Sunflowers
Top 4 Billed Cast
Vincent van Gogh (voice)
Self (archive footage)
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Four Belgian Painters at Work(nl)
Belgian art historian and filmmaker Paul Haesaerts (1901–1974) made a significant contribution to the promotion of modern Flemish art. In the late 1940s, he started experimenting with the medium of film to practice a new form of lens-based art criticism. The understudied documentary "Quatre peintres belges au travail" (1952) presents Belgian artists Edgar Tytgat, Albert Dasnoy, Jean Brusselmans and Paul Delvaux at work in their studio. On a large sheet of glass placed in front of the camera, they each paint one of the seasons that also represent a stage in a person’s life. A close reading of this Kodachrome color film sheds light on the context of mid-century art reproductions, mass media and post-war Flemish culture. It also examines in what way this film operates as Haesaerts’s concept of cinéma critique, while raising questions as to the way Haesaerts attempted to reconcile the spatial art of painting with the temporal medium of film.
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National Gallery(en)
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Ukiyo-e: Floating World Images(fr)
400 years ago, in Japan, a revolutionary art was born and would influence the greatest Western artists of the late nineteenth century, the Ukiyo-E "floating images of the world." A wonderful trip in a world of beauty and discovery. The concept and objectives of this documentary are, on the one hand, to show, teach and discover Japanese art (Japanese stamps and prints) and, on the other hand, to demonstrate the influence of Japanese stamps on Western modern art, showing in comparison some of the Most famous paintings (impressionism or paintings by Van Gogh).
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The conflict over forestry operations on Lyell Island in 1985 was a major milestone in the history of the re-emergence of the Haida Nation. It was a turning point for the Haida and management of their natural resources.
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This short film is part of a mixed media artwork of the same name, which also included postcards of Ader crying, sent to friends of his, with the title of the work as a caption. The film was initially ten minutes long, and included Ader rubbing his eyes to produce the tears, but was cut down to three and a half minutes. This shorter version captures Ader at his most anguished. His face is framed closely. There is no introduction or conclusion, no reason given and no relief from the anguish that is presented.
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Three life models pose naked for an artist. They are Kate Dunne, Dylan Jon Matthews, and Izabella Linuza. We see them pose naked as the artist draws and paints them. They tell us about how they got into life modeling, what it feels like to stand naked in front of strangers, body image, and sexual issues. We explore the ancient and mysterious relationship between the artist and the life model. At the end, Dylan draws Kate and Izabella naked. Then Kate and Izabella draw Dylan naked. We demonstrate the similarities and differences between the male gaze and the female gaze.
David Hockney: A Bigger Picture(en)
Filmed over three years, the documentary is an unprecedented record of a major artist at work. It captures David Hockney's return to England after 25 years in California. As he approaches the age of 70, he decides to re-invent his painting from scratch, working through the seasons and in all weathers out in the Yorkshire countryside - ending up with the largest picture ever made outdoors. It is at once the story of a homecoming and an intimate portrait of what inspires and motivates today's greatest living British-born artist as time runs out. Winner of Best Essay award at the International Festival for Films on Art in Montreal and nominated Best Arts Documentary by the Grierson and International Emmy Awards. Premiered on BBC1, the documentary appears in a special extended 60' version.
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Simon Schama explains the style, theme and concept of Rembrandt's late masterpieces.
Pop Goes the Easel(en)
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