Hans Dorrestijn & Martin van Dijk: Cirkels

Philippe Geubels: Droog(nl)

De DVD van ‘Droog’ is dé manier om kennis te maken met de aanstekelijke humor van PhilippeGeubels of om nog eens na te genieten van een prachtige avond live stand-up comedy.De DVD bevat de integrale zaalshow, plus unieke opnames achter de schermen en een compilatie van de grappigste momenten die Philippe’s diverse tv- en andere optredens opleverden.Een absolutemust in de collectie van elke humorliefhebber!

Roué Verveer: FF wat anders(nl)

Alex Agnew: Ka-Boom!(nl)

Back in 2003, Alex Agnew was the first Belgian to win the prestigious 'Leids Cabaret Festival' in The Netherlands. He was the winner in both categories: Jury and public. Alex is a mixture of an English father, Belgian mother, an overdoses (action) movies, superheroes, comic books and a lot of music. No quiet, sophisticated humour, but proud to be loud! Rock'n'Roll comedy!

Alex Agnew: Morimos Solamente(en)

In dit tweede solo-programma komt hij nóg harder, nóg scherper en nóg pikanter uit de hoek. Gevoelige toeschouwers weze bij deze gewaarschuwd: geen huisje - heilig of niet -blijft overeind, geen thema onbenut. "Morimos Solamente" bevat geen theatrale structuur (heeft dat ook niet nodig), maar kan je best omschrijven als anderhalf uur fantastisch verbaal geweld. "The World According To Alex Agnew" dus…

Guido Weijers: V(nl)

In his special 'V', Weijers jokes about power, relationships, religion, travel and happiness at a breakneck pace. The comedian asks his audience which five people they would invite for an ultimate dinner. Fast, sharp and honest. The mirror he holds up has never been so painfully funny.

Brigitte Kaandorp: Kouwe Drukte(nl)

Registration of the third solo program by the Dutch comedian Brigitte Kaandorp.

Brigitte Kaandorp: Chez Marcanti Plaza(nl)

Registration of the fifth theatre program by the Dutch comedian Brigitte Kaandorp.

Brigitte Kaandorp: 1000 & 1 Dag(nl)

Registration of the theatre program by the Dutch comedian Brigitte Kaandorp.

Brigitte Kaandorp: Miss Kaandorp, Brigitte de Musical(nl)

Registration of the "musical-pastiche theatre program" by the Dutch comedian Brigitte Kaandorp. She accompanied by an ensemble and several musicians.

Kasper van Kooten: Het wonderlijke leven van Jackie Fontanel(nl)

Lenette van Dongen: Vedette(nl)

Registration the fifth theatre program by the Dutch comedian Lenette van Dongen. The program is 'an ode to the human courage to take life as it presents itself'.

Jochen Otten: Troosten(nl)

Stage registration of the seventh comedy special 'Troosten' by the Dutch comedian Jochen Otten. His inability to make his daughter stop crying was the reason for Otten to make this performance about emotions. How can you reach someone's emotions.

Pieter Derks: Spot(nl)

Registration of the seventh solo show by the Dutch comedian Pieter Derks.

Theo Maassen: Tegen beter weten in(nl)

Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point). Since 2000, Maassens shows are shown on Dutch national television, making him more and more a household name.

Hans Teeuwen: Industry of Love(nl)

Teeuwens fifth stand-up show is about love. Small, large, hidden, the physical, the famous and the improper love. Hans Teeuwen unravels that love into forms that you do not recognize, but can very surely sense.

Theo Maassen: Ruwe Pit(nl)

Maassen won two of the biggest comedy contests in the Netherlands in 1990, the Groninger Studenten Cabaret Festival(GSCF), and Cameretten. The GSCF jury was not pleased with the quality of the contestants that year, and gave Maassen the first prize, remarking he was the best of the year, but still not very good. In the following years, however, Maassen fame grew steadily, especially amongst students. Maassens style was based on stand-up comedy: Alone on stage, telling jokes and stories to amuse the public, without any musical support (a thing common for most Dutch comedians up to that point).

Emilio Guzman: Doen en Laten(nl)

A nice boy. That is-ie. Emilio Guzman. He will not fight. Does not seek conflict. He just wants it to go well with everyone. Everyone does what he can not leave. But unfortunately the world is not like that. Underdevelopment prevails. Tension. Anxiety and aggression determine Doing our affairs. Even late Emilio conduct regular surprise. While he was still a nice guy. And smart. He wants to understand what is going on. And why that's happening. And how it could run out. That hand so Ever chose Leiden Cabaret Festival Audience him the winner of one of the strongest ever finals. Now he takes the side of his audience. Not to say what they want to hear. But because he wants to be understood. And that can not leave. Let? We say do it!

Theo Maassen: Situatie Gewijzigd(nl)

Registration of the tenth theatre program by the Dutch comedian Theo Maassen. Maassen investigates differences between men and women, white and black.

Hans Teeuwen: Dat dan weer wel(nl)

Mind you is the fourth theater of the Dutch comedian Hans Teeuwen. He performed the show in 2001. The last show was filmed in 2002 and aired on television, the same year that the show on CD and DVD published. It's Teeuwen's most famous and most frequently quoted show. He takes everything on the heel, including racism, blacks, world religions, AIDS patients, women, Jostiband and the Queen of the Netherlands.

Micha Wertheim: Voor Alle Duidelijkheid(nl)

Micha Wertheim asks himself and his audience how to live and survive in a gloomy future perspective. Populism seems to have been taken for granted by both right-wing and left-wing parties. Racism, sexism, anti-Semitism seem to be increasing. The planet is dying. The factory farming industry is still booming. We have reached a dead end and we are standing with our noses against a blank wall. All we can do now is turn around to see how we got here, with our backs against the wall.