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Samba(fr)
Samba migrated to France 10 years ago from Senegal, and has since been plugging away at various lowly jobs. Alice is a senior executive who has recently undergone a burnout. Both struggle to get out of their dead-end lives. Samba's willing to do whatever it takes to get working papers, while Alice tries to get her life back on track until fate draws them together.
Herbstromanze(de)
A short vacation should let the 17-year-old, deaf-mute Veronika forget the death of her beloved father, so the plan of her mother Christina. The place of recreation, however, is not chosen happily, due to lack of money: Gut Vorwald in the Sauerland region belongs to the mature nobleman Benno von Caldern, to whom Christina once pledged herself in her youth before meeting her future husband and renouncing Benno. Under the golden roof of autumnal oak crowns, the feelings of the past return, not without dramatic consequences.
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The Trace We Leave Behind(pt)
A young physician coordinating the transfer of patients between state-run hospitals in the city of Rio de Janeiro struggles with a mystery: a patient goes missing one night and completely disappears from the system. As the doctor attempts to find out the truth, he slowly loses his sense of reality.
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Myles and Brody are best friends with two very different ways of finding love. Displeased with their current love lives, they make a pact to be together if neither finds love in ten year’s time. Now two months shy of their deadline, both friends set off to do whatever it takes to avoid ending up as each other’s last resort.
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After the PTA of a conservative high school in Indiana bans same-sex couples from attending the annual prom, a gang of flamboyant Broadway stars try to boost their image by showing up to support two lesbian students.
Küçük Balıklar Üzerine Bir Masal(tr)
Tap Tap(fr)
Another Time, Another Place(en)
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A circus' beautiful trapeze artist agrees to marry the leader of side-show performers, but his deformed friends discover she is only marrying him for his inheritance.
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Dayan(ku)
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#005(es)
The fifth cartridge exposed by Yonay Boix’s super 8 camera offers a continuation of the author’s filmed journals that he carefully composes frame by frame, exploring the potential of celluloid and in-camera editing. This time, the leitmotiv is either a spot of light or a dark spot that he generates using a pierced piece of paper and a glass filter onto which he has previously painted a black dot, respectively. These procedures trace back to the mechanisms of early cameras, reminding us that what we see is not the world but the glimpse of it that a contraption was able to catch.