The Bad Father

Morbid Visions(de)

A joyful gathering escalates as drugs are handed out and people die

Mute(es)

In Between(mk)

A group of young people deals with the strange things happening in the weekend cottage.

A Really Bad Place(en)

A one-shot horror thriller about a kidnapped man who has ended up in a bad place in many ways.

Dead Quiet(en)

Alone in a world gone silent, the last human struggles with the difference between survival and staying alive.

O Mercador do Efêmero(pt)

Skin & Bone(en)

After taking a job on a farm run by a reclusive woman, a drifter begins suffering from visions of men trapped inside the bodies of animals.

Moving Matter I(en)

Moving Matter is the culmination of a material-led process with artists from dance, costume design and film that began with a study of old kitchen flooring about to be discarded. This flax-based material enters our orbit in the 1950s, where a measured homelife and prescribed domesticity offered a reassuring antidote to bomb scares, political turmoil, and paranormativity. Stability topples as the flooring becomes entangled in the lives of those who don the material as garments and shelters. This film was made through Moving Matter, a long-term research-creation project that offers a methodology for rethinking the dynamism between raw materials, garments, and the body. Moving Matter steers the locus of choreography and wearable design away from human hierarchy to instead support truer collaboration amongst all moving materials, both human and non-human, in this case… linoleum.

Metal(en)

A man in a metal helmet, chained up in a basement with nothing but cartoons to keep him company, escapes one night and finds himself searching for somewhere to belong.

Hope(en)

In the aftermath of a global pandemic, two grieving souls find solace in one another and attempt to recover what was once lost.

Normal Porn for Normal People(en)

"Normal Porn for Normal People" is an appropriated media piece that explores our societal need to consume violence for entertainment. The film offers a satirical commentary on the romanticizing and normalization of violent imagery, while observing the link to commercial consumerism that exploits human sexuality, while simultaneously demonizing it. Interview segments echo our endless need to devour salacious content by venerating both real and fictional violence. Sexuality and sexual images remain a convenient scapegoat that facilitate a continued avoidance regarding the impact that the glorification of violence has within American culture.

How to Disappear(en)

Nina Moyse decides to completely exclude herself from society. However, everything changes when she discovers that she feels a desire for some form of human interaction.

The Lady of Silence(es)

The Lady of Silence, a former professional wrestler, popularly known as "la mataviejitas" is arbitrarily released from prison after serving a sentence.

The Thing in the Basement(en)

Super 8 special effects sci-fi horror short by Dick Taylor, featured in issue 4 of Cinemagic, 1975

Stalker(de)

One night as Lena is walking home from a volleyball game when she begins to realise that someone is following her.

Frombluetored(es)

Fran has a picture and a goal: to beat up the boy who appears in it.

Ghost Town(en)

Seraphim Cloud and his life size doppelgänger enter the netherworld of Calico Ghost Town deep within the Mojave Desert.

It's Not You, It's Me(en)

A young woman's relationship takes a dark turn when every sound her boyfriend makes starts to annoy her. We don't want to spoil the ending for you, but things get a little messy.

Mortal Kombat: Rebirth(en)

Deacon City Police Captain Jackson Briggs recruits the assassin Hanzo Hasashi (Scorpion) for an undercover mission: enter a deadly tournament and eliminate its criminal participants. The film reimagines Mortal Kombat characters in a gritty, realistic setting, stripping away supernatural elements while preserving the core conflict.

The Good Word(en)

Ivan Cutler is a man on a mission - he spreads the good word throughout the town lands of Ireland in the 1950s. But he hides a sinister secret - he has a penchant for murdering those who are kind enough to invite him into their homes. However, when he calls to the rural farmhouse of Ma and Da Taggart, he meets two people who prove more than a match for him.