Gruneisen: El primer corresponsal de guerra

From Africa: Pathways to the NBA(en)

In a beach town on the coast of Senegal sits a basketball academy attended by the most promising players in Africa. Through the eyes of NBA Academy Africa’s players and staff, “From Africa: Pathways to the NBA” details stories of work on the court and in the classroom, the brotherhood that these star prospects have built, and their pursuit of the NBA dream.

WMD: Weapons of Mass Deception(en)

There were two wars in Iraq--a military assault and a media war. The former was well-covered; the latter was not. Until now... Independent filmmaker, Emmy-award winningTV journalist, author and media critic, Danny Schechter turns the cameras on the role of the media. His new film, WMD, is an outspoken assessment of how Pentagon propaganda and media complicity misled the American people...

Martin Weill - Voyages dans l'Europe Identitaire(fr)

Service public(fr)

Salhia Brakhlia has filmed the set and behind the scenes of Franceinfo's breakfast show during a year. How to inform at the time of social media and fake news ? How careful are journalist with those news ? How do they connect to politicians during an presidential election campaign ? This unique immersion gives us a part of the answer.

Die Enkeltrick Betrüger(de)

Grandchild fraudsters scare their victims on the phone with so-called "shock calls". The losses run into millions. Month after month. Many victims are left severely traumatized. But the scam has a weak point. And the izzy team has found it. During a year-long investigation, izzy figurehead Cedric Schild pretends to be an elderly person and supposed victim on the phone. This not only makes for a few laughs, but also drives the perpetrators crazy - at the same time, the editorial team penetrates deep into the structures of the criminal clans. Thanks to more than 1200 minutes of recorded conversations from real shock calls, the izzy film "Die Enkeltrick Betrüger" shows all the tricks used by fraudsters for the first time and thus makes an important contribution to prevention. In cooperation with the law enforcement authorities, the perpetrators are arrested in front of the cameras.

Into the Deep: The Submarine Murder Case(en)

In 2016, a young Austrialian filmmaker began documenting amateur inventor Peter Madsen. One year in, Madsen brutally murdered Kim Wall aboard his homemade submarine. An unprecedented revelation of a killer and the journey his young helpers take as they reckon with their own complicity and prepare to testify.

Control Room(ar)

A chronicle which provides a rare window into the international perception of the Iraq War, courtesy of Al Jazeera, the Arab world's most popular news outlet. Roundly criticized by Cabinet members and Pentagon officials for reporting with a pro-Iraqi bias, and strongly condemned for frequently airing civilian causalities as well as footage of American POWs, the station has revealed (and continues to show the world) everything about the Iraq War that the Bush administration did not want it to see.

They Will Not Silence Our Voices(es)

"Nobody told us that they would kill us, but neither did they tell them they would not silence us". Women journalists from several parts of Mexico who cover the beat of hard news, reveal the challenges they face when doing their work with various actors: their sources, law enforcement officers, drug trafficking and the state. Mexico is one of the most dangerous countries in which to practice journalism. Several reporters have been assassinated since 2000. Within this context, female journalists face a double challenge: firstly, to work in a country with a high level of anti-press, violence, and, secondly, the state and situation of their gender in a country riddled with femicide.

Nothing to Hide(en)

NOTHING TO HIDE is an independent documentary dealing with surveillance and its acceptance by the general public through the "I have nothing to hide" argument. The documentary was produced and directed by a pair of Berlin-based journalists, Mihaela Gladovic and Marc Meillassoux. It was crowdfunded by over 400 backers. NOTHING TO HIDE questions the growing, puzzling and passive public acceptance of massive corporate and governmental incursions into individual and group privacy and rights. After the emotion initially triggered by the Snowden revelations, it seems that the general public has finally accepted to live in a monitored digital world.

Citizen Krone, Austria between the Lines(de)

This film journeys deep into the heart of Austria’s favorite daily newspaper, the Kronen Zeitung, the most widely-read paper per capita in the world. The “Krone’s” 2.7 million readers represent 43% of the Austrian press market. A reflection of the Austrian soul, this newspaper serves as a prism through which we can understand the rise of the populist Right in this country and examine the dangerous flirtation between media and politics.

A Bunch of Questions With No Answers(en)

A Bunch of Questions with No Answers (2025) is a 23-hour film by artists Alex Reynolds and Robert M. Ochshorn. Compiled entirely from questions posed by journalists at U.S. State Department press briefings between October 3, 2023, and the end of the Biden administration, the work removes the officials’ answers, leaving only the unresolved demands for clarity and accountability.

Outfoxed: Rupert Murdoch's War on Journalism(en)

This film examines how media empires, led by Rupert Murdoch's Fox News, have been running a "race to the bottom" in television news, and provides an in-depth look at Fox News and the dangerous impact on society when a broad swath of media is controlled by one person. Media experts, including Jeff Cohen (FAIR) Bob McChesney (Free Press), Chellie Pingree (Common Cause), Jeff Chester (Center for Digital Democracy) and David Brock (Media Matters) provide context and guidance for the story of Fox News and its effect on society. This documentary also reveals the secrets of Former Fox news producers, reporters, bookers and writers who expose what it's like to work for Fox News. These former Fox employees talk about how they were forced to push a "right-wing" point of view or risk their jobs. Some have even chosen to remain anonymous in order to protect their current livelihoods. As one employee said "There's no sense of integrity as far as having a line that can't be crossed."

Earth's Greatest Enemy(en)

In Abby Martin's second feature documentary, Earth’s Greatest Enemy reveals a hidden truth behind the climate crisis: the role of the U.S. military as the world’s largest institutional polluter. Drawing on powerful testimonies from veterans, scientists, and frontline communities, it uncovers how military operations poison ecosystems, accelerate global warming, and sacrifice the future for endless expansion. From Alaska’s melting glaciers to contaminated bases across the U.S. and toxic battlefields abroad, Earth’s Greatest Enemy delivers a provocative and unflinching examination of the untouchable institution playing an outsized role in the climate crisis.

i -Documentary Of The Journalist-(ja)

In Japan, there is an informal agreement between mainstream media and the government that is hardly ever questioned: Journalists are not too persistent in their criticism, in turn representatives of the government grant direct access to select information through press conferences. Isoko Mochizuki, reporter for the Tokyo Shimbun newspaper, has established herself as a spoilsport in this system.

One Rogue Reporter(en)

Rich Peppiatt delivers a satirical dissection of the newspaper trade by turning the tables on unscrupulous editors. Through a series of mischievous stunts and interviews with heavyweights of journalism, comedy & politics, Peppiatt hilariously exposes the hypocrisy at the heart of modern journalism.

The Brave Class(es)

Three college students start a social experiment to prove that reality changes according to the words we use to describe it. Through research, activist actions, and artistic interventions, they analyze the importance of language in the way we understand the world. The documentary includes analysis from more than 20 international experts and leaders in the fields of political communication and information.

Digital Edition(en)

In the midst of a publishing revolution, The Atlanta Journal-Constitution, one of America's most storied institutions of journalism, is experimenting with new tools to tell stories in preparation for the end of print in the digital era.

State of Silence(es)

A compelling look at the dangerous, continuing risks committed journalists face in Mexico, where reporting on their country’s corruption and “narco politics” has led to the silencing and killing of some of their peers.

Désentubage cathodique(fr)

From falsehood to mystification to manipulation and false impartiality, the whole logic of disinformation and brutality is brought to light. When the king of the media and his politico-journalistic buffoons are sifted by a radical counter-audiovisual power, the discredit of the "elites" sanctioned by the referendum of May 29, 2005 is better understood. With this film, Zalea TV's team had decided to laugh about it and make them laugh, even if at bottom these discoveries were rather disturbing. By staging a series of very simple techniques of "self-defense", this film is an invitation to self-disengage permanently. The use of the TV-B Gone, an instrument whose sole function is to turn off the television, appears here as the ultimate resort to media criticism.

Pierre Péan - Edwy Plenel : Les Chevaliers du journalisme français(fr)

The duel between Pierre Péan and Edwy Plenel revisits some of the great moments of French political life and tells the story of more than 30 years of journalism in France. From distrust to attack, from revenge to caricature, the two icons of French journalism, Pierre Péan and Edwy Plenel, have always been at war. Everything opposes them: their working methods, their vision of the profession and even their way of being. Pierre Péan has always worked alone, in secret, while Edwy Plenel was looking for his place in the collective, heading for the upper echelons of the media... In the 1980s, both men became stars of journalism. In the 1990s, with his best-selling investigations, Péan invented his own independent business model, while Plenel became editor of Le Monde. Their exceptional careers have changed the way news is reported in France