Shanghai Youth

China. The Arts – The People(de)

China marks the beginning of the extensive Asian theme in Ottinger’s filmography and is her first travelogue. Her observant eye is interested in anything from Sichuan opera and the Beijing Film Studio to the production of candy and sounds of bicycle bells.

Carriage(zh)

The Iron Ministry(zh)

Filmed over three years on China’s railways, The Iron Ministry traces the vast interiors of a country on the move: flesh and metal, clangs and squeals, light and dark, and language and gesture. Scores of rail journeys come together into one, capturing the thrills and anxieties of social and technological transformation. The Iron Ministry immerses audiences in fleeting relationships and uneasy encounters between humans and machines on what will soon be the world’s largest railway network.

Water Margin(en)

Part mournful meditation through documentary footage, part experimental narrative. This film looks at the life of the Chinese who have been displaced within their own society.

The Two Shovels(zh)

After "Old Tang Tou", Xu Tong continued to film the family of Old Tang Tou's son, Tang Laosan, in Northeast China. Tang Laosan was sent to prison for a murder case, and Tang Laosan's son, Xiaobao, unexpectedly encountered such a change in the year of his high school entrance exams, which made the fates of father and son both unpredictable.

Springtime in Wushan(zh)

Zhang Ming went back to his hometown Wushan to record the last images before it being changed forever by the upcoming Three Gorges Dam.

The Starving Village(zh)

This is my second documentary film, and it is fully composed of old people. One woman, nearing 80, is living out the last two years of her life. From when she is still using a cane to walk, to when she becomes paralyzed. This is my grandmother. We also see other elderly people from the village, their daily activities, the tales of their starvation from 50 years ago.

Satiated Village(zh)

It is the director's second documentary of "my village" series since she got involved with the "Folk Memory Project". She returned to her hometown to shoot footage, recording the realities she encountered in her search for memories. Her biggest question is: after experiencing the disaster of the tragic famine fifty years ago, the villagers now are not short of food, and are living a better life than before, but is the spirit of this village still starving?

Twenty Two(zh)

Follow the lives of the elderly survivors who were forced into sex slavery as “Comfort Women” by the Japanese during World War II. At the time of filming, only 22 of these women were still alive to tell their story. Through their own personal histories and perspectives, they tell a tale that should never be forgotten to generations unaware of the brutalization that occurred.

Doctor Ma's Country Clinic(zh)

"Huangyangchuan, Gansu province, China. It's an arid mountain area with poor roads. Ma Bingcheng is well-respected local doctor, so many patients (most of them farmers) come to see him every day. In his small clinic, people chat with each other about their lives, local conditions, or the people they know. The clinic seems to open up like a microcosm, the information and experiences of different people intertwine, revealing the conditions of typical Chinese farmers, and the typical fates of both young and old--"

Children's Village(zh)

Zou Xueping continues to interview old people in her village, this time with the help of local children. They start collecting names and money to erect a memorial for the victims of the famine.

Immortals in the Village(zh)

In a cold mountain village in northeastern China,when a peasant gets sick they invite the local shaman to do trance healing. In the village there is Shaman XU, a renowned shaman in the area who is almost 70-year-old. He had been a teacher in his youth and an accountant for a factory production team. In his later age, serving as a spirit medium became his profession. He beats his donkey-hide drum and sings ancient melodies, inviting all kind of spirits to come.

Lost in the Mountain(zh)

The film is director Gao Zipeng’s first fiction film which takes three years to complete. It premieres on March 27, 2001 in UCCA and stars the poet A Jian, Xiao Zhao and the writer Gou Zi. The film is based on a true crime of disappearance. It creates an atmosphere of what Ma Zhiyuan, a celebrated poet and playwright of Yuan Dynasty, portrays in his famous poem “Autumn Thoughts”: Over old trees wreathed with rotten vines fly evening crows/ Under a small bridge near a cottage a stream flows/ On ancient road in the west wind a lean horse goes/ Westward declines the sun/ Far, far from home is the heartbroken one.

China Gate(zh)

"China Gate" tells the story of young Chinese fight to change their fate through studying. Right before dawn, students in Huining have already started their self-studying session; hard working youngsters have filled up the space of school ground. This is one of the most poverty-stricken Counties in Western China; here people's only hope is in education, as the way to change their social status. Therefore all their effort point towards the College Entrance Examination, the process is like going through a gate, those who pass can study at urban Universities, and have the chance to build a better life. During the same winter season in Beijing, a graduate student faces a big decision. Should he keep trying to survive in the big city or get back to his countryside home? The exhausted faces at the Beijing underground seem to be revealing the truth about their distance in between. The student comes to see the flag ceremony at Tiananmen Square, where the pulsing symbol of the nation lies.

Umbrella(zh)

Workers, peasants, soldiers, students and merchants were five groups of Chinese society in the 1950s, after the so-called elimination of the exploited class. Borrowing this concept, the umbrella is taken as the clue to rediscover changes in various social classes after the economic reform, and to analyze the social problems in China. Workers making umbrellas, merchants selling umbrellas, students looking for jobs in the rain. Umbrella is used as a metaphor that can be seen everywhere. As the raindrop, what we see is sometimes clear, sometimes untraceable.

Demolition(zh)

"If the old doesn't go, the new never comes" recites a teenager hanging out near a demolition site in the center of Chengdu, the Sichuan capital in western China. In Demolition, filmmaker J.P. Sniadecki deconstructs the transforming cityscape by befriending the migrant laborers on the site and documenting the honest, often unobserved, human interactions, yielding a wonderfully patient and revealing portrait of work and life in the shadow of progress and economic development.

A Young Patriot(zh)

A documentary chronicling the coming of age of a young chinese man.

The Last Moose Of Ao Lu Gu Ya(zh)

Documentary about a tribe of indigenous people in northern China.

Fangshan Church(zh)

A lively community of Christians inhabit Fangshan, a remote rural town in Jiangsu Province. At the start of the millennium, a church was built there with support of local inhabitants' relatives from Taiwan. On Sundays, up to 900 people gather to worship, while spending most of their days maintaining a modest living as farmers. Their faith governs how they handle family conflicts, illnesses and other difficulties. Still, they must contend with constraining forces in their community, from ancient folk religious practices to laws forbidding evangelism.

Torch Troupes(zh)

In this vivid portrait of China's musical heritage, Sichuan Opera performers strive to keep a centuries-old artform alive. After thriving for 300 years, Sichuan Opera is an endangered art form. Having survived the Cultural Revolution, state-sponsored opera troupes now face extinction in the era of private enterprise. Opera master Li Baoting began his career at eight, but now performs pop songs with showgirls in cheap bars. His colleague Wang Bin performs in travelling tents, trying to resist the massive cultural changes threatening to wipe out this artform.