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1989(en)
Anders Østergaard’s film is an investigative look at the year the Berlin Wall fell, documenting the events that took place in Hungary as a prelude to the dramatic changes in November 1989. The director recreates the events and leads the audiences deep into the politicians’ secret meeting rooms by using a mix of interviews, archive material and reconstructed scenes and dialogues.
The War Campaign(en)
The film uncovers the way the governments of Denmark, USA and the UK massaged political and popular opinion in their own countries.
Trump Card(en)
Trump Card is an expose of the socialism, corruption and gangsterization that now define the Democratic Party. Whether it is the creeping socialism of Joe Biden or the overt socialism of Bernie Sanders, the film reveals what is unique about modern socialism, who is behind it, why it’s evil, and how we can work together with President Trump to stop it.
America's Woman(en)
A journey into the heart of America's past and future. The story revolving around the mysterious woman, overlooked by historians, who had a profound influence on George Washington, his vision for America, and its independence – a vision that can deeply influence the nation’s present need for healing and unity.
Charles: In His Own Words(en)
A documentary special that provides a rare view into the real Charles behind the headlines… told in his own words.
Praying for Armageddon(en)
While much of the world struggles to keep the planet going, a frighteningly large group of American fundamentalist Christians are working to promote the apocalypse. The evangelical movement is convinced that they will be saved when Jesus appears in the state of Israel on horseback and, with a sword raised to heaven, kills the infidels so that the blood reaches the horses’ bridles. Natural fires, corona, wars and crises are evidence that the time is nigh. But for the prophecies to be realized, the state of Israel has to grow stronger, so they provide huge financial support and are so far inside the White House that they help influence US foreign policy.
We Weren't Given Anything for Free(it)
Annita Malavasi was just 22 when the Germans occupied Italy, their former allies, in 1943. As a partisan in the Italian resistance named “Laila”, she moved throughout the Apennines with and between fighting units, delivering information, transporting weapons, and taking part in battles. She spent over a year in the Apennines, fighting against the German occupation. At the same time, she had to assert herself against the men of the mountain villages. By the end of the war, Laila had risen among the ranks to become one of the few female commanders in the Italian resistance. This film chronicles the story of a lifelong struggle for emancipation that began with the battle for Italy’s liberation from fascism. Laila and her two comrades, Gina “Sonia” Moncigoli and Pierina “Iva” Bonilauri talk about their time in the Resistenza and what it meant to them and many other women.
The Russian Soul(en)
Russia is a highly developed, wired, and educated nation, but endures third-world levels of corruption and a repressive, autocratic government. Many Russians explain this paradox by citing the Russian soul, a unique national mindset, born out of their turbulent history that wants dictatorship. Is that possible, or are free speech and democracy universal values?
The Eternal Jew(de)
A Nazi propaganda film made to promote anti-Semitism among the German people. Newly-shot footage of Jewish neighborhoods in recently-conquered Poland is combined with preexisting film clips and stills to defame the religion and advance Hitler's slurs that its adherents were plotting to undermine European civilization.
El Equipo del Pueblo(es)
Documentary tells the story of the Chilean football club Colo-Colo, exploring its profound impact on popular culture and the everyday lives of its fans. Throughout the film, it shows how the club has transcended sport to become a symbol of resistance, pride, and class struggle in Chile.
Looking for Fidel(en)
Oliver Stone's second documentary on/interview with Fidel Castro specifically addresses his country's recent crackdown on Cuban dissidents; namely, the execution of three men who hijacked a ferry to the United States.
...So Goes the Nation(en)
A look at the role of the Buckeye State in the 2004 Presidential Election.
Jimmy Carter: Rock & Roll President(en)
This rockumentary-style presidential portrait shows how Jimmy Carter reinvigorated a post-Watergate America—with the music of the counterculture, including the Allman Brothers, Bob Dylan, Willie Nelson, and Jimmy Buffett.
This Land Is My Land(en)
“What the hell happened to my country?” After Donald Trump’s election, this is a burning question for Susanne Brandstätter, an American filmmaker who’s lived most her life in Austria. With the critical distance of a European and an insider’s eye, she gets close to Trump voters in Ohio: a microcosm of a deeply divided USA. Showing striking parallels to Europe, the documentary explores polarization and why people stick to their political opinions – no matter what. Is there no way out?
Behind the Myth(es)
At the beginning of the 20th century, Uruguay was looking for its identity. Blanes, the "pintor de la patria", invented the images of the heroes that until today are exhibited as real. But everything can change when the world's most recognized forensic artist reveals the true face of the national hero.
Microchip Wars(fr)
When the pandemic hit it highlighted how much Western countries rely on the chip industry. Today Europe, America and China are involved in an intense commercial struggle to dominate this sector that is so strategic for the future. From Taiwan to Shanghai, via Brussels and San Francisco, investigative journalist Nicolas Vescovacci went to meet the most influential players in this microchip war, which is redefining world geopolitics.
The Strangers(xx)
On weekends or holidays, the Zhongli train station in Taiwan is always filled with migrant workers who moved to seek out better economic or living conditions. In 1949, millions of Chinese soldiers and civilians migrated to Taiwan; they are regarded as ‘displaced persons’. Yuan’s father was one of these immigrants, a refugee of the civil war, a stranger away from home. For The Strangers, Yuan uses a high-speed camera and a high-lumen spotlight to shoot from the moving passenger car through the window. As the camera captures the face of each person standing on the platform, these strangers transform into sculptures, frozen in time.