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The Lucky Woman(vi)
This film follows the lives of undocumented Vietnamese workers in Taiwan doing odd jobs to survive, after having been forced to flee their employers due to harsh working conditions and lack of medical care. How will living this way for more than a decade shape their lives?
Dirty Pretty Things(en)
An undocumented immigrant finds a human heart in one of the toilets of the west London hotel where he works with other undocumented immigrants.
Nobody's Fool(en)
A rascally nearing-retirement man juggles a workers' compensation suit while secretly working for his nemesis and flirting with his nemesis' young wife. As his estranged son returns, he faces new family responsibilities, while a banker plots to evict him from his home.
Fast Food Nation(en)
A dramatised examination of the health issues and social consequences of America's love affair with fast food.
Distant Lights(de)
Lichter is an episodic tale from Hans-Christian Schmid about the life on the border between Germany and Poland. The film sheds light on the everyday stories of escape and desperateness.
Buddy en Sol (Sine ito)(tl)
First met when they were duped by an illegal recruiter, Buddy and Sol join forces to solve a mystery that happened inside the house of the former's girlfriend.
Mur(pl)
Mariusz lives in a cramped apartment in an old tenement with his mother, who suffers from depression and has not left the house for two years. The family survives on his father's pension. Mariusz should be finishing technical school, but he doesn't go to school. He earns money by finishing apartments in new housing estates and dealing drugs. He wants to improve his lot. He leaves his mother and rents an apartment in a new housing development. He thinks he will move up the social hierarchy by moving there. It turns out that it is not so easy to escape from his previous life and become a different person.
Take Me Home(en)
In New York City, Thom is broke and jobless, illegally working as a taxi driver. Claire is a successful business-woman, but personally she's in shambles - then comes the phone call that her estranged father is in the hospital. Not knowing what to do, Claire hops in Thom's cab and orders him to just drive and so he does. They find themselves in Pennsylvania and Claire makes the rash decision to drive across the country to California. On the road, there are many detours as the obstacles and secrets force them to learn about themselves and each other.
Foreign Moon(zh)
Drama about a young Chinese girl who arrives in London to pursue her dreams, and the three men who fall for her. In order to study music, Lan Lan must marry her sponsor's son, for whom she has no affection. She eventually takes flight and befriends a Chinese engineer and his flatmate. Together they set up an illegal Chinese food takeaway, but as the business flourishes, the tensions in their relationship surface.
Das Spiel Beginnt(de)
Paquete 3(es)
El Cholo, a Peruvian taxi driver, flees from justice in his country and comes to Venezuela in search for a better future. After running into a gang of con-men who leave him penniless, he meets a peculiar group of Latin Americans who work for a gangster known as The Russian as hitmen. El Cholo is quickly trapped in a world of blood and ambition that makes him realize the true cost of life and death.
The Last One Put Out the Light(de)
The Berlin construction workers Micha, Silvio and Norbert are out of work. The way out spells - Norway. Because German craftsmen are in demand. The three, with 17 other desperate people, are bawling Norwegian and preparing themselves for "it's always just salmon" and fearing the darkness. Too bad that their wives have other plans.
What the Wind Took Away(ku)
"We, the Yazidis, became doves. Doves without wings", says Hedil. Stranded with her family in a Yazidi refugee camp in Eastern Turkey, she reminisces about her former life in Northern Iraq and recounts the horrors of her escape. The film follows two families' attempts at normality in an otherwise miserable place. (ML)
Amal(ar)
Amal is 14 years old when she ends up on Tahrir Square during the Egyptian revolution, after the death of her boyfriend in the Port Said Stadium riot. During the protests, she is beaten by police and dragged across the square by her hair. This coming-of-age film follows her over the years after the revolution. As the film cuts between the unfolding current events and Amal’s rapidly changing life and appearance, we see her searching for her own identity in a country in transition. Amal is fiery and fearless, sinking her teeth into the protests and constantly lecturing her mother, who works as a judge. A girl among men, she also has to fight for respect and the right to take part, both in the street and in the rest of her life. In Egypt, even for a young woman like Amal—her name means "hope"—the choices open to her for her future are limited.
September September(de)
"[This film] embodies (...) one of his [Hahnemann's] most mature films. Rainy rides along Schönhauser Allee, which seems to be depopulated. Past the 'Viennese Café', the meeting place par excellence. From a moving train the view of idyllic landscapes, on the horizon a castle. The camera tilts, turns, until the world is upside down. Scenes of an action with the artist friend Heike Stephan: in the sanctuary Hahnemann, black painted with a white turban, and Stephan, stack cages with rabbits on top of each other. Then TV recordings of a discussion forum with Jean-Luc Godard and Rosa von Praunheim - scenes as from another planet. From the off again and again a poem Hahnemann, recited by Peter Mario Graus. The diction is initially calm, almost factual, increases, eventually overturns, but then falls back, resigned. " (Claus Löser in "Gegenbilder")
Models: The Film(en)
Chronicles five of fashion photographer Peter Lindbergh's muses, the supermodels of the early 1990s.
Into the Light with Cité Mémoire(en)
Joyful, magical, inspiring, Into the Light with Cité Mémoire soars above the city, revealing history through giant projections that compel us to slow down, look up and breathe as characters of the past emerge from the stone walls of Old Montreal, touching us deeply with their human stories.