Short silent film about some models of silk stockings.
1926-01-01
0
People with learning disabilities often experience worse physical and mental health. This film is a starting point to address these inequalities.
Roadliners is a film about inspiration and craft, and the uncelebrated typographers of the road. With filmmakers Pretend Lovers we documented a day in the life of Glasgow roadliner Thomas ‘Tam’ Lilley. While looking for inspiration for O Street’s new brand we stumbled on a typographer whose work was uniquely relevant to our company—one whose work embodied the values we hold dear: honesty, beauty, humility, and intelligence.
The Meaning of 1/24 Second is Korea's first experimental film and was filmed in 1969. This 16mm film in color and black and white is composed of hundreds of inconsistent scenes. Taking the basic structure of the film, which consists of 24 frames per second, The Meaning of 1/24 Second expresses the steep reality faced by modern man, and the sense of alienation that comes from uncontrollable speed. The video file that remained only in digital format since it went missing in 2001 was restored to 16mm film for screening for his retrospective exhibition , which has been held at Seoul Museum of Art, Republic of Korea in 2013, thus providing an opportunity to look back on its meaning.
U.S. Veteran tribute made for the 2008 Democratic convention.
Mothers and daughters flee their country of origin and travel through Mexico carrying their fears, dreams and a hopeful future.
An audiovisual snow storm in front of a black ground, a white horizontal line that divides the image, grid planes, unfolding and folding dimensions. Set to atonal, techno, and orchestral sounds; an abstract (non-)world beyond comprehension, a visual experience that one must intuitively sense. Lost in space and time – the big bang of consciousness
An intimate look at cinematographic creation, this visual essay shares with us secrets of the legendary Canadian animator Norman Mclaren and his personal view of filmmaking.
Filmed at the time Hockney was painting Mr and Mrs Clark and Percy, Portrait of David Hockney is made up of a limited number of shots, observing the periphery details of his flat and studio. Each view is held so as to focus on its particular qualities and composition and, with the accompanying soundtrack of off-screen phone calls, conversations and musings, builds up a picture of Hockney’s daily life.
Highlights aspects of food handling which are the personal responsibility of the food handler. Discusses the sources of potentially hazardous bacteria and the various means by which these bacteria may be transferred to food.
A man, holding a baby up in his hands, is standing next to a fishbowl. The baby is trying, in vain, to catch a goldfish with his bare hands.
A Tibetan Lama. His disciple. The disciple's wife, young boy and terrier. An old tugboat crossing the Mississippi River. A man in his seventh month of solitude. His hermitage built by his own hands. The man's bloodhound; his cat. Clouds crossing the Continental Divide. A mountain stream. A girl. The sun.
Antonio Gracia José (1942-2011), known as “Pierrot,” was a prominent member of the Barcelona art scene, a pioneer in the filmmaking of underground short films and Fantaterror movies, writer and playwright, magazine editor, movie poster painter, cartoonist and cabaret showman.
Mannequins examines the suburb as a state-of-mind through the eyes of a 7th grade teenage girl.
Omniscient perspectives shoot vibratory gleams through human projectors statically displaced across the screen. Superimpositions at fever pitch falling apart and compressing into new molecular lattices. Peripheral fantasies imagine forth collusioned destinies. A yin/yang interchange makes light's transparency into density, while the darkness metamorphoses into thin lucidity. Hands in peristaltic motion grasp and release, conjuring interstitial embroideries. Landscapes yield their own maps in topographical patterns.