Vienna’s Prater is an amusement park and a desire machine. No mechanical invention, no novel idea or sensational innovation could escape incorporation into the Prater. The diverse story-telling in Ulrike Ottinger’s film “Prater” transforms this place of sensations into a modern cinema of attractions. The Prater’s history from the beginning to the present is told by its protagonists and those who have documented it, including contemporary cinematic images of the Prater, interviews with carnies, commentary by Austrians and visitors from abroad, film quotes, and photographic and written documentary materials. The meaning of the Prater, its status as a place of technological innovation, and its role as a cultural medium are reflected in texts by Elfriede Jelinek, Josef von Sternberg, Erich Kästner and Elias Canetti, as well as in music devoted to this amusement venue throughout the course of its history.
The neon sign ‘Circus’ illuminates the wide street of Naples’ suburbs: four circus families were abandoned by the institutions, and now they’re awaiting the pandemic will disappear, like a magic show. The circus has stopped, but their lives go on.
Pippi Longstocking is an extraordinary little girl who lives alone in her house, while her father sails the seven seas. Pippi's irrepressibly fun nature makes her easy to befriend, as neighbors Tommy and Annika find, but can also earn ire, especially from social worker Mrs. Prysselius.
A young girl has already seen everything there is to see and her world has lost all meaning. Her anger shatters her world and she finds herself in the universe of QUIDAM, where she is joined by a playful companion, as well as another mysterious character who attempts to seduce her with the marvelous, the unsettling and the terrifying.
The Chinese consider the lion a symbol of good luck, so it's a half-dragon, half-lion – a dralion – that is the symbol of the East-meets-West fusion of this performance in which 36 Chinese acrobats join the renowned Canadian troupe. Celebrating the four elements as represented in four colours – blue (air), green (water), red (fire) and ochre (earth) – Dralion combines ancient Chinese circus traditions with Cirque du Soleil's usual stunning elements: the techno-oriented single ring; the multicoloured lights and costumes; the music that mixes rock, New Age and various world influences (though not Chinese); and the madcap clowns that pull a victim out of the audience.
Alegría is a mood, a state of mind. The themes of the show, whose name means "jubilation" in Spanish, are many. Power and the handing down of power over time, the evolution from ancient monarchies to modern democracies, old age, youth - it is against this backdrop that the characters of Alegría play out their lives. Kings' fools, minstrels, beggars, old aristocrats and children make up its universe, along with the clowns, who alone are able to resist the passing of time and the social transformations that accompany it.
From the Italian 'saltare in banco' – which literally means 'to jump on a bench' – Saltimbanco explores the urban experience in all its myriad forms. Between whirlwind and lull, prowess and poetry, it takes spectators on an allegorical and acrobatic journey into the heart and soul of the modern city.
Icarus is the main character of Varekai, who falls to the ground, breaking his legs as he does. He is suddenly in a strange, new world full of creatures he has never seen before. Parachuted into the shadows of a magical forest, a kaleidoscopic world populated by fantastical creatures, this young man sets off on an adventure both absurd and extraordinary.
An old Chinese man rides into the town of Abalone, Arizona and changes it forever, as the citizens see themselves reflected in the mirror of Lao's mysterious circus of mythical beasts.
Life as the sole sale item in the clearance corner of Eben's Bikes can get lonely. So Red, a unicycle, dreams up a clown owner and his own juggling act that steals the show. But all too soon, the applause turns into the sound of rainfall, as reality rushes back. Red must resign himself to sitting in the corner and await his fate.
Grazing the Sky is a compelling look at the lives of trapeze artists and other circus performers. The film was shot for over two years covering 11 countries, including the Americas, Europe and the Near East. It follows the nomadic lives of circus performers. The audience follows 10 protagonists as they try to reach perfection and meet their lofty goals. The documentary sheds light on the contemporary circus world, and focuses on performers who devote themselves to the greatest show on earth.
1950s Soho beats with far more energy than its 21st century counterpart in this vivid time capsule.
Eighteen-year-old Aaliyah flies on aerial silks. Her 16-year-old cousin Bre twirls on hoops. They dream of escaping the violence that marred their young lives. Their possible ticket out is the after-school program Trenton Circus Squad. Now that Covid-19 has changed everything, will the circus and the girls’ dreams survive?
Flora is a circus elephant who can no longer perform her tricks. The night before she's scheduled to be euthanized, the circus owner's 14-year old daughter, Dawn, sneaks Flora from the circus. All that stands between them and the safety of the elephant preserve is two hundred kilometers of woods, one raging river, two elephant hunters and the fear of not making it.
Elephants are among the most majestic and intelligent creatures on Earth--but for hundreds of years, they have suffered at the hands of humans. Narrated by Lily Tomlin, this documentary short traces our long history with elephants and explores the many problems that arise when they are brought to live in captivity in zoos and circuses.