Mao: Seize the Day, Seize the Hour

Souvenirs d'un singe doré(fr)

How Lucky China(en)

Follows Long Island’s Mary Lamont Band on their groundbreaking 23,000-mile tour in six cities and provinces across mainland China in 2002.

Home and a Distant Archive(en)

A poetic, experimental portrait of four Hong Kong women in London working to digitise records of the handover agreement between the United Kingdom and China. Impressionistic and precise, personal and expansive, Cheung's elegant, eloquent work decodes history and how politics are enacted.

Heidi in China(en)

In 1946, Heidi is entrusted to a Swiss family by her father. He will never come back for her. Today, François Yang questions his mother about her past. What follows is a journey to China, a quest to reconstruct memory. Through contact with her brothers and sister, Heidi measures the extent of the drama experienced by her family that remained in China, persecuted by the Communist Party.

NA China(fr)

The implantation of African traders in Guangzhou is a recent phenomenon, on which Marie Voignier reports through her interlinking portraits of Jackie, Julie, Shanny who have come to set up their business on site. Amidst the monstrous accumulation of merchandise on the endless markets of the megacity, the film follows these African businesswomen grappling with the globalised Chinese economy.

Born in China(zh)

Venturing into the wilds of China, "Born in China" captures intimate moments with a panda bear and her growing cub, a young golden monkey who feels displaced by his baby sister, and a mother snow leopard struggling to raise her two cubs.

Fruit Farm(zh)

Nana Xu travels to the place built by her father as a prisoner during the Cultural Revolution: first a work camp, later a prison, fruit farm and treatment centre. Conversations with last remaining witnesses, where home is still shaped by a repressed past.

Women 50 Minutes(zh)

A representation of queer and feminist imagery that was mainly shot in the Qinghai-Tibetan Plateau, remote and developing areas in southwest China, and metropolitan cities like Beijing from 2000 to 2004 to document the social changes in contemporary China. The director sympathetically and erotically represents a variety of women, including women as laborers, women as prayers, women in the ground, women in marriage, and women who lie on the funeral pyre with their dead husbands. Her camera juxtaposes the mountains and rivers in old times, the commercialized handicrafts as exposition, the capital exploitation of the elders’ living space, and the erotic freedom of the young people in a changing city.

Iron Moon(zh)

Few of us have stopped to consider the lives of the workers who manufacture the objects that make up our daily lives. We use these objects without knowing anything about the Foxconn plants in which they are made, or even where these factories are located, let alone who works in them. One such worker was the young Chinese poet Xu Lizhi, who, at the age of 24, jumped out of a building not far from where he worked at the Foxconn factory in Shenzhen.

Chinese Portrait(zh)

Shot over the course of ten years on both film and video, the film consists of a series of carefully composed tableaux of people and environments. Pedestrians shuffle across a bustling Beijing street, steelworkers linger outside a deserted factory, tourists laugh and scamper across a crowded beach, worshippers kneel to pray in a remote village. With a painterly eye for composition, Wang captures China as he sees it, calling to a temporary halt a land in a constant state of change.

Under the Same Sky(zh)

The Chinese government is sponsoring a national campaign on "equal" education. UNDER THE SAME SKY documents school children in the city as well as the country to compare the two educational experiences. UNDER THE SAME SKY had been nominated for best short documentary at the 2017 Asian Pacific Film Festival, 2017 St. Louis International Film Festival, Long beach indie Film Festival and Los Angeles Chinese Film Festival. It's also been shown and won awards at 15 other film festivals around the world, including the Cannes Short Film Corner and The Impact Docs Awards.

China: A Class By Itself(en)

An inside look at China working towards the goal of becoming a superpower by the year 2000 via education as the key to modernization. Filmed in Peking, on a rural commune in central China, and in the industrial northeast region, Jack Reynolds interviews Vice Premier Fang Yi and the president of Peking University, as well as students, workers, and peasants.

The Way of the Shaman Drum(zh)

During the Cultural Revolution in China in the late 20th century, ethnic Manchu people were persecuted and forced to give up such cultural traditions as the shaman dance (tiao tchin, meaning "spirit-jumping" or "god's dance"). However, on Changbai Mountain in Northeast China, a farmer named Guan Yunde decided to start designing and building traditional Manchu shaman drums. At age 70, he is one of a minority of ethnic Manchu people in China's Jilin province, and one of the few people keeping the Manchu shamanic tradition alive.

How Yukong Moved the Mountains(fr)

From 1972 until 1974, Joris Ivens and Marceline Loridan, along with a Chinese film crew, documented the last days of the Cultural Revolution, marking the end of an era. The vast amount of footage they shot was edited into 14 films of varying lengths. Focusing on ordinary people spread over a wide geographic area—many of whom were living and working in collectives—the filmmakers recorded a unique moment in history, and also captured some of the more enduring aspects of Chinese culture.

China's Secret Monkey Kingdom(en)

Death By China(en)

In 2001, China joined the World Trade Organization with the strong support of a Democratic President and Republican Congress. Before the ink was dry on this free trade agreement, China began flooding U.S. markets with illegally subsidized exports while the big multinational companies that had lobbied heavily for the agreement rapidly accelerated the off shoring of American jobs to China. Today, as a result of the biggest shell game in American history, China has stolen millions of our jobs, corporate profits are soaring, and we now owe over $3 trillion to the world's largest totalitarian nation. This film is about how that happened... and why the best jobs program for America is trade reform with China.

Karl Marx und seine Erben(de)

Scars Of Nanking(en)

During the brutal invasion of China in 1937 by Imperial Japanese forces, tens of thousands of civilians and prisoners of war are murdered and women raped in what is known simply as "The Rape of Nanking." This docudrama is a stirring account of a small band of courageous American missionaries who choose to stay in Nanking to try and protect a quarter million vulnerable Chinese civilians who are trapped in a city ruled by a savage, out of control army. Their stories are brought vividly to life through actual real-time letters and diaries as they bear witness to one of the worst wartime atrocities in history.

Starring Jerry as Himself(en)

Jerry, an ordinary immigrant dad, retired in Orlando, is recruited to be an undercover agent for the Chinese police. Jerry’s family recreates the events on film and his three sons discover a darker truth. True crime meets spy thriller in this genre-bending docufiction hybrid about an immigrant’s search for the American dream. A Slamdance Film Festival Grand Jury and Audience Award winner.

Mysteries of the Terracotta Warriors(en)

Thousands of terracotta warriors guarded the first Chinese emperor's tomb. This is their story, told through archeological evidence and reenactments.