The Uprising Tour was Bob Marley's last tour before his tragic early death in May 1981. Marley's energetic, charismatic performance gives no indication that he was already ill with the cancer that would take his life less than a year later. This live show from Dortmund's Westfalenhalle was filmed for the famous German music TV series Rockpalast on June 13th 1980, featuring Bob Marley on superb form. Expertly delivering a set of hit singles and classic album tracks, Marley's energetic, charismatic performance includes I Shot The Sheriff, Get Up, Stand Up and No Woman, No Cry and the film has been substantially restored to a high level.
When a middle-aged filmmaker meets an alluring stranger at a party, he's haunted by troubling memories of his past relationships.
Emin's video CV is an accompaniment to her work on paper, Tracey Emin CV 1995 (Tate T07632), which is a potted history of the artist's professional and emotional life from conception until 1995. This CV, read aloud by Emin, constitutes the sound-track to the video and provides contrasting background to the visual information on display. As Emin narrates her story of trauma and abuse, mixed with pleasure and success, the video takes the viewer on a journey through the artist's home. The artist is not visibly present in person until the last frames when she appears curled up naked on the floor of her sitting-room at the feet of her mother (who wears black sunglasses and looks away from both her daughter and the camera). Like Emin's handwritten CV, the video constitutes her self-portrait, in this instance adding the component of a journey around the space of her apartment to her narrating voice. -Tate
Intertwined stories from the gladiator/athletes participating to the Calcio Storico Fiorentino yearly championship.
Young boy, Ah-Jiang, a school failure and day dreamer witnesses the kidnapping of a child. After being taken hostage by a corrupt family, he begins an unusual adventure away from home.
When her country is taken over by socialist revolutionaries, a wealthy woman can't bear to give up all of her wealth and possessions to the new government, so she hides all of her treasures in the 12 chairs of a dining-room set. After her death her nephew finds out what she had done and, since the chairs had been "nationalized" and are now in the possession of a dozen different people, he sets out to track them down and get the treasures he believes rightfully belong to him.
A gorgeous and frequently emotional rumination on the “big things” in life, James Gallagher’s new short film, Love, poses questions on what we love, why we love it, and what happens when the desire to win becomes detrimental to our experience of ourselves and other people. While that description seems preachy, the film is not didactic—on the contrary, its plot is extremely loose and impressionistic, requiring the viewer some effort to construct its fast-moving snippets into a coherent narrative.
When the gang goes on safari, they encounter a variety of freaky, glowing demon animals.
Charlie reluctantly attends a stag party where he ends up "winning" a beautiful girl for a night. The next morning she is found dead and Charlie is suspect "numero uno." A thriller in the best Hitchcock tradition.
Best friends Cliff and Otis plan to get rich quick by stealing from some of the most dangerous foes in the business: drug dealers. Going against the plan, the two spend the night partying, allowing the audience to see that, in a certain light, the "bad guys" weren't really all that bad to begin with. Simply put, this film is just your everyday druggie, dramedy, indie musical that's filled with Germans, Jesus, banjos, bongos, beers, and bongs.
Narrator Rudy Behlmer guides a look through Universal's place in film history as a source of alien visitation, extraterrestrial life, and other Science Fiction staples. The piece further looks at the political and social implications, parallels, and escapism in the movie. The piece spends much of its screen time on how 'It Came From Outer Space' echoed and influenced the genre, its legacy, performances, adherence to Ray Bradbury's source material, 3D photography and presentation, score and effects, and more. This is a quality piece that informs and entertains alike, one that fascinatingly examines the film, and others like it, as both entertainment and echoes of real life.
The tragic story of a couple that upset Athenian society at the end of the 19th century. Michail Mimikos (Andreas Barkoulis) is a doctor in the Greek army, and Mary Weber (Aliki Vougiouklaki) is an upper-class girl. The two want to get married, but Mary’s parents want her to marry a rich man. When Mimikos leaves abruptly for Nauplion for professional reasons, he writes her a letter which she never gets, leading to tragic consequences...
A man with a clipboard asks passersby a survey question: "Are you the favorite person of anybody?" He has a scale, from "very certain" on down. His manner is open. He offers oranges to one respondent. He talks, one at a time, to three people. Their answers, however brief, are revealing.