Loading Page
The Room
Loading Trailer Videos...
HomePage
Overview
"A destitute room, transmuted by the startling magic of stop-motion photography into a luxuriant explosion of color. A new work by D’Avino (THE BIG O)." – Cinema 16 program notes, May 1959. Preserved by the Academy Film Archive in 2007.
Release Date
1959-01-01
Average
0
Rating:
0.0 startsTagline
Genres
Languages:
Keywords
Similar Movies
68%
The Reckless Moment(en)
1949-12-09
After discovering the dead body of her teenage daughter's lover, a housewife takes desperate measures to protect her family from scandal.
66%
The Crimson Kimono(en)
1959-10-21
A Los Angeles detective and his Japanese partner woo an artist while solving a stripper's murder.
69%
Spider Baby(en)
1967-12-24
In a dilapidated rural mansion, the last generation of the degenerate, inbred Merrye family lives with the inherited curse of a disease that causes them to mentally regress from the age of 10 or so on as they physically develop. The family chauffeur looks out for them and covers up their indiscretions. Trouble comes when greedy distant relatives and their lawyer arrive to dispossess the family of its home.
0%
Storm Signal(en)
1966-09-05
A documentary record of the day-to-day existence of a pair of young married heroin addicts. Preserved by the Academy Film Archive in 2009.
66%
The Racket(en)
1928-11-01
A renegade police captain sets out to catch a sadistic mob boss. Preserved by the Academy Film Archive in 2016.
65%
Sikkim(en)
1971-04-01
Satyajit Ray's poetic documentary was commissioned by the Chogyal (King) of Sikkim at a time when he felt the sovereignty of Sikkim was under threat from both China and India. Ray's documentary is about the sovereignty of Sikkim. The film was banned by the government of India when Sikkim merged with India in 1975. The ban was finally lifted by the Ministry of External Affairs in September 2010. Preserved by the Academy Film Archive in 2007.
78%
Not a Pretty Picture(en)
1976-01-03
Mixing narrative and documentary, the film retells a 16 year old girl's experience of a date rape.
45%
Surfacing on the Thames(en)
1970-03-10
‘A beautiful, mysterious yet satisfying optical illusion…celebrates the early passing of a steam on the Thames. Using freeze-frame techniques, elaborate dissolves, and most of the resources on the optical table, this picture is, amongst other things, a Turner come to life. Rimmer’s concern with the surface nature of the film is most evident in this work which, in spite of its filmic complexity, is incredibly simple.’ — Donald Richie. Preserved by the Academy Film Archive in partnership with Pacific Cinematheque in 2013.
52%
God Respects Us When We Work, But Loves Us When We Dance(en)
1968-10-01
Les Blank's poetic documentation of 1967's Los Angeles Easter Sunday Love-In. Preserved by the Academy Film Archive in 2002.
72%
Wings(en)
1927-08-12
Two young men, one rich, one middle class, both in love with the same woman, become US Air Corps fighter pilots and, eventually, heroic flying aces during World War I. Devoted best friends, their mutual love of the girl eventually threatens their bond. Meanwhile, a hometown girl who's the lovestruck lifelong next door neighbor of one of them pines away.
80%
The Circus(en)
1928-01-29
Charlie, a wandering tramp, becomes a circus handyman - soon the star of the show - and falls in love with the circus owner's stepdaughter.
63%
Primary(en)
1960-11-08
Primary is a documentary film about the primary elections between John F. Kennedy and Hubert Humphrey in 1960. Primary is the first documentary to use light equipment in order to follow their subjects in a more intimate filmmaking style. This unconventional way of filming created a new look for documentary films where the camera’s lens was right in the middle of what ever drama was occurring. Preserved by the Academy Film Archive in partnership with The Film Foundation in 1998.
0%
Galaxie(en)
1966-09-03
In March and April of 1966, Markopoulos created this filmic portrait of writers and artists from his New York circle, including Parker Tyler, W. H. Auden, Jasper Johns, Susan Sontag, Storm De Hirsch, Jonas Mekas, Allen Ginsberg, and George and Mike Kuchar, most observed in their homes or studios. Filmed in vibrant color, Galaxie pulses with life. It is a masterpiece of in-camera composition and editing, and stands as a vibrant response to Andy Warhol's contemporary Screen Tests. Preserved by the Academy Film Archive in 2001.
63%
Nursery Rhyme Review(en)
1946-02-03
A compilation of four Mother Goose stories "photographed in three-dimensional animation" and unified by a prologue and an epilogue with Mother Goose herself magically setting up a projector to show the films. The familiar nursery rhymes are "Little Miss Muffet," "Old Mother Hubbard," "The Queen of Hearts," and "Humpty Dumpty." Preserved by the Academy Film Archive in 2004.
0%
Swiss Trip (Rivers and Landscapes)(de)
1934-12-22
The black and white, live-action Swiss Trip, scored with Bach's 3rd Brandenburg Concerto (like Motion Painting No. 1), is kind of a nature or travel film cut via noticeable (in-camera?) edits that give the impression the film is constantly blinking and foreshadow techniques Stan Brakhage would use in the '50s and '60s. Preserved by the Academy Film Archive in 2000.
66%
The Masque of the Red Death(en)
1964-06-24
A European prince terrorizes the local peasantry while using his castle as a refuge against the "Red Death" plague that stalks the land.
69%
All the King's Men(en)
1949-11-16
A man of humble beginnings and honest intentions rises to power by nefarious means. Along for the wild ride are an earnest reporter, a heretofore classy society girl, and a too-clever-for-her-own-good political flack.
72%
Hud(en)
1963-05-28
Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the consequences. There is bitter conflict between the callous Hud and his stern and highly principled father, Homer. Hud's nephew Lon admires Hud's cheating ways, though he soon becomes too aware of Hud's reckless amorality to bear him anymore. In the world of the takers and the taken, Hud is a winner. He's a cheat, but, he explains, "I always say the law was meant to be interpreted in a lenient manner."
64%
Study No. 6(xx)
1930-10-01
The first Studies were synchronized with records (Fischinger made a total of 13 Studies all without sound). It was only with the introduction of sound, beginning with Study No 6 that the films did full justice to this musical principle. The play of the white lines, the arcs, and the upside-down U’s running hither and thither like ballet dancers was brought into perfect synchronization with the music, and thus the films offered an abstract illustration of the melodies. Study No 6 is certainly the best of his films in terms of forms. - Hans Scheugl and Ernst Schmidt, Jr. Preserved by the Academy Film Archive in 2001.