El apagón

Sentiments provisoires(fr)

A young woman announces to the man she has lived with for ten years that she is leaving him ... and that she is leaving him for his best friend. But is it so easy to break up a couple and lose a friend? ... "

Mei Lanfang's Stagecraft Part I(zh)

Lånta fjädrar(sv)

Le Switch(fr)

Lui, lei e il nonno(it)

Représailles (Télévie)(fr)

Άντρες έτοιμοι για όλα(el)

Luigiho srdce aneb Poprava tupým mečem(cs)

Noises Off...(en)

Hired to helm an Americanized take on a British play, director Lloyd Fellowes does his best to control an eccentric group of stage actors. With a star actress quickly passing her prime, a male lead with no confidence, and a bit actor that's rarely sober, chaos ensues in the lead up to a Broadway premiere.

The Skin of Our Teeth(en)

Production of Thornton Wilder's Pulitzer-winning play "The Skin of Our Teeth," the story of Mr. and Mrs. Antrobus, their children Henry and Gladys, and their maid Sabina. They are simultaneously a typical American family living in a present-day New Jersey suburb and are also Adam, Eve, Lilith, Cain and a daughter who survive the Ice Age (although their pet dinosaurs do not), the Flood (as in the book of Genesis in the Bible) and War (as in WWII).

Quei figuri di tanti anni fa(it)

Je třeba zabít Sekala(cs)

Vévodkyně a kuchařka(cs)

Shakespeare in Love(en)

Young Shakespeare is forced to stage his latest comedy, "Romeo and Ethel, the Pirate's Daughter," before it's even written. When a lovely noblewoman auditions for a role, they fall into forbidden love -- and his play finds a new life (and title). As their relationship progresses, Shakespeare's comedy soon transforms into tragedy.

Eyewitness(cs)

"A documentary anatomy of mass murder for one monitor and 34 talking heads." These are the words the filmmakers use in the credits to describe their project, which thematises the execution of more than 260 Carpathian Germans, Hungarians and Slovaks by Czechoslovak army soldiers near Přerov in June 1945. The “massacre at Přerov” is made present through a minimalist dramatisation of the interrogation footage of direct participants, eyewitnesses, and others. It is as if the characters of ancient theatre were entering the Zoom “stage” and delivering a tragic message of fear, hatred and disinterest across the chasm of time.

El zoo(es)

A group of young actors plays a reality show in a theater. Fiction imposes itself cruelly on reality while the characters devour their performers little by little. A labyrinth between the real and fictitious in which only one can remain.

La paura numero uno(it)

Mia famiglia(it)

De Pretore Vincenzo(it)

Questi fantasmi(it)