brus, Otto Muehl, Peter Weibel and Oswald Wiener.

Lo schermo a tre punte(it)

Para, Olhe, Escute(pt)