
2020-12-31
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0.0Salvar Tenerife shows, like never before, the overexploitation to which the island of Tenerife is submitted. It receives more than 6 million tourists a year and has a population of 930000 inhabitants. These figures are born from the terrible way in which the island has been managed during the last decades and currently. An infinite and untenable growth which is threatening more than ever the natural spaces and biodiversity from Tenerife, more and more deteriorated each day. This documentary seeks to boost a change towards real sustainable development, so we can have a future in which we live alongside nature and we can keep enjoying Tenerife (and the rest of the Canary Islands) in their wild and natural state.
0.0The story of the Monarch butterfly: a symbol of American pride and the embodiment of the returning dead in Mexico. It would be a happy story, only, today they are dying. The monarch butterflies population has declined by up to 80% in the last decade. Who is to blame?
0.0In times of global ecological crisis, Costa Rica seems to be an oasis for its rich biodiversity. Nacho traces a route to learn about agroecological projects, discovering what the indigenous communities call "good living" Could this be the solution?
0.0Luciano Candisani, award-winning Brazilian photographer, returns to the Pantanal, the world’s largest floodplain, to document its biodiversity and raise awareness about severe environmental threats. The region faces drastic water flow changes and unprecedented fires, yet Candisani finds hope and resilience amidst the challenges.
0.0Draining two million cubic meters of water to protect a small animal in danger of extinction. This has been the task of those who have worked to remove the Enobieta reservoir and ensure a safe haven for the Pyrenean desman. This amazing story took place in Artikutza, the estate that San Sebastián bought in Navarre a century ago and which is now one of the best-preserved natural sites on the Cantabrian coast. In Normandy, meanwhile, the large Vezins dam has been removed. Its demolition will allow salmon to return to the Sélune River. Abandoned dams on rivers are barriers to biodiversity, and their demolition allows us to imagine a more habitable planet. That future will depend on small gestures, or large ones, such as those in Vezins and Enobia.
0.0Anne Bean, John McKeon, Stuart Brisley, Rita Donagh, Jamie Reid and Jimmy Boyle are interviewed about their artistic practice and the legacy of Surrealism on their work.
0.0Perhaps this is Robert Vas' most personal film; a portrait of his country - Hungary - as seen through the eyes of an exile. Robert Vas escaped from his homeland after the brutal crushing of the 1956 Hungarian Uprising by the Russians and he was never able to return. He portrays his country through the writings of Hungary's national poets and illustrates the film with images of the Revolution and of the society it would become in the years immediately following 1956. The film was transmitted on the 20th anniversary of the crushing of the uprising.
6.0A documentary about a convent of Russian Orthodox nuns in Estonia who have dedicated their lives to serving God.
0.0A visual artist and a musician create a series of works in which paintings and musical scores form cohesive pieces intended to be experienced together. The works interpret the excitement and monotony of life in the urban desert sprawl from the diverse perspectives of the native and the newcomer.
7.1Featuring unprecedented access inside the White House and State Department, The Final Year offers an uncompromising view of the inner workings of the Obama Administration as they prepare to leave power after eight years.
Dammbeck, himself an alumnus of the Leipzig Academy for Graphic and Book Design, presents the origins of the new German realism developed by the so-called Leipzig School, which took place in the context of socialist-realist dogma in the GDR before the Wall was built in 1961. After the Wall came down in 1989, what happened to the major Leipzig School painters Werner Tübke and Bernhard Heisig, who had been called “Dürer’s red heirs” by West German journalists in the 1970s? In the film, Tübke, Heisig, and former GDR officials who were involved with the cultural scene in Leipzig at the time talk about modernism, conformism, political pressure, party discipline, personal claims, and fading memory. The documentary paints an insightful, often critical picture of early East German art history.
5.0The film explores what transformations in power and politics do to art, how much opportunism can be found in “pure” art and whether fascist symbols can ever regain their aesthetic innocence. The questions it addresses about the relationship between ethics and aesthetics make a valuable contribution to any discussion about art and power.
7.8Recy Taylor, a 24-year-old black mother and sharecropper, was gang raped by six white boys in 1944 Alabama. Common in Jim Crow South, few women spoke up in fear for their lives. Not Recy Taylor, who bravely identified her rapists. The NAACP sent its chief rape investigator Rosa Parks, who rallied support and triggered an unprecedented outcry for justice. The film exposes a legacy of physical abuse of black women and reveals Rosa Parks’ intimate role in Recy Taylor’s story.
0.0This episode from the Czech Journal series examines how a military spirit is slowly returning to our society. Attempts to renew military training or compulsory military service and in general to prepare the nation for the next big war go hand in hand with society’s fear of the Russians, the Muslims, or whatever other “enemies”. This observational flight over the machine gun nest of Czech militarism becomes a grotesque, unsettling military parade. It can be considered not only to be a message about how easily people allow themselves to be manipulated into a state of paranoia by the media, but also a warning against the possibility that extremism will become a part of the regular school curriculum.
Two Meetings and a Funeral explores Bangladesh’s historical pivot from the socialism of the 1973 Non-Aligned Movement (NAM) meeting in Algeria to its ideological counterpoint, the emergence of a strong Islamic perspective at the 1974 Organisation of Islamic Countries (OIC) meeting in Lahore. Centred on Bangladesh’s navigation of these two historic meetings, as well as its fight for United Nations recognition (vetoed by China, acting as a proxy for Pakistan), the film considers the erosion of the idea of the Third World as a potential space for decolonialism, liberation theology and socialism. In particular, it looks at how a transnational Islamic ‘ummah’ concept was used against socialist forces.
0.0A two-channel installation utilizing both digital video and 16mm film, Commensal focuses on the controversial figure of Issei Sagawa, who gained notoriety in 1981 when, as a graduate student in Paris, he murdered a fellow student and engaged in acts of cannibalism. After his release from a mental institution, Sagawa returned to Japan, and later appeared in innumerable documentaries and sexploitation films. In contrast to earlier journalistic documentaries on Sagawa, the film suspends moral judgment and explores a realm that eludes classification as either “documentary” or “pure fiction,” to instead chart the ambiguous territory between crime, fantasy, and social realities, between an individual and the economy of his public persona.