John Croft
Mammy
Sancho (as John Webb Dillon)
Millionaire Joshua Barker insists that his daughter, Faith, must marry Phil Langhorne, a man that neither likes, and Faith is in love with and eager to marry her childhood sweetheart, John Temple.
Hajj, a rascally beggar on the periphery of the court of Baghdad, schemes to marry his daughter to royalty and to win the heart of the queen of the castle himself. This film is believed lost.
Kathleen, the daughter of a poor tenant farmer, dreams of her wedding with her beloved Terrence. The dream is interrupted when the Squire of the estate takes an interest in Kathleen and forces her father to allow him to marry her to forgive the father's debt.
Based on the David Belasco stage production of the Max Marcin play in which heavyweight-champion Jack Dempsey played the role of the fighter, Tiger: This "behind-the-scenes look of a heavyweight-championship fight" looks much like all of the other boxing films in which the Champ gets involved in a frame-up and is asked to take a dive.
A story of Vienna following World War I, in which the butchers became millionaires and the aristocrats became beggars, told against a background of mother-love and sacrifice.
An expose of the methods used by a police-department to extract a confession from a suspect, regardless of innocence or guilt, and the effect and consequences on a family when an innocent member breaks under the interrogation methods and confesses to a crime he did not commit.
Theda Bara plays a Javanese priestess who elopes with an English military officer (Hugh Thompson). Bara's Bavahari becomes a celebrated dancer but is murdered onstage by a vengeful Buddhist priest (Victor Kennard).
In a small town in Virginia, Faith Corey, daughter of a socially prominent family, meets and falls in love with Jerry Malone, a prizefighter, though her straitlaced mother wants her to marry Siegfried, a spellbinding "missionary reformer." Though Grandma Corey promotes the romance with the prizefighter, Mike, the fighter's hardboiled, wisecracking manager, tries to keep them apart; following a quarrel, Faith reconciles herself to marrying Siegfried, but when he invites a group of "weak sisters" to a revival meeting, he is disgraced when one accuses him of her downfall. Finally, with Mike's advice, Jerry wins back Faith and they are united with the family's blessings.
Sally, a girl of the tenements, is being raised by three bachelor foster-fathers, a pawnbroker, an organ-grinder and a peddler, and is very happy preparing their meals and keeping the house, while the old men bask in the attention she gives them. However, this happy home is broken up when Sally wealthy aunt appears on the scene and takes Sally back to her luxurious penthouse in order to give her the advantages of money and social position. But Sally's heart is back across the river with her plumber sweetheart, Jimmie Adams.
After her drunken husband Tom brings home three cabaret women, Lucretia can no longer bear the abuse and turns to Arctic explorer Frank, who has long loved her and promised to come back to her whenever she needs his help.
Joe and Eve are engaged, but Joe cannot help contrasting the drabness of her attire with the dressy clothes of their friends. Eve overhears him talking of this and breaks with him. Then, with the help of her friend, Mazie, she metamorphoses into a ravishing beauty. Joe is remorseful, but the situation is made more complex when he suspects Eve of questionable relations with her boss.
Camille is a courtesan in Paris. She falls deeply in love with a young man of promise, Armand Duval. When Armand's father begs her not to ruin his hopes of a career and position by marrying Armand, she acquiesces and leaves her lover. However, when poverty and terminal illness overwhelm her, Camille discovers that Armand has not lost his love for her.
Mary Lynde (Theda Bara) is an innocent girl who has grown up in New York's Greenwich Village. One of the artists there, Felix Benavente (Sidney Mason), uses her as model when he paints a portrait of the Madonna for a church. His friend Robert Sinclair (Hugh Thompson) corrupts Mary so that her father (Walter Law) casts her from his home. She goes to live with Sinclair in his mountain lodge, but after the birth of a child, he callously casts her aside. Subsequently, her baby dies and she sinks to the depths of despair.
Theda Bara plays the social-climbing Olga Dolan, who becomes the Duchess of Rutledge by means of deception and sheer ruthlessness. Sadly, Bara, who had more or less single-handedly begun the "vamp" craze with the prototype of the genre, A Fool There Was, went out with little more than a whisper. She left films after the ironically titled The Lure of Ambition, and was lured back only twice, in: The Unchastened Woman (1925), a poverty row concoction which had few takers, and Madame Mystery (1926)
This was Theda Bara's third starring film, and the first which she carried all on her own, with no other name actors in the cast. Based on the Alexander Dumas story, The Clemenceau Case involves Iza, a vampire-wife (Bara), whose wicked ways scandalize her husband, Pierre (William E. Shay).
In this film, her next-to-last picture for Fox, it was Theda Bara's turn to tackle a double role. Bara's characters are twin sisters La Belle Russe, the wicked one, and Fleurette, the nice one. They're Parisian dancers, and Fleurette marries Philip Sackton (Warburton Gamble). However, Sackton is a member of Britain's snooty aristocracy, and his family disinherits him.
A beautiful young girl has been raised by her bitter mother to hate all men, but her beauty means that men are constantly after her. She rejects them all, leading some to believe that she may be a lesbian. To stop those rumors, she begins a platonic relationship with a young writer, but things don't work out exactly as planned.
A young woman with a shady past goes to the tropics, where she winds up marrying a vicious and brutal pearl trader, then falls in love with another man.