2021-06-17
8
This underwater ballet is an ecological story depicting our paradoxical relationship with plastic. Bakelite launched the #SickOfPlastic campaign from On Est Prêt, along with the Surfrider Foundation, Break Free from Plastic and the Resilient Foundation. Photography was directed by Jacques Ballard, a specialist in underwater cinematography.
Award-winning documentary, Sitting Bull: A Stone in My Heart, makes extensive use of Sitting Bull’s own words, giving the viewer an intimate portrait of one of America’s legendary figures in all his complexities as a leader of the great Sioux Nation: warrior, spiritual leader and skilled diplomat. Sitting Bull’s words, as portrayed by Adam Fortunate Eagle, dominate this story. Augmented by a narrator’s historical perspective, over six-hundred historical photographs and images, and a compelling original music score, the film brings to life the little-known human side of Sitting Bull as well as the story of a great man’s struggle to maintain his people’s way of life against an ever-expanding westward movement of white settlers. It is a powerful cinematic journey into the life and spirit of a legendary figure of whom people have often heard but don’t really know.
On a winter night in 2002, a couple in their early 20s is breaking up atop a bridge, when the woman falls down. Is it a suicide or accidental death? The man asks a friend to call an ambulance, but the woman dies. The man and his friend are imprisoned for murder when an eyewitness reverses her original statement and says that she saw the two men throwing the woman from the bridge. After more than a decade, director Shih Yu-Lun collaborates with the ‘Taiwan Innocence Project’, a private organization that helps innocent people who have been unjustly convicted, to re-investigate the case.
Chasing Asylum tells the story of Australia's cruel, inhumane treatment of asylum seekers and refugees, examining the human, political, financial and moral impact of current and previous policy.
What is possible when we have guaranteed money to meet our basic needs? No requirements. No stipulations. No paybacks. We look to the village of Busibi to discover what’s possible when we give money directly to people. No strings attached. The answer lies in the residents’ personal stories. Their successes and tribulations illustrate the impact of one of the most daring projects in contemporary development cooperation. Their life stories unexpectedly prove to be all too familiar. They make us laugh. They move us. Blending in together, they create a colorful and poetic reality portrait, illustrating the big consequences of a small sum of money …
An unlikely collaboration between a forensic scientist from Texas and a group of Latin American students changes the course of forensic science and international human rights.
With "sealfies" and social media, a new tech-savvy generation of Inuit is wading into the world of activism, using humour and reason to confront aggressive animal rights vitriol and defend their traditional hunting practices. Director Alethea Arnaquq-Baril joins her fellow Inuit activists as they challenge outdated perceptions of Inuit and present themselves to the world as a modern people in dire need of a sustainable economy.
While millions of birds migrate freely in the skies above, Fadia, a Palestinian refugee stranded in Lebanon, yearns for the ancestral homeland she is denied. When a chance meeting introduces her to the director, Sarah, she challenges her to find an ancient mulberry tree that once grew next to her grandfather’s house in historic Palestine, a tree that stands witness to her family’s existence.
For more than a century the great colonial powers put human beings, taken by force from their native lands, on show as entertainment, just like animals in zoos; a shameful, outrageous and savage treatment of people who were considered subhuman.
A documentary on Al Gore's campaign to make the issue of global warming a recognized problem worldwide.
A documentary that examines the issue of forced live organ harvesting from Chinese prisoners of conscience, and the response - or lack of it - around the world. It's happened before: governments killing their own citizens for their political or spiritual beliefs. But it’s never happened like this. It’s happened so often that the world doesn’t always pay attention.
In the Briançonnais mountains, in France, men and women on the roads of exile find the courage to cross the passes on foot, risking their lives. Arrived at the end of a long journey, exhausted, they do not know if they could settle down somewhere to start their life over. It is this transitional time that "The Adventure" tells. Ossoul, the Sudanese poet, Mamadou, survivor of an icy night at the Col de l'Échelle, Charlotte, Mother Courage and others are gradually getting back on their feet and settling to embark on a new life. Filmed over three years, "L'Aventure" is a story of resilience, friendships and revealed emotions. The portraits are drawn and deepened until everyone can recognize themselves in the other, put themselves in their place and understand them.
The documentary begins when the fictionalized drama ends. Sara spent three years volunteering to save refugees on the same journey that made her so famous, and was suddenly arrested in Aug. 2018, accused by Greek authorities of running a criminal enterprise with charges including “international espionage and people smuggling.” If convicted, she faces up to 25 years in prison and the end of her humanitarian career. Shot over three years, the film follows Sara’s fight for justice and journey of self-discovery.
Three arrested and detained undocumented immigrants must navigate the system to fight impending deportation.
A strange meteor lands in Japan and unleashes hundreds of insect-like "Legion" creatures bent on colonizing the Earth. When the military fails to control the situation, Gamera shows up to deal with the ever-evolving space adversary. However the battle may result in Gamera losing his bond with both Asagi and humanity.
The frustrating adventures of a humble employee who all the time has to fullfill the wishes and desires of his bosses.
Abbas Ali (Abhishek Bachchan) lives in Chandni Chowk, New Delhi with his sister Sania (Asin Thottumkal). They are legally fighting for an ancestral property— land case. But the odds turn against them and they lose. Their well wisher, Shastri Chacha, advises and convinces them to migrate to his village Ranakpur where he assures Abbas that he will get him a job at his owner's place. The owner being none other than the powerful Prithviraj Raghuvanshi (Ajay Devgn). Abbas enters Ranakpur village and while saving a child trapped inside a temple, he breaks open the lock of an ancestral temple but fate plays an important twist in Abbas' life as the whole village including Prithviraj's step-brother Vikrant opposes Abbas' actions but Prithviraj arrives and handles the situation.
The advertising director of Pacific Pharmaceuticals, frustrated with the low ratings of their sponsored TV program, seeks a more sensationalist approach. He orders his staff to Faro Island to capture King Kong for exploitation. As Godzilla re-emerges, a media frenzy generates with Pacific looking to capitalize off of the ultimate battle.
When the pets accidentally get separated from their vacationing owners, Chance, Shadow, and Sassy navigate the mean streets of San Francisco, trying to find their home across the Golden Gate Bridge. But the road is blocked by a series of hazards, both man and beast.
When the wife of a 17th century Kyoto scroll-maker is falsely accused of having an affair with his best employee, the pair flee the city and find themselves falling for one another.
Fantozzi is now retired but continues to go to the office where it is held up as a fine example of employees intending to do career.
During an assignment, foreign correspondent Steve Martin spends a layover in Tokyo and is caught amid the rampage of an unstoppable prehistoric monster the Japanese call 'Godzilla'. The only hope for both Japan and the world lies on a secret weapon, which may prove more destructive than the monster itself.
The third film in the saga of the unlucky clerk Ugo Fantozzi, played by its creator, Paolo Villaggio.
Set in late 19th century Canton, this martial arts film depicts the stance taken by the legendary martial arts hero Wong Fei-Hung against foreign forces' plundering of China.
Veteran cop Nick Pulovski is used to playing musical partners; many of the partners he's had in the past have died on the job, and often as a result of Nick's risky tactics. But the rookie who's been assigned to help Nick bust a carjacking ring is almost as hotheaded as he is … and when Nick gets kidnapped, his newbie partner is his only hope.
Ugo Fantozzi has been ejected from Heaven and is sent back to Earth for a short period of time until the staff in Heaven can get Fantozzi a place there. Fantozzi goes through a variety of unfortunate experiences, such as rescuing his retro punk granddaughter Uga, and having to pay a vast telephone bill due to frequent chat line conversations. He ends up getting arrested instead of his ex-boss, who was originally charged with corruption. Just as he is about to enjoy the World Cup Final with Italy, he is called back into Heaven. Can he find peace once again?
The film tells a story speaks of "Yusuf ", a plumbing Man, who is exposed to many pranks by his friends.
DCP DeSilva sees a way to bring to justice the feared head of a criminal empire by recruiting a man named Vijay, who looks exactly like the crime boss. The ruse works too well, and soon Vijay finds his life in danger when DeSilva, the only one who knows his true identity, dies.
People is a film shot behind closed doors in a workshop/house on the outskirts of Paris and features a dozen characters. It is based on an interweaving of scenes of moaning and sex. The house is the characters' common space, but the question of ownership is distended, they don't all inhabit it in the same way. As the sequences progress, we don't find the same characters but the same interdependent relationships. Through the alternation between lament and sexuality, physical and verbal communication are put on the same level. The film then deconstructs, through its repetitive structure, our relational myths.
An average kind of guy who has a slight problem with gambling goes to the track, and mystically, it seems as though he can't lose, no matter how he bets; and he has an incredible day.
Zed is an American vault-cracker who travels to Paris to meet up with his old friend Eric. Eric and his gang have planned to raid the only bank in the city which is open on Bastille day. After offering his services, Zed soon finds himself trapped in a situation beyond his control when heroin abuse, poor planning and a call-girl named Zoe all conspire to turn the robbery into a very bloody siege.
Rejected by her lover, the only man left in Cheryl's life is the orphaned nephew she has raised as her own son. She'll stop at nothing to keep Billy with her. When her plans misfire, she is swept up into an insane frenzy that means death to anyone who comes between her and her obsession. But the investigating detective is convinced that Billy is the real killer - and determined to prove it. Madness and fanaticism work together to drag all concerned into a terrifying vortex of blood-letting that adds a nightmarish twist to the classic Oedipus story.
Hercules comes to the aid of a young woman who is seeking the lost city of Troy. Eventually, Hercules leads her to a camp of refugees from the city, which has been taken over by Hera's Blue Priests. Hercules helps the refugees take back the city. "Hercules and the Lost Kingdom" is the second movie-length pilot episode of the television series "Hercules: The Legendary Journeys".