2011-11-23
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Documentary following dockers of Liverpool sacked in a labour dispute and their supporters’ group, Women of the Waterfront, as they receive support from around the world and seek solidarity at the TUC conference.
In the midst of conservative politics in the city of Goiânia, an anti-prohibitionist collective mobilizes for the legalization of marijuana against government repression.
Six individuals from diverse backgrounds embrace cycling as a way to overcome daunting personal and systemic challenges. Through these struggles, bicycles have the potential to transform lives and contribute to a better world.
Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.
'Don't build prisons, they cost too much!' In this era of Great Recession, the conservative and tough-on-crime State of Texas takes an unprecedented path by becoming a social justice leader with programs that rehabilitate offenders. Looks like rape, abuse and death are no longer parts of the solution for modern-day Bonnie and Clyde...
A Union's Story chronicles the International Brotherhood of Teamsters from its formation in 1903 to its current status as one of the most diverse and powerful unions in the country. The story highlights the Teamsters strong, yet often unrecognized commitment to community service and social justice as well as their ongoing mission to bring dignity and respect to all working families.
Elliot Page brings attention to the injustices and injuries caused by environmental racism in his home province, in this urgent documentary on Indigenous and African Nova Scotian women fighting to protect their communities, their land, and their futures.
A poetic tribute to writer, poet and environmental activist, Ken Saro-Wiwa, who was executed alongside eight other activists for opposing the environmental damage done in their oil-rich homeland, Ogoni.
FOLLOW THE DRINKING GOURD is a feature documentary about the Black food justice movement. Family-friendly, funny, and moving, this 60-minute film connects the legacy of slavery, land loss, and climate change to our fight for food security.
GLIDE is a radically inclusive church, a social justice organization, a movement for change and San Francisco’s premier provider of innovative services for marginalized populations. Founded over 50 years ago by Reverend Cecil Williams and Janice Mirikitani, GLIDE offers comprehensive support to San Francisco’s poor and homeless communities to help them overcome the barriers of poverty, violence, addiction, dependency and low self-worth. Citizen Film created a series of short films documenting the lasting legacy of Cecil and Janice, and the core values that continue to create a just and loving community mobilized to alleviate suffering and break the cycles of poverty and marginalization.
She's Not Alone is a social enterprise short, that exposes the lack of safety in rideshare services, particularly for women and gender-diverse people.
SHE IS US: THE STORY OF JUDGE SONGHAI ARMSTEAD is an animated film that chronicles the extraordinary story of social justice warrior Songhai Armstead who was system impacted, faced systemic obstacles, and found purpose in empowering others. After a challenging childhood in foster care, Songhai embarks on a remarkable journey that shows the importance of creating opportunities. The film is a production of The Righteous Conversations Project and Second Nurture, a non-profit organization that mobilizes communities to support foster families and help children thrive. She is Us was directed by Samara Hutman & C. Lily Ericsson and animated by an extraordinary team of young people who know the potential of art and story to shape our world.
Buenos Aires is a complex, chaotic city. It has European style and a Latin American heart. It has oscillated between dictatorship and democracy for over a century, and its citizens have faced brutal oppression and economic disaster. Throughout all this, successive generations of activists and artists have taken to the streets of this city to express themselves through art. This has given the walls a powerful and symbolic role: they have become the city’s voice. This tradition of expression in public space, of art and activism interweaving, has made the streets of Buenos Aires into a riot of colour and communication, giving the world a lesson in how to make resistance beautiful.
This is a semi documentary about a Belgian woman trying to deal with her confused ideals after the big industrial strikes in Wallony. To do so, she goes to Spain to try and find out if there is a future for anarchist ideals.
This film documents the coal miners' strike against the Brookside Mine of the Eastover Mining Company in Harlan County, Kentucky in June, 1973. Eastovers refusal to sign a contract (when the miners joined with the United Mine Workers of America) led to the strike, which lasted more than a year and included violent battles between gun-toting company thugs/scabs and the picketing miners and their supportive women-folk. Director Barbara Kopple puts the strike into perspective by giving us some background on the historical plight of the miners and some history of the UMWA. Preserved by the Academy Film Archive in partnership with New York Women in Film & Television in 2004.
An archival documentary about the U.S. military’s response to the political and racial injustices of the late 1960s: take a military base, build a mock inner-city set, cast soldiers to play rioters, burn the place down, and film it all.
This documentary film includes never-before-seen footage and exclusive interviews to tell the story of Charity Hospital, from its roots to its controversial closing in the wake of Hurricane Katrina. From the firsthand accounts of healthcare providers and hospital employees who withstood the storm inside the hospital, to interviews with key players involved in the closing of Charity and the opening of New Orleans’ newest hospital, “Big Charity” shares the untold, true story around its closure and sheds new light on the sacrifices made for the sake of progress.