Classic Albums: Suede - Coming Up
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Radiohead | Outside Lands 2016(en)
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In August 1995 Blur and Oasis were engaged in a head-to-head chart battle which divided music fans and led to a wider argument about British pop music. John Harris, journalist and author of The Last Party - the definitive study of the entwinement of music and politics in the 1990s - presents a documentary charting the rise of Britpop, its brief romance with New Labour and the emergence of 'new lad' culture. Finally, as Britpop declines, he asks what legacy it has left. Including contributions from Blur's Graham Coxon, Elastica's Justine Frischmann, Sleeper's Louise Wener, former New Labour insider Darren Kalynuk, and the founder of Creation records, Alan McGee.
Muse: The Making of Absolution(en)
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U2: Vertigo 2005 - Live from Chicago(en)
23 electric performances, with songs drawn from across the bands entire career - from first album fan favorites such as "Electric Co," through U2 classics such as "Pride...," "New Years Day" and "Where the Streets Have No Name" and right up to date with "Vertigo" the smash hit that launched this years #1 studio album "How To Dismantle An Atomic Bomb."
AFI: I Heard a Voice(en)
I Heard a Voice is the first live DVD from AFI that was released on December 12, 2006. The concert was filmed at the Long Beach Arena in Long Beach, California on Friday, September 15, 2006. Part of the Decemberunderground Tour, the crowd was the largest AFI had ever headlined with over 13,000 people in attendance. The title of this DVD is lifted from a line of poetry in the decemberunderground CD booklet. Underneath the song 37mm, it says: "The power went out. I turned on the radio. The power went out. I turned on the radio. The power went out. I turned on the radio....I heard a voice." The moth on the case is also from the decemberunderground booklet.
1991: The Year Punk Broke(en)
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Muse: Absolution Tour(en)
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U2 Go Home: Live from Slane Castle, Ireland(en)
On September 1, 2001, Irish rock band U2 made a triumphant return to their roots with two outdoor shows at Slane Castle, Ireland. U2 chose the castle venue because it marked two watershed moments for the band: their recording session for the landmark album THE UNFORGETTABLE FIRE in 1984, and their first Slane appearance opening up for fellow Irish rock band Thin Lizzy in 1981. U2 GO HOME captures the emotional intensity of the homecoming with 19 live tracks culled from the concerts.
Asking Alexandria | Through Sin + Self Destruction(en)
Debauchery, over-indulgence and an unapologetic disregard for safety; welcome to the world of the British hard rock sensation ASKING ALEXANDRIA. With their critically acclaimed sophomore album "Reckless & Relentless" debuting at #9 on The Billboard Top 10, they have dominated the landscape of heavy music with their unforgettable live show and iconic personas. The new, shocking short film "Through Sin and Self-Destruction" is a controversial, uncensored look into the real lives of a new era of rockstars for today’s generation as they take over the Sunset Strip.
Oasis vs. Blur | Duel at the Peak of Britpop(en)
During the 90s, Britpop dominated the airwaves and an epic pop rivalry sparked into life when Blur’s single ‘Country House’ went up against Oasis’s ‘Roll With It’ in the charts.
Sonic Youth: From The Basement(en)
Enjoy Sonic Youth’s full From The Basement set! Track listing: 01:26 - The Sprawl 10:45 - Incinerate 16:15 - Hey Joni 20:42 - Jams Run Free 24:34 - Pink Steam Recorded August 2007
American Hardcore(en)
Inspired by Steven Blush's book "American Hardcore: A tribal history" Paul Rachman's feature documentary debut is a chronicle of the underground hardcore punk years from 1979 to 1986. Interviews and rare live footage from artists such as Black Flag, Bad Brains, Minor Threat, SS Decontrol and the Dead Kennedys.
The End Of The World As We Knew It(en)
107.9 The End was an innovative radio station in the Alt-Rock days of the 90s in Cleveland, Ohio. After the telecommunications act of 1996 however, the station found it self in the hands of different owners. This film tells the story of the station through the people that lived it, the disc jockeys and staff.
Masks(sr)
It is difficult to characterize Slobodan Tišma. He is unique and versatile. He wanders with joy throughout the artistic landscape, drawing it with his words since the early sixties. He started as a poet, he was a conceptualist, an "invisible artist" and a rock musician ("Luna"/"La Strada"- former Yugoslav New Wave bands). Currently, he is a prose writer, and sometimes he engages in minimalistic performances. Wearing different masks he moved from one artistic space to another breaking the stereotypes and creating an aesthetic phenomenon out of his own existence. His mainstay is margin. Through trees and ocean he communicates with the universe. He loves the game of seeking, and hiding again. He is a persistent walker. With his silent steps he pops up daily in the corners of Novi Sad, searching for his own pleasure. Similar to his writings, this film has no formal completeness and comprehensiveness. It wonders who Slobodan Tišma is.
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