Welcome to Monterey

The Balloonist(en)

Meet Brian Boland—the beloved, eccentric hot air balloonist and artist from the rural Upper Valley of Vermont.

Covid and War(en)

A pandemic, a warzone, and a government in denial

Sing Me a Song(dz)

As the Internet finally arrives in tiny Bhutan, documentarian Thomas Balmès is there to witness its transformative impact on a young Buddhist monk whose initial trepidation gives way to profound engagement with the technology.

Kampai! Sake Sisters(ja)

Sake is a traditional alcoholic beverage from Japan and is otherwise known as rice wine. Women were prohibited from entering the many large and small sake breweries dotting Japan for centuries. However, times have changed and women are present on the sake scene today. In several cases, they are integral to the Japanese brewery business. The documentary depicts women who are not only enthusiasts, but also leaving their marks on the evolution of this Japanese mainstay.

Carnalismo(es)

In the heart of Durango, the Low Biker community has forged a unique bond through a shared love for cumbias and custom bicycles, uniting neighborhoods across the city in a vibrant, collective passion. Amid the joy of their culture, they face the harsh realities of discrimination and prejudice, navigating daily challenges from a society that struggles to accept their way of life.

Silent Veil(en)

In Pakistan, veils hide one of the country's most terrible secrets. Driven by revenge, jealousy or sexual non-co-operation some men subject their wives to horrific attacks with acid that is freely available in the street. Completely disfigured, the victims are often ostracized by their families and become prisoners in their own home. This chilling documentary is a terrifying insight into the shattered lives of these women.

The Godmother(fr)

Hungarian Retro 2.(hu)

A feature length, lively - montage style - documentary, capturing the essence of what life was like in socialist Hungary - dubbed the "The most cheerful barrack" back then - using contemporary music, interviews, adverts and news footages.

$avvy(en)

$avy investigates the historical, cultural, and societal norms around women and money.

Island Home Country(en)

A poetic cine-essay about race and Australia’s colonised history and how it impacts into the present offering insights into how various individuals deal with the traumatic legacies of British colonialism and its race-based policies. The film’s consultative process, with ‘Respecting Cultures’ (Tasmanian Aboriginal Protocols), offers an evolving shift in Australian historical narratives from the frontier wars, to one of diverse peoples working through historical trauma in a process of decolonisation.

Vietnam, Puerto Rico(es)

As Puerto Rico falls deeper and deeper into an unprecedented crisis this is Vietnam’s story, a community or barrio located on the coast of Guaynabo fighting an illegal expropriation at the hands of a career politician. Their experience echoes the island’s current struggle with; an unparalleled migration, a notion of progress fueled by corruption, crippling economic debt, displaced poor and middle class families whose land is being purchased by millionaires, and the slow to non-existent reconstruction of infrastructure after Hurricane Maria.

The Panafrican Festival in Algiers(ar)

Festival panafricain d'Alger is a documentary by William Klein of the music and dance festival held 40 years ago in the streets and in venues all across Algiers. Klein follows the preparations, the rehearsals, the concerts… He blends images of interviews made to writers and advocates of the freedom movements with stock images, thus allowing him to touch on such matters as colonialism, neocolonialism, colonial exploitation, the struggles and battles of the revolutionary movements for Independence.

Ajyal(ar)

Three generations of Saudi women reflect on their lives through the decades of dramatic regional cultural, political and religious changes. Ajyal (Generations) begins when Saudi Arabia launched its first school for girls in 1960 and continues through the post-9/11 era.

Vivants parmi les vivants(fr)

Renouer avec le vivant(fr)

Black Waters(es)

“Aguas Negras” is an experimental documentary about the Cuautitlán River. The film examines the passage of time and the pollution of the river by focusing on conversations with multiple generations of women in the filmmaker's family that have grown up by the river in a municipality identified as having the highest perception of insecurity in the State of Mexico.

Cowboys: A Documentary Portrait(en)

Told in the cinematic tradition of classic westerns, “COWBOYS - A Documentary Portrait” is a feature-length film that gives viewers the opportunity to ride alongside modern working cowboys on some of America's largest and most remote cattle ranches. The movie documents the lives of the men and women working on these "big outfit" ranches - some of which are over one million acres - and still require full crews of horseback mounted workers to tend large herds of cattle. Narrated through first-hand accounts from the cowboys themselves, the story is steeped in authenticity and explores the rewards and hardships of a celebrated but misunderstood way of life, including the challenges that lie ahead for the cowboys critical to providing the world's supply of beef. “COWBOYS” was filmed on eight of the nation’s largest cattle ranches across ten states in the American West.

WATERSHED(en)

WATERSHED chronicles the story of Mallory Weggemann, who was paralyzed at the age of 18 and found refuge in the pool as a swimmer. Having won five Paralympic medals, Weggemann is now not only looking to reclaim her spot on the podium, but she’s trying to become a mother as well. In WATERSHED, which was self-documented by Weggemann and her husband Jay Snyder, Weggemann trains for the Tokyo Paralympics during COVID-19 and battles an additional injury to her arm, putting her career in question. Against the backdrop of these crossroads, the couple bravely share their struggles with infertility, the importance of IVF, and their journey to start a family. In this deeply personal and inspiring film, Weggemann reminds us that trauma and tragedy not only change how we are perceived by society, but how we perceive ourselves. And that if we’re brave enough, we too can write our own ending.

Trade Center(en)

The voices of five gay men who cruised for sex at the World Trade Center in the 1980s and 1990s haunt the sanitized, commerce-driven landscape that is the newly rebuilt Freedom Tower campus.

Children beyond the war(en)