The 2nd Repatriation

We Hate Communists(ko)

Act of Victory(ko)

Ryeohaeng(ko)

A group of women climbs a summer mountain situated in South Korea. They are refugees who have settled into South Korean society after fleeing from North Korea. For them, climbing the mountains has been an unavoidable journey for survival - a matter of life and death.

Korea, A Hundred Years of War(fr)

A contemporary history of Korea(s) from a unique point of view that embraces the inner history of both South and North Korea in a single narrative.

Defectors(ko)

Combining a humorous and affectionate family portrait, a historical film and a search for identity, Defectors confronts the impact of the Korean War on different generations. Through encounters with a North Korean defector, Hyun kyung Kim reflects on her separation from her loved ones — such as her whimsical mother, whom she left behind in Korea upon moving to the United States.

To Kill Alice(ko)

Eunmi, a woman who underwent intense anti-communist education while she grew up in South Korea, lives a normal life in America. However, after going on a trip to North Korea with her husband, her life begins to change. During an open forum event in South Korea, where she was invited to speak, she suffers the unimaginable, and the more she tries to escape from the situation, the worse and worse it gets.

Project Cheonan Ship(ko)

Interpreting an event of ROKS Cheonan corvette, torpedoed and sunken by North Korea, this documentary rebuilds the event with a different insight. No one can tell if the investigation of Cheonan has reached compelling conclusion. But the film tells and reveals how unreasonable Korean society is.

Chuncheon Battle 72 Hours(ko)

Korea Defended with Blood(ko)

I Am Sun Mu(ko)

Operating under a pseudonym which means 'no boundaries' - North Korean defector Sun Mu creates political pop art based on his life, homeland, and hope for a future united Korea. His hidden identity is nearly compromised when a massive historical exhibit in Beijing is shuttered by Chinese and North Korean authorities.

The Front Line of Ideology(ko)

One year after the Korean War, the conflict had reached a stalemate. The two opposing forces began to search for a way to end the grueling war of attrition, eventually settling on a modest village called ‘Pan Mun Jom’ near Gaeseong as the designated site for negotiations. Despite initial hopes for a quick resolution, the negotiating parties encountered obstacles that prevented an agreement. Disputes over the military demarcation line and the repatriation of prisoners of war thwarted their efforts. The film peels back the layers to reveal the untold story of Pan Mun Jom, shedding light on a history that has remained hidden until now.

The Lovers and the Despot(en)

Hong Kong, 1978. South Korean actress Choi Eun-hee is kidnapped by North Korean operatives following orders from dictator Kim Jong-il.

Boys on the Hill(ko)

At nineteen, they left their homes for an unfamiliar land, its name unknown to them. UN soldiers from across the globe boarded ships bound for the Korean Peninsula's battlefields. Filled with youthful adventure, they soon witnessed horrors in the Korean War that no young person should ever experience. Now in their nineties, these veterans, nearing the end of their lives, recall the unforgettable highlands of the Korean Peninsula. Over these hills, where the beautiful landscapes of spring, summer, fall, and winter pass by, what did they witness, and what did they lose?

Korea: The Never-Ending War(en)

Shedding new light on a geopolitical hot spot, the film — written and produced by John Maggio and narrated by Korean-American actor John Cho — confronts the myth of the “Forgotten War,” documenting the post-1953 conflict and global consequences.

The Birth of Korea 2: Freedom Fighter(ko)

How did South Korea, after liberation in 1945 defend liberal democracy against leftist and communist forces? The door to that secret is now revealed.

Repatriation(ko)

In 1992, political prisoners from North Korea settled in the South Korean town where filmmaker Dong-won Kim lived. Sent to South Korea as spies during the war, they spent 30 years in jail. How did they endure the many years of torture? What will become of them now that they have been released? Twelve years in the making, Repatriation is a very personal view of a country divided by an ongoing cold war.

The Propaganda Game(es)

North Korea. The last communist country in the world. Unknown, hermetic and fascinating. Formerly known as “The Hermit Kingdom” for its attempts to remain isolated, North Korea is one of the largest sources of instability as regards world peace. It also has the most militarized border in the world, and the flow of impartial information, both going in and out, is practically non-existent. As the recent Sony-leaks has shown, it is the perfect setting for a propaganda war.

Mrs. B., a North Korean Woman(ko)

Portrait of Mrs. B., a tough charismatic North Korean woman who smuggles between North Korea, China and South Korea. With the money she gets, she plans to reunite with her two North Korean sons after years of separation.

Pyeongyang Neangmyeon(ko)

Cheoljung, the chief chef of Okryugwan in North Korea, is separated from his younger brother in South Korea. One day, he was dispatched to make Pyongyang Naengmyeon, for the request of South Korea at the 2018 Inter-Korean Panmunjom Summit. At the same time, his younger brother is also attending as a South Korean entourage. Despite his old age, Cheoljung goes to the Panmunjom to make Pyongyang Naengmyeon which their mother used to cook for the family.

The Border City 2(ko)

In 2003 Song Du-yul, a philosophy professor, decides to go back to his homeland after spending thirty-seven years in Germany. Within a week after crossing the border, his reputation falls from a respected global political figure to an infamous communist spy. During a five-year-long trial, he was arrested and held in custody. This throws Korean society into turmoil and brings a big conflict between the Conservative and the Progressive parties. The filmmaker calmly contemplates this long period of the incident in detail and depicts a society with an indifferent manner. The story builds through an accretion of whimsical facts and it sometimes brings up uncomfortable truths which will irritate viewers. This film is a camera inside of us that evokes what viewers may have tried to forget.