In the 1980s, Michelangelo Antonioni traveled with his partner, actress and filmmaker Enrica Fico Antonioni, to Japan with the intent of creating a documentary, Un viaggio in Giappone, that would chronicle “the social transformations undergoing in Japan through the experimental use of new film technologies,” specifically the Betacam. Un pò di Giappone is the shortened version of the documentary.
1990-01-01
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Hidden in the wooded mountains on the west coast of Japan lies the small Zen monastery Antaiji. A young woman sets off to immerse herself through autumn, winter and spring in the adventures of monastic life. The young woman is Sabine Timoteo from Switzerland. The abbot of the monastery is Muho Noelke, born in Berlin. An interplay between the philosophy of the Japanese Zen master Kodo Sawaki and the surprises brought forth by everyday life.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time. (Silent short, voiced in 1937 and 1996.)
WWII from Space delivers World War II in a way you've never experienced it before. This HISTORY special uses an all-seeing CGI eye that offers a satellite view of the conflict, allowing you to experience it in a way that puts key events and tipping points in a global perspective. By re-creating groundbreaking moments that could never have been captured on camera, and by illustrating the importance of simultaneity and the hidden effects of crucial incidents, HISTORY presents the war's monumental moments in a never-before-seen context. And with new information brought to the forefront, you'll better understand how a nation ranked 19th in the world's militaries in 1939 emerged six years later as the planet's only atomic superpower.
The definitive documentary on the history of nudity in feature films from the early silent days to the present, studying the changes in morality that led to the use of nudity in films while emphasizing the political, sociological and artistic changes that shaped that history. Skin will also study the gender inequality in presenting nude images in motion pictures and will follow the revolution that has created nude gender equality in feature films today.
The visual documentary "Negritudes Brasileiras" was a way found by Nataly Neri to continue the Brazilian racial debate, locating it in the present time with the rise of new concepts such as representativeness and the increasing popularisation of the internet. The documentary was sponsored by the Youtube project Creators For Change, which provides a framework for creators to produce content engaged in the platform to combat hate speech, racism, xenophobia, etc.
As anger and resentment grow in the face of social inequalities, many citizens-led protests are being repressed with an ever-increasing violence. In this documentary, David Dufresne gathers a panel of citizens to question, exchange and confront their views on the social order and the legitimacy of the use of force by the State.
In the summer of 1959, as a magazine correspondent, writer and filmmaker Pier Paolo Pasolini (1922-75) traveled along the Italian coast. In 1963, he documented the sexual behavior of the Italians. In the winter of 1970-71, he witnessed the hardships of the most impoverished Italian population suffering from the boot of state power. After these three trips, he came to the conclusion that Italian society had changed drastically for the worse over the years.
What if science could reverse the aging process? Follow the researchers as they decipher these mechanisms, with the promise of finding the elixir of youth so you can live longer, healthier lives!
A group of students aged between 18 to 25 shares their opinion on the first thing they want to change in their country if they get the power to do so.
A documentary part of CBS reports. The plight of mental patients fit for discharge, but who find themselves thrust into communities unprepared to treat or accept them is the focus of this documentary narrated by Bill Moyers. The dilemma of being as scared of getting well as of remaining ill and facing a world with no home or job to go to is vividly portrayed as the film follows three patients as they move into rare transition programs.
Join Phil Morrison and James Robinson from Driftworks, Mitto Steele from MeiNoMai and Pieter Gouwy from Garage Portello on a mind blowing tour of the real drift scene in Japan and the culture behind it.
The neon sign ‘Circus’ illuminates the wide street of Naples’ suburbs: four circus families were abandoned by the institutions, and now they’re awaiting the pandemic will disappear, like a magic show. The circus has stopped, but their lives go on.
To celebrate the release of a new movie for their 20th anniversary, this documentary offers some behind-the-scenes footages.
October 1945. A young Japanese boy in the devastated city of Nagasaki, two months after the atomic bomb, carries on his back the lifeless body of his younger brother. An American military photographer, Joe O'Donnell, took a picture of the boy standing stoically near a cremation pit. No one knows the subject's name, but the photo has become an iconic image of the human tragedy of nuclear war. This documentary follows the continuing efforts to deepen understanding of the photograph, while exploring the fate of thousands of atomic-bomb orphans and their struggles to survive the aftermath of World War II.
This Traveltalk visit to Japan starts with a look at the country's cherry blossom trees, tulips, and ubiquitous gardens. We then see the proper manner for preparing a woman's hair and wearing a kimono.
The life of a female weaver is thrown onto the socio-political canvas of pre-war and post-war communist Poland through the use of expressive allegorical and symbolic imagery in this imaginative take on the documentary form.
Tjipto Setiyono, 85, is a rickshaw painter. Despite being past his prime, he lives alone in a 3-by-3 meter square boarding room, in which Tjipto’s brush strokes give birth to his paintings.